7.1/10
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28 user 26 critic

Medea (1969)

Not Rated | | Drama, Fantasy | 28 January 1970 (France)
After his quest to retrieve the fabled Golden Fleece, Jason returns to Greece with the powerful sorceress, Medea. However, when the king banishes her, it's only human that Medea plots her furious revenge. Can they escape her wrath?
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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Maria Callas ... Medea
Massimo Girotti ... King Kresus / Creonte
Laurent Terzieff ... Centaur
Giuseppe Gentile Giuseppe Gentile ... Jason
Margareth Clémenti Margareth Clémenti ... Glauce (as Margareth Clementi)
Paul Jabara Paul Jabara ... Pelias
Gerard Weiss Gerard Weiss ... Second centaur
Sergio Tramonti Sergio Tramonti ... Apsirto, Medea's brother
Luigi Barbini Luigi Barbini ... Un Argonauta
Gian Paolo Durgar Gian Paolo Durgar ... (as Gianpaolo Duregon)
Luigi Masironi Luigi Masironi ... Jason at 5
Michelangelo Masironi Michelangelo Masironi ... Jason at 13
Gianni Bradizi Gianni Bradizi ... Un Argonauta
Franco Jacobbi Franco Jacobbi ... Un Argonauta
Annamaria Chio Annamaria Chio ... Wet-nurse (as Anna Maria Chio)
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Storyline

On a quest to retrieve the fabled Golden Fleece, Jason and the Argonauts arrive at a remote barbarian land where the natives worship the sacred artefact to protect the crops. But, unexpectedly, as Medea--a beautiful high priestess and the land's powerful sorceress--betrays her beliefs to follow Jason back to Greece, a cruel fate awaits her. As a result, deserted and banished by the king, it's only human that Medea plots her furious revenge. Can they escape her wrath? Written by Nick Riganas

Plot Summary | Add Synopsis

Taglines:

Maria Callas' first dramatic movie!

Genres:

Drama | Fantasy

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France | West Germany

Language:

Italian

Release Date:

28 January 1970 (France) See more »

Also Known As:

Медея See more »

Filming Locations:

Cappadocia, Turkey See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Sole feature length film to feature Maria Callas. See more »

Goofs

When Jason speaks to the two centaurs, there is a mismatch in their shadows in the middle of the screen, indicating that the image is a composite. See more »

Quotes

King Kresus: You are a barbarian from a foreign land, different from us. We don't want you among us. It is impossible to see into the depths of one's soul.
See more »

Connections

Follows Teorema (1968) See more »

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User Reviews

 
Not my cup of tea but has much to admire about it
23 November 2012 | by TheLittleSongbirdSee all my reviews

Being familiar with the story and Maria Callas, on the opera stage unrivalled as a singing-actress, were my main interests into watching Medea, having never seen a Passolini film before. I didn't love it, however I also didn't hate it, though I can see perfectly both viewpoints. I don't think Medea is a flawless film, some of the anachronisms did go over my head, the film due to some sluggish pacing can get dull at times, the centaur's monologue- though much of Medea is dialogue-free- goes on forever and gets tedious quickly and the way Jason's role is written and performed is too simplistic and rather amateurish. However, I did think it looked great, the locations are really unique and beautiful to look at and the cinematography gives a grim and surreal feel that actually suits the story. You can definitely sense that there is a sense of time and phrase, and it is quite clear here. The music is also incredible, it draws you right in, is very bold in orchestration and captures the atmosphere of the drama superbly. Passolini directs very assuredly on the whole, some scenes are evocatively savage and if there are any highlights they are Medea's mesmerising entrance and the genuinely frightening climax. The centaur is beautifully played, looking imposing and the relationship between him and Jason is the most convincing of the relationships between the characters. The main merit of Medea is Maria Callas' titular role performance, like she did on the opera stage with an intelligent, sensual and quite menacing presence she completely dominates every scene she appears in and is incredibly magnetic. Overall, more a film I appreciate but worth watching for Callas, the visuals and the score. 6/10 Bethany Cox


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