8.2/10
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16 user 2 critic

Amar Prem (1972)

Not Rated | | Drama, Musical, Romance | 28 January 1972 (India)
A village woman abandoned by her husband is forced into prostitution in Kolkata and forms nameless yet strong relations with a wealthy patron as well as an abused boy in the neighbourhood.

Director:

Shakti Samanta

Writers:

Bibhutibhushan Bandyopadhyay (story) (as Bibhuti Bhushan Banerji), Arabinda Mukhopadhyay (screenplay) (as Aravinda Mukherji) | 1 more credit »
Reviews
4 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Rajesh Khanna ... Anand Babu
Sharmila Tagore ... Pushpa
Sujit Kumar ... Sharma (Nandu's dad) (as Sujit)
Bindu ... Mrs. Kamla Sharma
Madan Puri ... Nepal Babu
Bobby Bobby
Om Prakash ... Natwarlal
Vinod Mehra ... Nandkishore Sharma 'Nandu'
Satyendra Kapoor ... Vijay (as Satyendra Kumar Kappu)
Manmohan ... Ram Ratan (as Man Mohan)
Abhi Bhattacharya ... Dr. Ghosh
Ram Mohan ... Shankar
Mohan Choti
Gurnam Singh Gurnam Singh ... Hariram (as Gurnam)
Paresh Nanda Paresh Nanda
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Storyline

A village woman abandoned by her husband is forced into prostitution in Kolkata and forms nameless yet strong relations with a wealthy patron as well as an abused boy in the neighbourhood.

Plot Summary | Add Synopsis

Genres:

Drama | Musical | Romance

Certificate:

Not Rated | See all certifications »
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Did You Know?

Trivia

after seeing Uttam Kumar's performance in Benagli version Nishi Padma (1970) Shakti Samantha was so impressed that he decided to make the film in Hindi. See more »

Connections

Referenced in Badhaai Ho (2018) See more »

Soundtracks

Raina beeti jaaye, shyam na aaye
Sung by Lata Mangeshkar Rajesh Khanna
See more »

User Reviews

 
A gem of a movie!
30 April 2006 | by travised87See all my reviews

I have recently become more disillusioned that ever with Bollywood and its invariable churning of sugar-coated, feel good products, which lack a heart and soul. but if someone was pick up one film, as a beacon, as an example of the great emotional and spiritual waves that flow though India, it would be this one.

A poignant yet everlasting drama of love and the power of compassion and humanity. it tells the story of a woman (Pushpa), who is ostracized and eschewed by society and its establishments, to rot away on the notorious fringes of it. Yet within the brothel she resides, she builds a temple of love and care for those two people that come to see her. Nandu and Anand are members of society, yet only ostensibly, yearning for the compassion that their families fail to provide them, and in search, they come to Pushpa, whose abundance of love and human sympathy far overshadows her disreputable social standing. They alone see her inner beauty, while society maligns her, yet as the director points, cannot provide the qualities of love, happiness and tranquility for members like Nandu and Anand. Pushpa's relationship with Anand is certainly one of the most beautiful you will see. Theirs is a purely platonic relationship, which succeeds where the social union of marriage - for both - fails.

As they continue to meet, their bond grows, and beyond their own socially certified families, they create a little family of true love, depth and care. They receive from each other the love they so desire - motherly love for Nandu, a true companion for Anand, and a child and husband for Pushpa - though their relationship with each other has no social legitimacy. Samanta succeeds in creating a cynical presentation of society as one that compels people to stay within the confines of its social institution of family yet cannot provide for the very emotional, and spiritual ingredients that constitute it. Add the fact that it is society after all that created the brothel, where unquenched desires can be fulfilled, and what you have is a representation that makes Pushpa's relationship with Nandu and Anand all the more 'holy'.

This film tackled a theme that was very much taboo in Indian Cinema, and succeeds in presenting a mature, yet never over-the-top, nor didactic story that ultimately every Indian household can identify with. The music is an absolute delight and adds to the melancholic yet redemptive nature of the relationship between the three protagonists. Setting presentation is class, with nothing done to hide the vividly grotesque nature of the red light district and the people that patronise it. It has its fair share of stereotypical characters, who function very much as symbols of the unscrupulous, cunning nature of society. Yes, you get doses of the typical Hindi film melodrama, but its very much reserved to a modicum. Where it succeeds is in teaching you about human relationships and that it is love, togetherness and understanding that makes family, and not a social ceremony or some legal document. This is a film for all generations who appreciate human relationships and its power to transcend social boundaries.


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Details

Country:

India

Language:

Hindi

Release Date:

28 January 1972 (India) See more »

Also Known As:

Immortal Love See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.33 : 1
See full technical specs »

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