A disillusioned aging decent man and once proud WWII veteran is dealing with midlife crisis as well as a tough moral dilemma. If he wants his small near-bankrupt clothing company to survive, he has two days to let go of his shaken morals.
Film screenwriter Jake Armitage and his wife Jo Armitage live in London with six of Jo's eight children, with the two eldest boys at boarding school. The children are spread over Jo's three... See full summary »
At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially his ... See full summary »
A member of the House of Lords dies, leaving his estate to his son. Unfortunately, his son thinks he is Jesus Christ. The other, somewhat more respectable, members of their family plot to steal the estate from him. Murder and mayhem ensue.
Los Angeles private investigator Harry Moseby is hired by a client to find her runaway teenage daughter. Moseby tracks the daughter down, only to stumble upon something much more intriguing and sinister .
Hackman plays a New York professor who wants a change in his life, and plans to get married to his girlfriend and move to California. His mother understands his need to get away, but warns him that moving so far away could be hard on his father. Just before the wedding, the mother dies. Hackman's sister (who has been disowned by their father for marrying a Jewish man) advises him to live his own life, and not let himself be controlled by their father.Written by
Kristian Krokfoss <firstname.lastname@example.org>
This is one film that has stayed with me since I first saw it; in spring, 1971; in a time before I had to shave everyday. The movie theater in which I saw it has long-since been turned into a touring-company playhouse...and the name of my date has long-since slipped my mind. Not really...but my wife might read this.
A friend of mine who is a physician told me that no one ages gracefully. As much as I value his friendship and judgment, Melvyn Douglas must be held as an exception to that dictum. Though his role here is little different from that of Paul Newman's father in "Hud," he plays it magnificently. One can scarcely imagine him as a romantic leading man, although he was...and opposite Greta Garbo, at that. His scene with Gene Hackman at the funeral home is too real and too devastating to pass off as "schmaltz." Gene Hackman has never given a bad performance, and his role here, as the dutiful, though semi-distant son, is (arguably) one of his best. He realizes he must live his own life...though, being a widower himself, he knows on an adult level what his father--suddenly all-too-human and frail--is suffering. He must choose between fealty to the man who gave him life and the woman who now gives his life meaning and passion. The bedroom scene, in which he discusses his doubts with her, is very real. Not every middle-aged adult has faced such choices.
I saw this film when I was 17 and have not seen it since. But as I grow older its meaning and significance grows ever-increasingly important. We, all of us, want to gain the approval of our father. Yet, our passions, those things that give meaning to our life, might not be what our father values...and so we share them with others and not with the one whose approval, love, and affirmation we most desire and most need.
Is it schmaltzy, as some have said?....Is life?
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