While imprisoned in a Confederate girls' boarding school, an injured Union soldier cons his way into each of the lonely women's hearts, causing them to turn on each other, and eventually, on him.
A brief fling between a male disc jockey and an obsessed female fan takes a frightening, and perhaps even deadly turn when another woman enters the picture.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Jessica Walter,
Donna Mills
Nun Sara is on the run in Mexico and is saved from cowboys by Hogan, who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
A hard but mediocre cop is assigned to escort a prostitute into custody from Las Vegas to Phoenix, so that she can testify in a mob trial. But a lot of people are literally betting that they won't make it into town alive.
A gunfighting stranger comes to the small settlement of Lago and is hired to bring the townsfolk together in an attempt to hold off three outlaws who are on their way.
New Orleans single dad and cop Wes Block goes after a serial rapist-killer but when he gets too close to the target the hunter suddenly becomes the hunted.
Director:
Richard Tuggle
Stars:
Clint Eastwood,
Geneviève Bujold,
Dan Hedaya
As the costly American Civil War still rages on, a 12-year-old student of the forgotten Miss Martha Farnsworth's Seminary for Young Ladies in warm and humid Mississippi stumbles upon a gravely wounded Union soldier, John McBurney. Taken in to recover from his injuries, the Corporal is imprisoned in a small room inside the mansion, however, before long, the seductive and unwanted guest will manage to take advantage of the female inhabitants' wartime-subdued desires. But is really McBurney in control over the situation?Written by
Nick Riganas
When Carol leaves the house to find McB, she posts him in the gazebo playing cards. He is laying out the cards with his right hand, but when the camera angle changes to show Carol arrive, he is laying out the cards with his left hand. See more »
Quotes
Martha Farnsworth:
Very pretty, Edwina. The Corporal seems to be having an affect on all of us.
See more »
Alternate Versions
The leg amputation scene was edited by the censors for the film's original UK cinema release. Later releases were uncut and rated 15. See more »
During the brief period between Clint Eastwood's string of spaghetti westerns and his Dirty Harry films, he and director Don Siegel teamed up to make this unusual picture. Eastwood plays an injured Union Army corporal during the Civil War who is taken in by a southern school for girls until he recovers from his wounds. It has been a while since the young women (most of which seem to be teenagers) have had a man on the premises, so they are reluctant to turn him in to the local rebel soldiers. The resulting situations are often humorous, shocking, erotic, or even downright grotesque as Eastwood slowly regains his strength and begins to brood over the establishment.
The basic storyline almost sounds like the makings of a porno film. We have a masculine male suddenly surrounded by young nubile women. Most of them are sexually attracted to him. And he is more than willing to spread the love amongst them. The material never really slips down to the level of "tasteless", however. Eastwood, Siegel, and cinematographer Bruce Surtees are such skilled filmmakers, that the film always retains its dignity.
Eastwood's John McBurney is like no other character he has ever played. McBurney is an amoral, conniving, and lustful charlatan. He knows that most of the women, even the youngest want his bod, and he lets more than one of them have a shot at him. McBurney often uses flattery to butter the women up, then uses his rugged good looks to reel them in. He is like a drunken player at a cocktail party, often hitting on different women even in the same scene! Eventually, his lustful ways cause him great agony and loss in a way you must see for yourselves. This author would not dream of revealing the specific consequences of his actions, but there is little doubt he has them coming.
Eastwood gives a typically great performance. He seems to be having a blast with the role until things turn really ugly, then he turns mean and ugly. Geraldine Page is a treat as the steely B*tch who runs the school. We know she wants McBurney as much as the other girls, but with her checkered past shown to us in flashbacks, we find out that isn't all she's after! Mae Mercer as a slave belonging to the school gives a great performance, too. She obviously knows McBurney is a skunk from the beginning, and she never lets his phony charm bring her guard down. This is a character you will want to know more about after the film is over. She seems to have a greater knowledge of the world than anyone else in the film.
The Beguiled did poorly in its theatrical release. Nobody was quite sure what to make of it, and some of its content no doubt raised a few eyebrows in 1971. For example, in an early scene we see Eastwood romantically kiss a 12-yr-old girl. Is he just trying to keep her quiet when the rebel soldiers get close, or is he really enjoying it? Probably both! A fantasy sequence later on even shows Clint getting it on with not only Page, but her young assistant! Truly some interesting goings on in this one. It's a good thing Eastwood became the star he did, or this one might have been long forgotten.
Highly recommended. 9 of 10 stars.
The Hound.
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During the brief period between Clint Eastwood's string of spaghetti westerns and his Dirty Harry films, he and director Don Siegel teamed up to make this unusual picture. Eastwood plays an injured Union Army corporal during the Civil War who is taken in by a southern school for girls until he recovers from his wounds. It has been a while since the young women (most of which seem to be teenagers) have had a man on the premises, so they are reluctant to turn him in to the local rebel soldiers. The resulting situations are often humorous, shocking, erotic, or even downright grotesque as Eastwood slowly regains his strength and begins to brood over the establishment.
The basic storyline almost sounds like the makings of a porno film. We have a masculine male suddenly surrounded by young nubile women. Most of them are sexually attracted to him. And he is more than willing to spread the love amongst them. The material never really slips down to the level of "tasteless", however. Eastwood, Siegel, and cinematographer Bruce Surtees are such skilled filmmakers, that the film always retains its dignity.
Eastwood's John McBurney is like no other character he has ever played. McBurney is an amoral, conniving, and lustful charlatan. He knows that most of the women, even the youngest want his bod, and he lets more than one of them have a shot at him. McBurney often uses flattery to butter the women up, then uses his rugged good looks to reel them in. He is like a drunken player at a cocktail party, often hitting on different women even in the same scene! Eventually, his lustful ways cause him great agony and loss in a way you must see for yourselves. This author would not dream of revealing the specific consequences of his actions, but there is little doubt he has them coming.
Eastwood gives a typically great performance. He seems to be having a blast with the role until things turn really ugly, then he turns mean and ugly. Geraldine Page is a treat as the steely B*tch who runs the school. We know she wants McBurney as much as the other girls, but with her checkered past shown to us in flashbacks, we find out that isn't all she's after! Mae Mercer as a slave belonging to the school gives a great performance, too. She obviously knows McBurney is a skunk from the beginning, and she never lets his phony charm bring her guard down. This is a character you will want to know more about after the film is over. She seems to have a greater knowledge of the world than anyone else in the film.
The Beguiled did poorly in its theatrical release. Nobody was quite sure what to make of it, and some of its content no doubt raised a few eyebrows in 1971. For example, in an early scene we see Eastwood romantically kiss a 12-yr-old girl. Is he just trying to keep her quiet when the rebel soldiers get close, or is he really enjoying it? Probably both! A fantasy sequence later on even shows Clint getting it on with not only Page, but her young assistant! Truly some interesting goings on in this one. It's a good thing Eastwood became the star he did, or this one might have been long forgotten.
Highly recommended. 9 of 10 stars.
The Hound.