Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery?Written by
Joel Preuninger <Jhpreunin@aol.com>
The following have commented on the movie's original intended long length and massive editing cut down: Virgin Film Guide: "The film was cut by more than thirty minutes by United Artists"; Leonard Maltin: The movie was "intended as a three and a half hour film"; Allmovie.com: "Heavily re-edited and rearranged both before and after its release"; Halliwells: "What started as four stories is reduced to two"; Empire: "Originally a three-hour epic, this 1970 movie was taken from its creator and mutilated by the wholesale lopping of entire episodes". See more »
Dr.Watson says at the beginning of the movie that this takes place in 1887. However, he shows Holmes a copy of the Strand Magazine with "The Red Headed League", which was not published until 1891. Also, the Russian opera singer later tells Holmes that she read about his adventure, "The Hound of the Baskervilles", but that was not published until 1901. See more »
Mr. Holmes, what you have seen tonight is last, and positively final performance of Madame Petrova. She is retiring.
What a shame.
She's been dancing since she was three years old, and after all, she is now thirty-eight.
I must say, she doesn't *look* thirty-eight.
That is because she is forty-nine.
See more »
One edit for British TV trims the scene where Watson berates Holmes about his cocaine abuse. This keeps Watson's question, 'Aren't you ashamed of yourself?', but cuts Holmes' answer, 'Thoroughly. This will take care of it.' See more »
A surprisingly melancholy celebration of Conan Doyle's most famous creation
Billy Wilder's excellent 1970 film handles the whole subject of Sherlock Holmes from a refreshingly different angle. As the title suggests, the film is rather more concerned with characterisation than plot, which although entertaining and original, is hardly an adequate stage to show off Holmes' exceptional talents.
Instead, Wilder and Diamond start with the premise that "Watson's" stories for Strand Magazine were a little more lurid than the "reality" and use it to develop a more subtle characterisation than the "thinking machine" of the literary Holmes. Admittedly, the film probably concentrates on Holmes' celebrated cocaine habit more than it should, but all references are lifted straight from the book and in any case, Stephens does not dwell on it.
Stephens himself is quite simply excellent, giving Holmes' a depth of character not seen again until Jeremy Brett on the small screen. Stephens' performance leaves us with a slightly melancholy Holmes', a man who perhaps regrets that, unlike Watson, he has dedicated his life to pure reason and while the screenplay hints at Holmes' sexuality, Stephens deflects it masterfully, remaining ambivalent and gentile where a less accomplished actor would have been simply camp, and so uses the suggestion to wrap another layer of ambiguity about the character.
All in all, Wilder and Stephens combine to make a refreshingly accessible Holmes and the entertainment comes from the interplay of characters rather than pace of plot.
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