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MASH (1970)

R | | Comedy, Drama, War | March 1970 (USA)
Trailer
2:56 | Trailer

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The staff of a Korean War field hospital use humor and high jinks to keep their sanity in the face of the horror of war.

Director:

Robert Altman

Writers:

Richard Hooker (from the novel by), Ring Lardner Jr. (screenplay)
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Popularity
2,862 ( 251)
Won 1 Oscar. Another 13 wins & 23 nominations. See more awards »

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Cast

Cast overview, first billed only:
Donald Sutherland ... Hawkeye Pierce
Elliott Gould ... Trapper John McIntyre
Tom Skerritt ... Duke Forrest
Sally Kellerman ... Maj. Margaret 'Hot Lips' O'Houlihan
Robert Duvall ... Maj. Frank Burns
Roger Bowen ... Lt. Col. Henry Blake
Rene Auberjonois ... Father John Mulcahy
David Arkin ... Sgt. Major Vollmer
Jo Ann Pflug ... Lt. 'Dish'
Gary Burghoff ... Cpl. 'Radar' O'Reilly
Fred Williamson ... Dr. Oliver 'Spearchucker' Jones
Michael Murphy ... 'Me Lai' Marston
Indus Arthur Indus Arthur ... Lt. Leslie
Ken Prymus Ken Prymus ... PFC. Seidman
Bobby Troup ... Sgt. Gorman
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Storyline

The personnel at the 4077 MASH unit deal with the horrors of the Korean War and the stresses faced in surgery by whatever means. The tone at the MASH is established by recent arrivals, surgeons Captains 'Hawkeye' Pierce, 'Duke' Forrest, and 'Trapper' John McIntyre - the latter who Hawkeye knows he's met somewhere, but Trapper who won't divulge where - whose antics can be best described as non-regulation, and in the negative words of one of their fellow MASH-ers: unmilitary. The unit's commanding officer, Colonel Henry Blake, doesn't care about this behavior as long as it doesn't affect him, and as long as they do their job and do it well, which they do. Their behavior does extremely bother fellow surgeon, Major Frank Burns, and recently arrived head nurse, Major Margaret Houlihan, who obtains the nickname 'Hot Lips' based on information they glean about her through underhanded means. Beyond their battles with Frank and Hot Lips, Hawkeye, Duke and/or Trapper help unit dentist Painless ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

You're not a real M*A*S*H fan until you've seen the original. (1982 re-release) See more »

Genres:

Comedy | Drama | War

Motion Picture Rating (MPAA)

Rated R for sexual content | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Japanese | Korean

Release Date:

March 1970 (USA) See more »

Also Known As:

M*A*S*H See more »

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Box Office

Budget:

$3,500,000 (estimated)

Gross USA:

$81,600,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (PG)

Sound Mix:

Mono (Westrex Recording System)

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Robert Altman felt that he was able to get away with so much during shooting because the officials at 20th Century Fox were keeping a closer watch on their two massively expensive projects, also war films, Patton (1970) and Tora! Tora! Tora! (1970). See more »

Goofs

The football helmets worn in the game are of late 1960s vintage, with the familiar "modern" round shape and face masks. A football game during the Korean War would have likely featured early-model plastic helmets shaped like the older leather-style helmets with no face masks. See more »

Quotes

[first lines]
Lt. Col. Henry Braymore Blake: Radar.
Cpl. Walter 'Radar' O'Reilly: Yes, sir. I'll get ahold of Major Burns...
Lt. Col. Henry Braymore Blake: I want you to get a hold of Major Burns...
Cpl. Walter 'Radar' O'Reilly: ...Tell him to hold a couple day surgeons over into the night shift.
Lt. Col. Henry Braymore Blake: Tell him we're going to have hold a couple of surgeons over from the day shift out of the night shift.
Cpl. Walter 'Radar' O'Reilly: I'll put in a call to General Hammond in Seoul...
Lt. Col. Henry Braymore Blake: Get General Hammond down there in Seoul, tell him to send us those new surgeons right away.
Cpl. Walter 'Radar' O'Reilly: ...I hope he sends us those two new surgeons. We're sure gonna need'em.
[Leaves]
[...]
See more »

Crazy Credits

Robert Altman cast so many unknowns in the movie that after one or two known actors, the cast credits all say "Introducing" See more »

Alternate Versions

Re-released on DVD and VHS unedited and with an MPAA rating of "R" in January 2002. See more »

Connections

Featured in Precious Images (1986) See more »

Soundtracks

Taps
(1862) (uncredited)
Music by Daniel Butterfield
Played on the violin
See more »

Frequently Asked Questions

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User Reviews

 
Clearly an important part of film history, but the years haven't been kind to it (in my eyes)
8 August 2010 | by runamokprodsSee all my reviews

I should probably watch this again, since so many consider it a masterpiece. Maybe I was over-prepared (Hey, it took me a second viewing of 'Citizen Kane' to get my past pre-set expectations!). But while I could see why M*A*S*H was groundbreaking and important for a Hollywood film of it's day (lack of the usual clear narrative line, anti-war stance, overlapping, improvised dialogue, sexuality, bloody operating room scenes serving as ironic counterpart, etc), it felt pretty dated and unfocused. There are some very funny moments, but a lot of the ironies seem easy, and there's a lack of a true darker underpinnings and ideas, unlike, say, 'Dr. Strangelove'.

A lot of the humor is juvenile, cruel and silly. And while I get that's the point – nothing can be more deeply juvenile, cruel and silly than war, it got repetitive and heavy handed after a while. The performances are good, but beyond Robert Duvall, none of the characters have much in the way of dimensions. People stay exactly what we think they are from the moment we meet them.

Walter Chow makes a good argument on the web site 'Film Freak Central', that the sexism, homophobia, etc are the whole point. Altman is saying we're ALL beasts at heart, even if we act like we're bucking the system. It's an interesting idea, but I'm not sure I buy it's what Altman was intending.


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