An American playwright living in Rome consults a quack psychiatrist to combat his fears of balding and save his failing marriage.
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Title: Pussycat, Pussycat, I Love You (1970)
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Nominated for
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Cast
| Cast overview, first billed only: | |||
| Ian McShane | ... | Fred C. Dobbs | |
| Anna Calder-Marshall | ... | Millie Dobbs | |
| John Gavin | ... | Charlie Harrison (Grant Granite) | |
| Severn Darden | ... | Dr. Fahrquardt | |
| Joyce Van Patten | ... | Anna | |
| Beba Loncar | ... | Ornella | |
| Leopoldo Trieste | ... | Desk Clerk | |
| Katia Christine | ... | Angelica (as Katia Christina) | |
| Gaby André | ... | Flavia | |
| Marino Masé | ... | Franco | |
 |
Ian Trigger | ... | Dr. Ponti |
| Veronica Carlson | ... | Liz | |
|
|
Daniël Sola | ... | Fernando (as Daniel Sola) |
|
|
Dari Lallou | ... | Hesther |
| Linda Morand | ... | Moira | |
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Storyline
An American playwright living in Rome consults a quack psychiatrist to combat his fears of balding and save his failing marriage.
Plot Keywords:
playwright | claim in title | repetition in title | female nudity | title based on song |Taglines:
A simple story about a man and a woman, and a woman and a woman and a woman and a woman and a woman and a woman and a woman and a woman? See more »Genres:
ComedyParents Guide:
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Details
Country:
USALanguage:
EnglishRelease Date:
8 July 1970 (West Germany) See more »Also Known As:
Kotku, kotku, kocham cie See more »Company Credits
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Technical Specs
Sound Mix:
MonoColor:
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Did You Know?
Trivia
This film was the sequel to the successful What's New Pussycat (1965). Woody Allen disowns both films, as do most of the cast. See more »Crazy Credits
Instead of 'The End', the word 'CIAO' is shown in capitals. See more »Frequently Asked Questions
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This dreadful sequel to the drecky 1965 hit What's New, Pussycat? is even more formless than the original film and is missing Tom Jones rendition of the title tune, making it unbearably hard going. Ian McShane is miscast miserably in a comic role and even reliable Severn Darden fails to elevate the substandard and plotless material, which revolves around his hair piece, a talking gorilla that loves McShane, and a wild assortment of fab late '60s fashions on the female cast members. This is one of those 'hip' period comedies that think linear narrative is unnecessary when you have a series of hilarious unrelated scenes patched together. Sadly, the only scenes here that remotely approach amusing are the ones of McShane getting mixed up in the shooting of a spaghetti western, a mere tenth of Pussycat Pussycat's interminable 100 minutes. Lalo Schifrin's intrusive score is one of his worst efforts. This is a film that deserves its obscurity.