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Medea (1969)

Not Rated | | Drama, Fantasy | 28 January 1970 (France)
After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her furious revenge. Can they escape her wrath?
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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Maria Callas ... Medea
Massimo Girotti ... King Kresus / Creonte
Laurent Terzieff ... Centaur
Giuseppe Gentile Giuseppe Gentile ... Jason
Margareth Clémenti Margareth Clémenti ... Glauce (as Margareth Clementi)
Paul Jabara ... Pelias
Gerard Weiss Gerard Weiss ... Second centaur
Sergio Tramonti Sergio Tramonti ... Apsirto, Medea's brother
Luigi Barbini ... Un Argonauta
Gian Paolo Durgar Gian Paolo Durgar ... (as Gianpaolo Duregon)
Luigi Masironi Luigi Masironi ... Jason at 5
Michelangelo Masironi Michelangelo Masironi ... Jason at 13
Gianni Brandizi Gianni Brandizi ... Un Argonauta
Franco Jacobbi Franco Jacobbi ... Un Argonauta
Annamaria Chio Annamaria Chio ... Wet-nurse (as Anna Maria Chio)
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Storyline

On a quest to retrieve the fabled Golden Fleece, Jason and the Argonauts arrive at a remote barbarian land where the natives worship the sacred artefact to protect the crops. But, unexpectedly, as Medea--a beautiful high priestess and the land's powerful sorceress--betrays her beliefs to follow Jason back to Greece, a cruel fate awaits her. As a result, deserted and banished by the king, it's only human that Medea plots her furious revenge. Can they escape her wrath? Written by Nick Riganas

Plot Summary | Add Synopsis

Taglines:

Maria Callas' first dramatic movie!

Genres:

Drama | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

According to Richard Burton's diaries, Maria Callas very much wanted him to play Jason. Callas was despondent after her long-time lover, shipping tycoon Aristotle Onassis, had dumped her for Jacqueline Kennedy, and while Burton was sympathetic, he declined the role, thinking it "thankless". See more »

Goofs

When Jason speaks to the two centaurs, there is a mismatch in their shadows in the middle of the screen, indicating that the image is a composite. See more »

Quotes

King Kresus: You are a barbarian from a foreign land, different from us. We don't want you among us. It is impossible to see into the depths of one's soul.
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Connections

Referenced in Flesh Blanket (2018) See more »

User Reviews

 
An extraordinary piece with philosophical interest
14 September 1998 | by Damo-2See all my reviews

Medea is an extraordinary film which some will find difficult. Telling the story of Jason and his quest for the Golden Fleece, this is not the stuff of Ray Harryhausen. Meeting the priestess of the Fleece, Medea, he falls in love with her and takes her home. Years later, after bearing him sons, she exacts a terrible revenge after he spurns her for a new love. Medea is also extraordinary in exhibiting Pasolini's demonstration of contrasts in plot development and framing. In the sequence in which we are introduced to Medea, we witness the mesmeric nature of a human sacrifice, which changes from the ecstatic to the horrific within the same sequence. This motif recurs throughout the film, and has prompted admiration from French philosopher Gilles Deleuze, who mentions Pasolini in his treatise on the movement-image. Filmed with a mixture of professional and non-professional actors, Medea is a challenging and refreshing change from the usual, as it builds up to a frightening climax in an unconventional way. Often shown in 'World Cinema' slots late at night, it's a film worth staying up for, or recording, for those seeking an alternative to Hollywood pap.


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Details

Country:

Italy | France | West Germany

Language:

Italian

Release Date:

28 January 1970 (France) See more »

Also Known As:

Medea See more »

Filming Locations:

Cappadocia, Turkey See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
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