Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery?Written by
Joel Preuninger <Jhpreunin@aol.com>
The original script ran for one hundred sixty-five pages. The final screenplay was two hundred sixty pages. See more »
When Holmes, Watson and Gabrielle get off the train at Inverness, the train goes forward to another destination. The railway station at Inverness is a terminus. See more »
Mr. Holmes, what you have seen tonight is last, and positively final performance of Madame Petrova. She is retiring.
What a shame.
She's been dancing since she was three years old, and after all, she is now thirty-eight.
I must say, she doesn't *look* thirty-eight.
That is because she is forty-nine.
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One edit for British TV trims the scene where Watson berates Holmes about his cocaine abuse. This keeps Watson's question, 'Aren't you ashamed of yourself?', but cuts Holmes' answer, 'Thoroughly. This will take care of it.' See more »
Billy Wilder's take on the world's most famous detective is both painstakingly faithful and sardonically subversive to Sir Arthur Conan Doyle's idiossyncratic creation. Presented as a case that loyal companion John Watson duly recorded but requested remain secret until long after his death, in which Holmes aids a Belgian woman find her missing husband, a mining engineer hired by an apparently non-existant English company, it makes clever use of the rulebook Conan Doyle set down while at the same time undermining it from within. The title and the plot may seem misleading at first - the first half hour especially seems at odds with what comes afterwards - but in fact if you're a Holmes fan you'll quickly realise that this is as close to romance as the detective would ever allow, and Wilder tells it through a masterful accumulation of small touches that only someone as meticulous as the man himself would notice. Script-wise, it's a cracking mystery in the best Doyle tradition, with all the time-honoured twists and turns present and correct. The acting is also up to Wilder's usual standards; Stephens and Blakely are an engaging duo as a bored Holmes and a bumbling Watson, and there's a hysterically funny supporting turn by the always underrated Revill as a Russian ballet impresario. Wilder's trademark pointed cynicism fits the English witticism particularly well, even if at times it all seems a bit too modern for the peaceful Victorian surroundings, but it is quite ironic to see him chiding Britain's stiff-upper-lip, old-fashioned morality when the film seems to be an "old timers' movie" entirely out of sync with its own time. Still, it's hard to find fault in such a thoroughly civilised and delightful entertainment.
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