The week before Kurt Cobain was found dead from a single gunshot, he went missing. His whereabouts for that week has remained a mystery until now. But for the first time, the story of what ... See full summary »
The Murrow, Polk, and IDA Award-winning documentary Boogie Man is about Lee Atwater, a blues-playing rogue whose rise from the South to Chairman of the GOP made him a political rock star. ... See full summary »
Pink Floyd guitarist David Gilmour performs live at the Royal Albert Hall on May 29, 30 and 31st, 2006 in London, England, showcasing material from his 2006 solo album On an Island, and his Pink Floyd repertoire.
In this visual essay style documentary, intimate audio of journalist Michael Azerrad's interviews with Kurt Cobain is played over more recently photographed footage of Cobain's Washington state homes and haunts.
Dire Straits classic video clip for 'Money for Nothing', smash 1985 hit from the album "Brothers in Arms". The iconic video mixtures advanced animation technology and footage from the band ... See full summary »
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.Written by
Dan Hartung <firstname.lastname@example.org>
Jimi Hendrix - Crosby, Stills & Nash - Sly and The Family Stone - The Who - Santana - Richie Havens - Joan Baez - Joe Cocker - Ten Years After - Arlo Guthrie - 400,000 people - Peace - Love - Mud See more »
When The Who is singing, "We're Not Going to Take It," the lighting change seen was the sunrise, which occurred at precisely at the most dramatic moment for the song. The band was so pleased at the aesthetic effect of this coincidence that they arranged special lighting in future concerts to achieve the same effect. See more »
Okay. Go ahead.
Sidney Westerfield, Local merchant:
My name is Sidney Westerfield. I'm the owner of this antique tavern, Mongaup Valley, New York State. I was here when this crowd really came. We expected 50,000 a day and there must have been a million. I, myself, was hungry for two days because I couldn't get any food! I couldn't go out to buy any food.
Sidney Westerfield, Local merchant:
I was eatin' cornflakes for two days. And the kids were wonderful. I had no kick. It was, "Sir, this" and "Sir, that" and "Thank you, this" and "Thank you, ...
[...] See more »
After the closing credits of the Director's Cut, Crosby, Stills and Nash are heard singing "Cost of Freedom". The visuals are of a still shot of the crowd of Woodstock, fading into a long list of names of various people, including performers who were at Woodstock, who have since died. The list of names ends with the following: Peace Music Ecology Liberty Community Democracy Alternatives Knowledge Altruism This is then followed by: Woodstock Generation 19**-20** R.I.P. it up Tear it up have a Ball See more »
The director's cut ended with a shot of a version of the Vietnam War memorial with the names of several influential persons of the 1960's and the Crosby, Stills, Nash and Young's "Find the Cost of Freedom Playing" over the scene. See more »
I was 8 years old the time this event took place and having older siblings into the times, styles, and cultures of the era I certainly got a feel and liking for the bands in this documentary. I have seen bits and pieces of this event throughout the years, but never took the time to sit down and watch the whole event from start to finish; that is until last weekend. This definitely is what music documentaries have used as the measuring stick to define themselves ever since. The Director's Cut, which is what I viewed, is 224 min in length. It's amazing how one can get "sucked into the experience" and not notice the time elapsing! The Remastered version is incredible especially regarding the visual and audio equipment used in that time period. The 2 channel effect with the split screen is interesting and keeps the viewer entertained by the different sounds and noises in the interview segments. Best musical and visual picks are Jimi Hendrix, CSN, Country Joe (cute use of the "bouncing ball" - can we say Karaoke?), Jefferson Airplane, and my favorite Janis Joplin. If you're a period person, grew up in the late 60's, or appreciate classic rock music, then I urge you to go and watch this classic piece of work.
9 out of 10 ***
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