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A common friend's sudden death brings three men, married with children, to reconsider their lives and ultimately leave together. But mindless enthusiasm for regained freedom will be short-lived.Written by
The movie features no credit for music score or music composer. See more »
Gus, Archie, look what I did to that phone booth. I kicked the hell out of it. Yeah. Like I've been telling my wife for years. Aside from sex, and she's very good at it, God damn it, I like you guys better. I really do. Now, who the hell else could put up with me, huh? I'm a jerk, I know it. So, let's go home and get it over with.
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There are no closing credits and no "THE END" title card. The screen just goes black. In the opening credits, everyone involved in the film (even the "little people") are credited on two "tell all" title cards, right on down from the actors to the grips, a total of 82 credits. See more »
The original theatrical release ran 154 minutes. The out-of-print VHS release from Columbia/Tristar runs 132 minutes. See more »
As a reaction to the death of a close buddy, three middle-age men, all married with kids, go on a wild psychological joyride that includes, among other things, getting drunk, gambling, and hooking up with some prostitutes. Their reaction is, in fact, overreaction to a mid-life crisis, wherein marriage, children, and jobs create the social chains that bind.
The story's basic premise renders an interesting theme. Given some traumatic event, like the death of someone we know, it's natural to grieve and reflect on the choices we've made. We thus gain perspective. But these guys seem oblivious to that process. Their only interest is juvenile self-indulgence of the moment, which creates behavior that is boorish and crude. I could not get interested in them or their drama. Nor did I have any respect for them.
The film's visuals are okay. But the runtime is way too long. A ninety-minute plot would have gotten the point across. Every minute beyond that is superfluous. Some segments are painfully drawn-out, like the one wherein they sit around a table in a bar getting drunk and listening to other people sing silly songs. And the script's dialogue is very talky. Basically, the entire plot can be summarized as three guys getting drunk, vomiting, and talking endlessly about themselves.
Acting is borderline at best. Some scenes encourage improvisation in acting and dialogue. Visuals trend conventional. There are a lot of close-up shots.
"Husbands" tries to be a social commentary on the ties that bind. But the plot and characters are rather awful. Direction and performances trend pretentious and self-conscious. And the whole bloated production seems misguided.
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