A disillusioned aging decent man and once proud WWII veteran is dealing with midlife crisis as well as a tough moral dilemma. If he wants his small near-bankrupt clothing company to survive, he has two days to let go of his shaken morals.
Dysfunctional marriages of several unhappy rich doctors who work at a private clinic and their neglected wives who deal with their own unhappiness in various ways enter crisis mode when one of them murders his cheating wife.
Los Angeles private investigator Harry Moseby is hired by a client to find her runaway teenage daughter. Moseby tracks the daughter down, only to stumble upon something much more intriguing and sinister .
Wanting to avoid settling in a nursing home, Joseph Kotcher, a retired salesman, is obliged to leave his son's family. He embarks on a road trip during which he strikes up a friendship with... See full summary »
Rachel is a 35 year old school teacher who has no man in her life and lives with her mother. When a man from the big city returns and asks her out, she begins to have to make decisions about her life and where she wants it to go.
Hackman plays a New York professor who wants a change in his life, and plans to get married to his girlfriend and move to California. His mother understands his need to get away, but warns him that moving so far away could be hard on his father. Just before the wedding, the mother dies. Hackman's sister (who has been disowned by their father for marrying a Jewish man) advises him to live his own life, and not let himself be controlled by their father.Written by
Kristian Krokfoss <email@example.com>
Richard Widmark was playwright Robert Anderson's first choice for the son role in both the theatrical and film versions of the play. One proposal had Fredric March as the father, another had it as a TV special with Spencer Tracy and Katharine Hepburn as the parents. See more »
Look how he walks. Like a brigadier general. He may not always remember where he is going, but he always goes there with a firm step.
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I saw this film as a child on late night TV in the 70's and never really grasped it's truthful portrayal of the classic dysfunctional family. I didn't realize at the time just how dysfunctional my family was and how my father's controlling behavior and self centered personality shaped our family dynamics and still does. The close, loving adult relationship I always wanted with my father never happened because of his overbearing personality and utter disinterest in his children's adult lives. The children of such parents are often made to feel that it's either their fault or at least their responsibility to fix it. I saw the film again today on TCM and it perfectly captured the devastating long term effects from growing up in such a household. There's not a wasted word in the script. Tom doesn't give a wit about Gene. He doesn't even know him or care to. It's all about Tom. Boy, do I know what that feels like. I wished I had written Gene Hackman's dialog down so I could use it during my next frustrating visit with the old man.
This film should be required viewing for any adult son (or daughter) who is guilt-ed on a regular basis and told that everything their parents ever did for them as children has strings attached.
I'm an actor and I hope I get the chance to play Gene Garrison some day...with my father in the audience. Who am I kidding? He still wouldn't get it.
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