In 17th-century France, Father Urbain Grandier seeks to protect the city of Loudun from the corrupt establishment of Cardinal Richelieu. Hysteria occurs within the city when he is accused of witchcraft by a sexually repressed nun.
Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
In 1926 the tragic and untimely death of a silent screen actor caused female moviegoers to riot in the streets and in some cases to commit suicide - that actor was Rudolph Valentino. ... See full summary »
The battle of the sexes and relationships among the elite of Britain's industrial Midlands in the 1920s. Gerald Crich and Rupert Berkin are best friends who fall in love with a pair of sisters Gudrun, a sculptress and Ursula Brangwen, a schoolteacher. Rupert marries Ursula, Gerald begins a love affair with Gudrun, and the foursome embarks upon a Swiss honeymoon. But the relationships take markedly different directions, as Russell explores the nature of commitment and love. Rupert and Ursula learn to give themselves to each other; the more withdrawn Gerald cannot, finally, connect with the demanding and challenging Gudrun.Written by
In a scene between Glenda Jackson's and Vladek Sheybal's characters, she declares herself to be Antonina Milyukova, a nymphomaniac married to Tchaikovsky; he, pretending to be the composer replies "but I am a homosexual". The following year, Jackson would play Milyukova, a nymphomaniac married to a gay man, in the Ken Russell film The Music Lovers (1971). See more »
Ursula is seen toasting pre-sliced bread in front of the fire. Pre-sliced bread wasn't invented until 1928, eight years after the action. See more »
You love it! Do you think I don't know the foulness of your sex life and hers. Well, I do. And its that foulness that you want!
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I prefer to just stick the whole fig into my mouth.
At first glance, Ken Russell's "Women in Love" may look like one of the many movies exploring the new permissiveness of the silver screen (and in fact it got released around the same time as "Bob & Carol & Ted & Alice"). But it is also important to pay attention to its focus on England's class system. In my opinion, probably the most effective scene is during the opening credits, as Gudrun (Glenda Jackson) and Ursula Brangwen (Jennie Lind) - both dressed in fancy aristocratic clothes - walk through an economically depressed neighborhood, barely if at all moved by the poverty surrounding them. Of course, it's hard not to remember Rupert Birkin (Alan Bates) and Gerald Crich (Oliver Reed) fighting each other. That scene probably goes to show the falsity of the rich English lifestyle: they act like these refined individuals, but the whole time they're ready to explode. Back when D.H. Lawrence wrote the novel, he probably never guessed that the movie would look like this.
All in all, this is certainly one that I recommend. I often say that the period from about 1967 to 1973 saw some of the greatest movies released, and this backs that up. Also starring Eleanor Bron (the woman in "Help!") and Michael Gough (Alfred in the Batman movies from 1989 to 1997).
I've never heard of people cutting open figs and eating only the inside. I've always just eaten the whole fig.
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