Thinking this will prevent war, the US government gives an impenetrable supercomputer total control over launching nuclear missiles. But what the computer does with the power is unimaginable to its creators.
When virtually all of the residents of Piedmont, New Mexico, are found dead after the return to Earth of a space satellite, the head of the US Air Force's Project Scoop declares an emergency. Many years prior to this incident, a group of eminent scientists led by Dr. Jeremy Stone (Arthur Hill) advocated for the construction of a secure laboratory facility that would serve as a base in the event an alien biological life form was returned to Earth from a space mission. Stone and his team - Drs. Dutton, Leavitt and Hall (David Wayne, Kate Reid, and James Olson, respectively)- go to the facility, known as Wildfire, and try to first isolate the life form while determining why two people from Piedmont (an old wino and a six-month-old baby) survived. The scientists methodically study the alien life form unaware that it has already mutated and presents a far greater danger in the lab, which is equipped with a nuclear self-destruct device should it manage to escape.Written by
In September, 1972, Universal was exhibiting this on a double bill with Airport (1970) under the tag line "Together On One Great Family Program". See more »
When Dutton, Stone and Hall walk towards the electrostatic decontaminator, they are shown full-body from the rear to be nude entering the chamber. The next scene, tastefully blurred and solarized, still shows Dutton and Stone wearing athletic supporters, and Hall wearing bikini underwear. See more »
The opening credits read: "ACKNOWLEDGEMENTS This film concerns the four-day history of a major American scientific crisis. We received the generous help of many people attached to Project Scoop at Vandenberg Air Force Base and the Wildfire Laboratory in Flatrock, Nevada. They encouraged us to tell the story accurately and in detail." "The documents presented here are soon to be made public. They do not in any way jeopardize the national security." See more »
Italian version is 10 minutes shorter than original version (released at 130 min.) and omits many scenes from a subplot about a fallen fighter plane. See more »
The 1970s were a time before some of the "intelligentsia" of American culture began to abandon rationality and reject science on pseudo-ethical grounds. Unsurprisingly, then, 1970s sci-fi is often better informed by science than the sci-fi of later decades, and it is also often more thoughtful and intelligently written. The Andromeda Strain is one of the best hardcore sci fi epics from a decade which brought us such genre classics as 2001, Solyaris, Silent Running, and the original Rollerball. Unlike most of these films, however, Andromeda Strain does not strain believability beyond its bounds, nor does it indulge in metaphysical tangentializing or philosophical moralizing.
Developed from what I consider to be Michael Crichton's best book, the Andromeda Strain takes its cue directly from the hard realism of that book, along with its documentary style and scientific background research. Though aspects of the plot defy biological probability, if not law, almost the entire film is plausible. Also borrowed from Crichton's writing is the general point the film attempts to make - one which is present in nearly all of Crichton's work - that along with technological advance comes risk. Fortunately, however, this story does not reach the near-paranoid levels of technophobia which sometimes appear in later works.
A great ensemble cast full of not easily recognized character actors represent a team of scientists called together to contain and manage a deadly virus-like organism which has arrived on a crashed space research probe. The virus has already wiped out an entire town, and now the scientists must work at a breakneck, sleepless, pace to determine what the organism is, how it spreads and grows, and how it can be killed or contained. Their only major clues, it seems, are an old man and a baby who survived the initial outbreak. To avoid spoilers, I will avoid any further details regarding the plot.
The only aspect of the film which really seems dated is the strange electronic soundtrack, which, at times, seems more derivative of 1950s sci-fi than more modern stuff. Suffice to say that this is one of the best uses of the 'as-it-happens' documentary film-making style. The entire film is delivered in a very refreshingly straightforward manner, with believable dialog, actors that look like real people, and a pace that builds constantly from start to finish.
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