7.6/10
29,726
114 user 55 critic

Little Big Man (1970)

Jack Crabb, looking back from extreme old age, tells of his life being raised by Native Americans and fighting with General Custer.

Director:

Arthur Penn

Writers:

Thomas Berger (novel), Calder Willingham (screenplay)

Watch Now

With Prime Video

ON DISC
ALL
Nominated for 1 Oscar. Another 4 wins & 8 nominations. See more awards »

Photos

Learn more

More Like This 

Marathon Man (1976)
Crime | Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A graduate history student is unwittingly caught in the middle of an international conspiracy involving stolen diamonds, an exiled Nazi war criminal, and a rogue government agent.

Director: John Schlesinger
Stars: Dustin Hoffman, Laurence Olivier, Roy Scheider
John and Mary (1969)
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

John and Mary meet in a singles bar, sleep together, and spend the next day getting to know each other.

Director: Peter Yates
Stars: Dustin Hoffman, Mia Farrow, Michael Tolan
Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

A naive hustler travels from Texas to New York City to seek personal fortune, finding a new friend in the process.

Director: John Schlesinger
Stars: Dustin Hoffman, Jon Voight, Sylvia Miles
Straw Dogs (1971)
Crime | Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A young American and his English wife come to rural England and face increasingly vicious local harassment.

Director: Sam Peckinpah
Stars: Dustin Hoffman, Susan George, Peter Vaughan
Edit

Cast

Cast overview, first billed only:
Dustin Hoffman ... Jack Crabb
Faye Dunaway ... Mrs. Pendrake
Chief Dan George ... Old Lodge Skins
Martin Balsam ... Llardyce T. Merriweather
Richard Mulligan ... Gen. George Armstrong Custer
Jeff Corey ... Wild Bill Hickok
Aimee Eccles ... Sunshine (as Amy Eccles)
Kelly Jean Peters ... Olga Crabb
Carole Androsky Carole Androsky ... Caroline Crabb (as Carol Androsky)
Robert Little Star Robert Little Star ... Little Horse
Cal Bellini Cal Bellini ... Younger Bear
Ruben Moreno Ruben Moreno ... Shadow That Comes in Sight
Steve Shemayne Steve Shemayne ... Burns Red in the Sun
William Hickey ... Historian
James Anderson ... Sergeant
Edit

Storyline

Jack Crabb is 121 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Little Big Man Was Either The Most Neglected Hero In History Or A Liar Of Insane Proportion! See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense battle sequences and some sexual content | See all certifications »

Parents Guide:

View content advisory »
Edit

Details

Country:

USA

Language:

English

Release Date:

23 December 1970 (USA) See more »

Also Known As:

Pequeño gran hombre See more »

Filming Locations:

Alberta, Canada See more »

Edit

Box Office

Budget:

$15,000,000 (estimated)

Gross USA:

$31,559,552
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (copyright length)

Sound Mix:

70 mm 6-Track (Spanish release)| Stereo

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
Edit

Did You Know?

Trivia

Selected for preservation in the National Film Registry in 2014. See more »

Goofs

When Shadow That Comes In Sight rescues young Jack and Caroline after their parents were killed, you can see Caroline put her foot up to a stirrup as she mounts the horse behind Shadow. When she dismounts it appears that Shadow, like most other Cheyennes, rides bareback. See more »

Quotes

[first lines]
Jack Crabb: I am, beyond a doubt, the last of the old-timers. My name is Jack Crabb. And I am the sole white survivor of the Battle of Little Big Horn, uh, uh, popularly known as Custer's Last Stand.
See more »

Connections

Referenced in Cannibal Holocaust (1980) See more »

Soundtracks

Bringing In the Sheaves
(1880) (uncredited)
Music by George A. Minor (1880)
Hymn by Knowles Shaw (1874)
Sung a cappella by Faye Dunaway
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
The oxymoron that prepares us for a tragi-comedy
1 February 2004 | by JuguAbrahamSee all my reviews

`Little big' is an oxymoron. `Little big man' the film is another cinematic oxymoron: a tragi-comedy.

Most of Penn's movies are double-edged swords presenting serious subjects with a twinkle in the eye--`The Miracle Worker' seems to be an exception to the rule. Penn seem to have a strange knack of picking subjects that seem to be governed by forces greater than themselves-leading to alienated situations. My favorite Penn film is the 1975 film `Night Moves' which ends with the boat going round in circles in the sea.

This work of Penn and novelist Thomas Berger follows the same pattern. The main character Crabb is buffeted between the Red Indians and the whites by forces beyond his control. Only once is he able to control his destiny--to lead Custer to his doom, because Custer in his impetuosity has decided to act contrary to any advice from Crabb. The religious and social values of both seem vacuous. The priest's wife may seem religious but is not. The adopted grandfather cannot die on the hilltop but has to carry on living. The gunslinger is a cartoon. Historical heroes like Wild Bill Hickok are demystified into individuals with down-to-earth worries.

It is surprising to me that many viewers have taken the facts of the film and novel as accurate--when it is obviously a work of fiction based on history. The charm of the film is the point of view taken by the author and director. The comic strain begins from the time Jim Crabb's sister is not raped by the Indians right up to the comic last stand of Custer. The film is hilarious as it presents a quirky look at every conceivable notion presented by Hollywood cinema: the brilliant acumen of army Generals, the Red Indian satisfying several squaws, the priest's wife turned prostitute who likes to have sex twice a week but not on all days, the quack who has turned to selling buffalo hides as he sees it as a better profession even if he has lost several limbs, etc.

The film is a tragedy--a tragic presentation of the Red Indian communities decimated by a more powerful enemy, tragic soldiers led by megalomaniac Generals, heroes reduced to fallible individuals, all heroes (including the Red Indians) whittled down to dwarfs.

The film is a satire of a dwarf who claims to have achieved a great revenge on Custer, a dwarf who could not assassinate Custer, the dwarf in many of us. It is a great film, but often misunderstood. Penn is a great director, whose greatness cannot be evaluated by this one film but by the entire body of his films. What he achieved in this film outclasses films like Tonka (1958) and Soldier Blue (1970), two notable films on similar themes. Chief Dan George, Dustin Hoffman, and cinematographer Harry Stradling Jr have considerably contributed to this fine cinematic achievement, but ultimate giant behind the film is Arthur Penn.

He has presented yet another example of looking at a subject and seeing two sides of the coin that appear as contradictions but together enhances our entertainment.


62 of 116 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 114 user reviews »

Contribute to This Page



Recently Viewed