Fascinated by fame (especially its darker aspects) from an early age, Anger had long been a fringe figure in Hollywood making and independently distributing obscure, homo-erotic, and occult inspired works that eventually attracted Their Satanic Majesties themselves the Rolling Stones. Anger was attracted to the power and pop-culture shamanic potency wielded by rock stars, and none more so than Mick Jagger who, hard as it is to believe these days, was back then viewed by parents and moral guardians as an androgynous, drug-addled threat to society. Perfect casting then, Anger reasoned, to play the part of Lucifer in his Magnum Opus 'Lucifer Rising'.
In the end Jagger chickened out, eventually leaving the role to be played by unknown Leslie Huggins. However, despite the lead role being played by an unknown, the film still boasts Donald Cammell (writer/director of 'Performance') as Osiris and Marianne Faithful as Lilith who play out a bizarre archetypal psychodrama against stunning backdrops of giant statues in Egypt, including, most evocatively, the Sphinx. Originally, the soundtrack was to be composed by Led Zeppelin guitarist, and fellow Crowley devotee, Jimmy Page (who puts in a blink-and-you'll-miss-him cameo) but owing to contractual obligations with Led Zeppelin he was only able to complete 22 minutes worth of material and was subsequently fired from the project following a bitter fallout with Anger. Eventually the soundtrack was composed by Manson "family" member Bobby Beausoleil (Anger's original choice for the role of Lucifer but who had a disagreement with Anger and buried the original print of the movie in the Death Valley desert forcing Anger to reshoot the film) whilst serving a prison sentence for his part in the murders performed under the orders of the counterculture anti-messiah Charles Manson. The soundtrack itself is part chilling, haunting soundscape and part dynamic quasi-classical rock opus which has a magnetic and spellbinding quality which complements the film in a way impossible to imagine from any other composition.
So, all told, 'Lucifer Rising' is more than a short film, and more than a work of art even though the film is an exemplary example of both. However, more than these, it is the tortured result of a labour of love more than a decade long (filming began in 1966 yet was only finally released in 1980) which serves as a curious post-script to an era of fervent creativity in music, film, and art as well as being a curious admonition to those that seek unadulterated spiritual and moral exploration in the name of "Do what thou wilt" that with such potent virtues come all-encompassing costs.