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The Six Wives of Henry VIII

  • TV Mini Series
  • 19701970
  • 9h
IMDb RATING
8.4/10
1.3K
YOUR RATING
The Six Wives of Henry VIII (1970)
DramaHistoryRomance
A six-episode dramatization of Henry VIII's relationships with each of his six wives. Each episode is devoted to one wife, and is a complete play in itself.A six-episode dramatization of Henry VIII's relationships with each of his six wives. Each episode is devoted to one wife, and is a complete play in itself.A six-episode dramatization of Henry VIII's relationships with each of his six wives. Each episode is devoted to one wife, and is a complete play in itself.
IMDb RATING
8.4/10
1.3K
YOUR RATING
  • Stars
    • Keith Michell
    • Anthony Quayle
    • Patrick Troughton
  • Stars
    • Keith Michell
    • Anthony Quayle
    • Patrick Troughton
  • See production, box office & company info
    • 30User reviews
    • 2Critic reviews
  • See production, box office & company info
  • See more at IMDbPro
    • Won 1 Primetime Emmy

    Episodes6

    Browse episodes
    TopTop-rated
    1 Season
    1971

    Photos25

    The Six Wives of Henry VIII (1970)
    Angela Pleasence in The Six Wives of Henry VIII (1970)
    The Six Wives of Henry VIII (1970)
    The Six Wives of Henry VIII (1970)
    Dorothy Tutin in The Six Wives of Henry VIII (1970)
    The Six Wives of Henry VIII (1970)
    Elizabeth R (1971)
    The Six Wives of Henry VIII (1970)
    The Six Wives of Henry VIII (1970)
    Elvi Hale in The Six Wives of Henry VIII (1970)
    The Six Wives of Henry VIII (1970)
    The Six Wives of Henry VIII (1970)

    Top cast

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    Keith Michell
    Keith Michell
    • Henry VIII
    Anthony Quayle
    Anthony Quayle
    • Narrator
    Patrick Troughton
    Patrick Troughton
    • Duke of Norfolk
    Bernard Hepton
    Bernard Hepton
    • Archbishop Thomas Cranmer
    Sheila Burrell
    Sheila Burrell
    • Lady Rochford
    Basil Dignam
    Basil Dignam
    • Bishop Gardiner
    Wolfe Morris
    Wolfe Morris
    • Thomas Cromwell
    Angela Pleasence
    Angela Pleasence
    • Catherine Howard
    Dorothy Tutin
    Dorothy Tutin
    • Anne Boleyn
    Anne Stallybrass
    • Jane Seymour
    Daniel Moynihan
    Daniel Moynihan
    • Edward Seymour (Lord Hertford)
    John Ronane
    • Thomas Seymour
    Howard Goorney
    • Will Somers
    Patrick Godfrey
    Patrick Godfrey
    • Sir Thomas Wriothesley
    Alison Frazer
    • Princess Mary
    Edward Atienza
    • Eustache Chapuys
    Annette Crosbie
    Annette Crosbie
    • Catherine of Aragon
    Rosalie Crutchley
    Rosalie Crutchley
    • Catherine Parr
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Henry VIII
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    Storyline

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    Did you know

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    • Trivia
      Keith Michell (King Henry VIII) and Bernard Hepton (Archbishop Thomas Cranmer) are the only actors to reprise their roles in Henry VIII and His Six Wives (1972).
    • Connections
      Featured in The 24th Annual Primetime Emmy Awards (1972)

    User reviews30

    Review
    Review
    Featured review
    9/10
    Three A-/Two A/One A+
    The best TV miniseries I've ever seen by far. Originally a BBC presentation, it became something of a pop culture phenomenon here in the summer of 1971, when, edited and with a more elegant introduction, it was presented on six Sunday nights. What's best in it is what's most important- the characterization by the six different playwrights of that monstrous old charmer, Henry VIII, and the performance(s) of Keith Michell in the role. I'll give my comments wife by wife. (The title of each episode is the name of the wife.)

    CATHERINE OF ARAGON (A) The proximate cause of the English Reformation, the daughter of Ferdinand and Isabella of Spain who had been briefly married to Henry's older brother, whom he married with the necessary papal dispensation, and later wanted to dump because she didn't produce a male heir, which led to all the trouble with Rome. The series gets off to a rocky start. It was a daring ploy of the author to be deliberately tedious in the depiction of the unnoteworthy trials of the young "princess dowager" so as to draw a sharp ironic parallel to the world-shaking trials of the OLD "princess dowager." The satisfaction you feel in getting the point makes up for your initial impatience. All of the wives give fine performances; Annette Crosbie's is one of two which are as great as Michell's. She does full justice to a very great lady. Complaints: her old-age make-up is way overdone (she looks 60-70 instead of 40-50)and this is the only episode compromised by a gratingly poor performance (you'll know whom I mean).

    ANNE BOLEYN (A-) Interestingly, the one part of Henry's life which is well-known, his romance with Anne Boleyn, is dispatched here in a minute-long opening interlude. There are some serious weaknesses in the script. The phraseology is "off" a lot- too modern, too soap operatic. ("Love is a most Complete Experience...") It puts its emotional climax (Anne's trial for adultery) at the mid point and then has to trump up unlikely, pointless scenes between the doomed Queen and the Henry's weak yes-man Archbishop Cranmer which come off as actors stalling on a stage because the hands are having trouble wheeling out the block. Henry is reduced to a supporting role in this one and is purely the villain of the piece. The previous Catherine and this Anne are the only wives whose personalities and words have come through in the pages of history; what's most admirable here (and least soap operatic) is that neither the playwright nor the actress (the late Dorothy Tutin)try to gloss over the cruelty and arrogance of the legendary Hussy, and even seem to want to convey the idea that in a sense getting thrown in the Tower and having her head chopped off were the best things that ever happened to her, almost a blessed relief. The supporting players are generally superb in all episodes. Here Anne's brother George and the gentle coward Cranmer are stand-outs.

    JANE SEYMOUR (A+) Television at its finest. All but sheer perfection in every way. By far the richest in drama and historical analysis. The playwright ingeniously parlays the little that is known about the sweet country girl (the original Plain Jane)who gave Henry his all-important prince and then quietly crept into her tomb, into an unforgettably touching look at Innocence and Goodness defiled and destroyed even as it's healing and helping (to some degree) Guilt and Badness. The psychological and moral depth matches the emotional- a rare triumph. The portrait it draws of Henry is the most balanced, and Anne Stallybrass is the other actress who attains magnificence. Okay, one tiny flaw: the merry-making scenes are too long.

    ANNE OF CLEVES (A-) In the series as in life, a little comedy relief in Henry's ghastly marital career. Elvi Hale is a delight as the supposedly ungainly German princess whom the now grotesque and dilapidated Henry married to deal an alliance with the European Protestants. All that's known of the real Anne is that she was considered ugly and gauche but loved even by Henry (after dumping her in short order) for her simple good nature. Here the "joke" is that behind the scenes Anne is a brilliant political chess player who only plays dumb when expedient. But the good nature is still there, along with a rather anachronistic conviction that "comforting a hurt child is more important than squabbles between Churches", making her probably the only one of the six wives most modern people could like and identify with. Biggest problem: the "informational dialogue" is poured on too thick. The fact that Miss Hale is not just not ugly but actually the only wife who comes close to being beautiful, may be part of the "joke": we have portraits of all six real life wives and she, the "ugly" one, is generally thought to be the only pretty one. The simple sadness of the last shot is unforgettable.

    CATHERINE HOWARD (A-) Michell shines as the wreck of his dashing and heroic former self trying to drum up a second wind in his blubbery old hulk when he falls head over heels for a pretty lass whom he makes Queen of England without checking her references... The real Catherine was just a vain and frivolous little ninny who led a sordid life and came to a bad end: to tease a Legend out of this pitiful footnote here Catherine has all the cunning and craft and steely will of Cleopatra and Scarlett O'Hara, and all the rhetorical grandeur of Antigone. The artifice doesn't quite jibe with the facts even as shown. Angela Pleasance is excellent as the witchy little wanton; appropriately, she's attractively nubile but on closer look really not even that pretty. It's a detail which nicely highlights the Die Young/Stay Young Eternally theme. Compelling, but a little too nasty for its own good. The scene in which Catherine banishes the court jester is a nice touch (the clown as sinister symbol of Fate).

    CATHERINE PARR (A)The most plodding of the scripts, the least thematically engaging and most history bookish and episodic, so it's a good thing that the dialogue is especially witty and incisive. Another great lady among the six wives in real life, and Rosalie Crutchley does a fine job of projecting her intelligence, humor, kindliness, and honesty, as well as her mortal terror when despite all her golden virtues she almost goes the way of the first Anne and the next-to-last Catherine because of her one fault: she doesn't know when to keep her mouth shut on the subject of Religion in earshot of a husband who made up his own religion up as he went along and had a habit of killing those who wouldn't or couldn't keep up with the developments. Scene of King and Kate's first meeting one of best in the series.
    helpful•37
    0
    • jimtheven
    • Feb 20, 2002

    Details

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    • Release date
      • August 1, 1971 (United States)
      • United Kingdom
      • English
    • Also known as
    • Production company
      • British Broadcasting Corporation (BBC)
    • See more company credits at IMDbPro

    Technical specs

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    • 9 hours
      • Color
      • Mono

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