In 1825, an English aristocrat is captured by Native Americans. He lives with them and begins to understand their way of life. Eventually, he is accepted as part of the tribe and aspires to become their leader.
In 1864, due to frequent Apache raids from Mexico into the U.S., a Union officer decides to illegally cross the border and destroy the Apache, using a mixed army of Union troops, Confederate POWs, civilian mercenaries, and scouts.
Despite success on the field, a rising rugby star senses the emerging emptiness of his life as his inner angst begins to materialize through aggression and brutality, so he attempts to woo his landlady in hopes of finding reason to live.
Eitan is yesterday's football star waiting for tomorrow. He is a man who has nothing left but guts. He consults the prospects of having to find a new profession and having to face a loving ... See full summary »
During the early 1800s, English Lord John Morgan is hunting in the Dakotas but he is captured by a group of Sioux warriors. Morgan's guides are killed but he is spared by Sioux chief Yellow Hand who marvels at Morgan's blond hair.Brought to Yellow Hand's tribal village, Morgan has to endure physical abuse and mockery at the hands of women and children who consider Morgan to be a wild horse.Restrained by a rope around his neck, Morgan is given as a gift to an old squaw, Buffalo Cow Head, to be her slave and help her with daily chores.In the village, Morgan meets Running Deer, the beautiful young sister of chief Yellow Hand.Morgan witnesses the traditional courtship process when Running Deer is asked in marriage by a tribe member who presents Yellow Hand with gifts in return for his sister's hand in marriage.Morgan starts to fall in love with her.Also in the village is half-breed, Batise, whose mother was Sioux and father was French.Batise becomes Morgan's friend and interpreter.Batise ...Written by
One of three notable westerns made from the stories of Dorothy M. Johnson. The others are: The Man Who Shot Liberty Valance (1962), and The Hanging Tree (1959). See more »
Near the end in the battle scene with the Shoshone, the Shoshone leader is wearing sunglasses. See more »
You want to escape, you brave Anglais? Mean, bad Indian out there! Cut off everything! Zip! Zip! Zip!
[points to his groin, with an evil smile]
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Old German VHS version includes many alternate/more violent takes that are not on the US DVD (whereas the version on the DVD is the same as in the US), especially the ending is almost completely recut. On the other hand the US version includes a few lines which are not in the German version. See more »
This is the story of Lord John Morgan, an honest earthy person who is captured by the Sioux in 1825. Abused and treated as an animal he comes to adapt to his life in order to survive. Enduring torture and oppression he must earn their respect in order to be accepted as part of their tribe.
The white man as part of a Sioux tribe story was given a major shot in the arm with Kevin Costner's Oscar bagger, Dances With Wolves in 1990. This picture came out some twenty years before Costner's stylish picture but the two films couldn't be further apart in terms of story telling. Here in Elliot Silverstein's picture, the scenery and scope is certainly lush, but the niceties stop there for this is a harsh, at times painful, story with realism dripping from each frame. Silverstein wanted to get as close as he could to the facts of the Sioux way of life, even bringing in a Sioux historian to oversee the production.
The Sioux are painted on both sides of the canvas, on one side we are shown them to be violent, even sadistic, but Silverstein also portrays them as an intelligent race driven on by intense loyalty to their ways and culture. Richard Harris plays our main protagonist and has a clear license to act with immense verve and vigour, it's a memorable turn that lingers long after the credits roll. Hurting the film is a twee romance between Morgan and the Chiefs daughter (Judith Anderson) and Jean Gascon's fluctuating accents start to grate entering the film's last quarter. But really the plus points far outweigh the little irritants in the piece. The editing from Philip W. Anderson & Michael Kahn is like a whirling paean to hallucinations, and some scenes are from the top draw, most notably the Vow To The Sun ritual that literally is painful to watch. A Man Called Horse may well be of its time, but it's certainly a very interesting and highly intelligent film. 7/10
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