6.2/10
5,090
122 user 46 critic

Billy Jack (1971)

Ex-Green Beret hapkido expert saves wild horses from being slaughtered for dog food and helps protect a desert "freedom school" for runaway.

Director:

Tom Laughlin (as T.C. Frank)

Writers:

Tom Laughlin (screenplay) (as Frank Christina), Delores Taylor (screenplay) (as Teresa Christina)

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ON DISC
Nominated for 1 Golden Globe. Another 1 win & 1 nomination. See more awards »

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Billy Jack battles outlaw motorcycle gang in a small California beach town.

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After Billy Jack in sentenced to four years in prison for the "involuntary manslaughter" of the first film, the Freedom School expands and flourishes under the guidance of Jean Roberts. The... See full summary »

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Stars: Tom Laughlin, Delores Taylor, Victor Izay
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Director: Tom Laughlin
Stars: Tom Laughlin, Delores Taylor, E.G. Marshall
Action | Crime | Drama
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Billy Jack returns to bring down a child pornography ring headed by the Godfather of Godfathers.

Director: Tom Laughlin
Stars: Tom Laughlin, Rodney Harvey, Teresa Kelly
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Lee Long is a martial-arts champion who the police use as an undercover agent to infiltrate a drug ring responsible for importing heroin from Japan to Hong Kong. When he is identified and ... See full summary »

Director: Kazuhiko Yamaguchi
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Walking Tall (1973)
Action | Biography | Crime
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Based on the life of Tennessee sheriff Buford Pusser whom almost single-handily cleaned up his small town of crime and corruption, but at a personal cost of his family life and nearly his own life.

Director: Phil Karlson
Stars: Joe Don Baker, Elizabeth Hartman, Leif Garrett
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Cast

Cast overview, first billed only:
Tom Laughlin ... Billy Jack
Delores Taylor ... Jean Roberts
Clark Howat ... Sheriff Cole
Victor Izay ... Doctor
Julie Webb Julie Webb ... Barbara
Debbie Schock Debbie Schock ... Kit
Teresa Kelly Teresa Kelly ... Carol
Lynn Baker Lynn Baker ... Sarah
Stan Rice Stan Rice ... Martin
David Roya David Roya ... Bernard Posner
John McClure John McClure ... Dinosaur
Susan Foster Susan Foster ... Cindy
Susan Sosa Susan Sosa ... Sunshine
Katy Moffatt Katy Moffatt ... Maria
Gwen Smith Gwen Smith ... Angela
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Storyline

Billy Jack is a half-Indian/half-white ex-Green Beret who is being drawn more and more toward his Indian side. He hates violence, but can't get away from it in the white man's world. Pitting the good guys, the students of the peace-loving free-arts school in the desert vs. the conservative bad guys in the near-by town, the movie plays definitive late-60s themes/messages: anti-establishment, make love not war, the senseless slaughter of God's creatures, the rape of society (figuratively and literally), two-sided justice, racial segregation and prejudices. Written by Nic Cage <2cool@zebra.net>

Plot Summary | Plot Synopsis

Taglines:

Just a person who protects children and other living things. See more »

Genres:

Action | Drama

Certificate:

GP | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Billy Jack Online

Country:

USA

Language:

English

Release Date:

2 August 1971 (Sweden) See more »

Also Known As:

Ashita no kabe o buchi yabure See more »

Filming Locations:

Santa Fe, New Mexico, USA See more »

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Box Office

Budget:

$800,000 (estimated)

Gross USA:

$98,000,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Initially a dud at the box office, Tom Laughlin set up further distribution for a re-release in 1973. This time, the film was an enormous hit. See more »

Goofs

Martin credits the Serenity Prayer to St. Francis of Assisi. It was actually written by American theologian Reinhold Niebuhr, and first published in the 1930s. See more »

Quotes

Bernard: I'll be *damned*! That Injun is shootin' back!
See more »

Connections

Spoofed in Saturday Night Live: Paul Simon/George Harrison (1976) See more »

Soundtracks

Mary and the Jesus Babe
Sung by Robbyn Etelson
See more »

Frequently Asked Questions

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User Reviews

Not so ridiculous
4 December 2003 | by pcofhodSee all my reviews

Granted, I'll admit that this movie, or many movies of the same period, are not going to win an Oscar or anything. It wasn't intended to be a box office runaway, or a cash cow. It was meant to make a statement. I was fairly young by the time this came out, but even by then, I'd found many things in my own life that I'd identify with in this movie. First, I'm half Cherokee, and went through the whole biased, racist, "halfbreed" garbage myself, and still do on a rare occasion. Secondly, I'm a martial artist, albeit of a much different style than the Hapkido studied by Tom Laughlin and the character of Billy Jack. Thirdly, I'm what would be termed a hippie. This movie made a very powerful statement about what racism, as far as pertains to Native Americans, was and can still be like in this country today. It made a statement about the hippie movement, which 99.99% of its detractors have no idea what its about, or why we did it and continue to do it. So you can tell there's a stuntman that takes Tom's place in the park. Big deal. MANY movies, especially of that era, have similar "problems" with the suspension of disbelief. The thing you have to remember is that this is a MOVIE. Yes, its supposed to give the surrealism of watching something in real life, but we know its a movie. Enjoy the story for the sake of the story. Don't nit pick each and every little detail and flaw. Ever seen those movies with the cars driving down a wet road at night, and you can see the reflection of the car headlights, and the trails they leave on the lens of the camera? Of course you have. This is something that will distract the nit picker but won't mean much of anything to someone trying to enjoy the story. Besides, nobody's perfect. You've got to be who you are, what you are, and all that is revolved around what turns you on, not in a sexual sense, but "turned on" as in "makes you tick." So what if Fox was the original bankroller of the film? They obviously didn't KEEP bankrolling it. The quality is terrible, by today's standards, yes. In 1971 though, the quality was actually very good by comparison. The acting was, as someone said, very natural. You weren't thinking of looking at actors trying to be someone else, you had the sense of these people being exactly who they were supposed to be in most cases. Again, not Oscar material, but it flowed smoothly enough, I think, that overall, the effect was successful. There's so much more I could say, but I'll get off the soapbox now and hush. The lesson is its a film, enjoy it for what it is. If you think you can do better, don't talk, do. Then you can rattle on about what is "so ridiculous" and what isn't.


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