Sam McCloud is a Marshal from Taos, New Mexico, who takes a temporary assignment in the New York City Police Department. His keen sense of detail and detecting subtle clues, learned from his experience, enable him to nab unsuspecting criminals despite his unbelieving boss.
The show is about doctors Marcus Welby, a general practitioner and Steven Kiley, Welby's young assistant. The two try to treat people as individuals in an age of specialized medicine and ... See full summary »
The weekly adventures of Frank Cannon, an overweight, balding ex-cop with a deep voice and expensive tastes in culinary pleasures, who becomes a high-priced private investigator. Since Cannon's girth didn't allow for many fist-fights and gun battles (although there were many), the series substituted car chases and high production values in their place. Written by
Marty McKee <email@example.com>
Frank Cannon was originally a policeman, but he quit the force after the tragic death of his wife and infant son in an automobile accident. The tragedy drove Cannon to become a top private investigator. See more »
Cannon frequently uses his mobile phone in his car but exterior shots of the car never shows the necessary antenna. See more »
"Cannon" was probably the least pompous of the original entries in television's anti- establishment police/private-eye sub-genre; setting the stage for "Harry-O" and "The Rockford Files". Rotund actor William Conrad played the title character; dubbed "Cannonball" in Mad Magazine's satire of the series. After years as the voice-over narrator of "The Fugitive" and "Rocky and Bullwinkle", Conrad finally was allowed to be on-screen and is said to have incorporated a lot of his own quirky characteristics into the Frank Cannon character.
Frank is a detective who only takes a case when he feels like it or is pressed for cash to maintain his expensive epicurean lifestyle (i.e. adventures in eating). Most of the action in the series is in the form of car chases; there is some fighting but almost no running. Lacking a handsome co-star "Cannon's" producers were obviously ceding most potential female viewers to the other networks during this time slot; which is generally a good thing for those in the target demographic as there are no compromises to expand the audience.
"Cannon" was a quality Quinn Martin production with logical situations, good suspense, and fast pacing.
Then again, what do I know? I'm only a child.
Episode 1 (14 Sept 71) "Salinas Jackpot" - Tom Skeritt, Sharon Acker; Episode 2 (21 Sept 71) "Death Chain" Episode 3 (28 Sept 71) "Call Unicorn" - Wayne Rogers; Episode 4 (5 Oct 71) "Country Blues - Clu Gulager, David Huddleston, Joan Van Ark; Episode 5 (12 Oct 71) "Scream of Silence"; Episode 6 (19 Oct 71) "Fool's Gold," L.Q. Jones; Episode 7 26 Oct 71) "Girl In the Electric Coffin" Kim Hunter; Episode 8 (9 Nov 71) "Dead Pigeon"; Episode 9 16 Nov 71) "Lonely Place to Die"; Episode 10 (23 Nov 71) "No Pockets in the Shroud," Roy Scheider, Linda Marsh; Episode 11 (30 Jan 72) "Stone, Cold Dead," Richard Anderson; Episode 12 (7 Dec 71) "Death is a Double Cross"
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