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Let It Be (1969)

The filmed account of The Beatles' attempt to recapture their old group spirit by making a back to basics album, which instead drove them further apart.
Won 1 Oscar. Another 1 win. See more awards »


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Complete credited cast:
The Beatles ... Themselves (uncredited)
George Harrison ... Himself (The Beatles) (uncredited)
John Lennon ... Himself (The Beatles) (uncredited)
Paul McCartney ... Himself (The Beatles) (uncredited)
Yoko Ono ... Herself (uncredited)
Rest of cast listed alphabetically:
Peter Sellers ... Himself (scenes deleted)


A documentary showing both how The Beatles made music together, and how they split up. Hundreds of hours of raw footage was condensed into the final product. The rooftop performance ending the film remains a rock-n-roll archetype. Written by Ed Chen <echen@bcm.tmc.edu>

Plot Summary | Plot Synopsis


an intimate bioscopic experience with THE BEATLES See more »


Documentary | Music


G | See all certifications »






Release Date:

20 May 1970 (UK) See more »

Also Known As:

Déjalo ser See more »

Company Credits

Production Co:

Apple Corps, ABKCO Films See more »
Show more on IMDbPro »

Technical Specs


Sound Mix:



Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »

Did You Know?


Following the argument with Sir Paul McCartney seen in the movie, George Harrison went home and wrote the song "Wah-Wah", which he recorded for his first solo album two years later. Three days after the argument with McCartney, Harrison temporarily quit the Beatles after a row with John Lennon. Harrison was coaxed back a week later, after McCartney promised that they would start recording in the band's new Apple Studios, instead of Twickenham Studios. See more »


Due to the 2 camera technique used to film most of the scenes, during much of the performances the audio does not match up with the performers. One such example is during the Suzy Parker segment, and again during I Got a Feeling, though this scene was filmed using 5 cameras. See more »


George Harrison: [to Paul] Yeah, okay, well, I don't mind. I'll play, you know, whatever you want me to play. Or I won't play at all if you don't want me to play, you know. Whatever it is that'll please you, I'll do it.
See more »

Alternate Versions

There are bootleg tapes that exist of some footage not used in the final release, including a moment where Peter Sellers visits the band. See more »


Referenced in Deconstructing the Beatles' Abbey Road: Side 2 (2019) See more »


Two of Us
Performed by The Beatles
Written by John Lennon and Paul McCartney
Published by Apple Records
Courtesy of Apple Records
See more »

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User Reviews

I love the transformation the fab four go through as the movie progresses
18 August 2002 | by fox2mikeSee all my reviews

I doubt this will spoil anything, but feel free to discard this if it does.

The thing I love the most about Let It Be, which I was so privileged to watch was the transformation the beatles go through. Let me explain. The very first scenes of the movie, you have the an unshaven, stoned John barely even singing Don't Let Me Down, With Paul wailing away a harmony, missing words frequently(Fast-forward to Maxwell's Silver Hammer and you'll know what I mean). George is struggling with his solo and producing not much more than intermittent, out-of-tune whangs with his guitar, and Ringo (Whose disposition brings to mind Edgar Allen Poe) solomnly taps away at his drums. However, as the film progresses, the rhythm becomes tighter, the basslines more melodious, the solos crisper, and the drums more vibrant(I Me Mine and For you Blue are good examples). Unfortunately, that is thanks in part to Paul's Liverpool lilt ordering the other three, especially George around. George is the one I feel sorry for the most because he is fighting to meet Paul's demands (how hard can the middle-eight on I've got a feeling be!) and like an idiot here I am laughing uncontrollably at the awful noise George's guitar makes. Moving from Twickenham to Apple definitely helps them. I love the cover tunes they play just for fun, like You really got a hold on me, Shake rattle and Roll, and especially Besame Mucho(Okay Paul, fess up, you're not exactly Pavarotti(just kidding)). I can't help but bawl my eyes out when I hear Two of Us(after all the fussing they made over that solo ("Keep it simple and then complicate it where it needs complicating") and all that), Let it Be, and The Long and Winding road. The Long and winding road is especially teary because with just piano, organ, guitars and drums it is so simple and beautiful without all the screeching ladies and Disney movie like orchestrations added later. Ah, And of course the show on the roof. Simply jamming away and having fun, they have reached the culmination of their transformation for bad, uncertain playing to melodious, timeless music making. The worst part is that the band continued to nose-dive afterward. I consider myself very fortunate to be able to watch this long, but wonderfully musical movie.

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