The mother does half-nude aerobics until her son rapes her, and the daughter falls into bed with a female teacher. Despite the shocking goings-on, the film is much more in keeping with ... See full summary »
Originally filmed in December 1968, "The Rock and Roll Circus" was originally intended to be released as a television special. The special was filmed over two nights and featured not only ... See full summary »
A pregnant teenager flees her abusive mother in search of her father, only to be rejected by her stepmother and forced to survive on the streets until a compassionate stranger offers a hopeful alternative.
A documentary on the Rolling Stones' 1969 US tour and the tragic events that concluded it. We see footage of their concerts and of them making the Sticky Fingers album in Muscle Shoals, Alabama. However, the main focus of the film is on one concert - Altamont Speedway, outside San Francisco, 6 December 1969. A free concert, it is the Stones' idea and it was meant to be the Woodstock of the West (Woodstock having occurred four months earlier). Other bands performing included Jefferson Airplane, The Flying Burrito Brothers, Ike and Tina Turner, Crosby Stills Nash and Young and Santana. However, it is far from being the peace and love of Woodstock. Part of the problem is that the Stones hired the Hells Angels as security. The other problem was that a large portion of the crowd were high on drugs. Friction ensues. During the Stones' set, Meredith Hunter, high on methamphetamine and armed with a gun, makes a lunge for the stage and is stabbed to death by the Hells Angels. The peace and ...Written by
Even with the negative press of "Sympathy For The Devil", The Rolling Stones performed it on the 1970 tour. They dropped it from their set lists until 1975 when Eric Clapton joined them for their first of five shows at Madison Square Garden in NYC. See more »
2000 theatrical re-release version features two minutes of footage (including a shot of a topless woman) that were originally cut from the picture to ensure a PG rating. The DVD special edition has even more additional scenes, including studio footage from the mixing sessions of the Stones' "Get Yer Ya-Ya's Out" live album and six extra songs from the 1969 Madison Square Garden show: "Stray Cat Blues", "Live With Me", "Sympathy for the Devil" and versions of Chuck Berry's "Carol" and Little Queenie and the Rev. Robert Wilkins' "Prodigal Son". See more »
This sort of "artistic documentary" marks a milestone in our culture and it's really a must-see for people interested in history. The DVD version contains important additional features such as excerpts from a long KSAN call-in show the next day. Some of the callers were principals in this event and their commentary is valuable. In addition, there are some incredible still photo collections on the DVD that go even further to capture the climate at this event.
There is a lot of talk about "Hells Angels" this and that in the reviews here. The Hells Angels were not the primary problem - it was a terrible combination of sloppy organization, third parties who reneged on deals and contributed to the problem, and the concert-goers themselves. As some callers to the KSAN show commented, "I was at Woodstock, and Altamont was completely different. Nobody came together. We had no spirit of community. The whole thing was hurried and stayed tense throughout." So imagine 300,000 people working hard to get their groove on quickly - since the concert was only confirmed a day or two prior - using whatever they could roll up in a paper, stir into their cheap wine, or drop on a sugar cube. Then their heroes come up onto the 20'x20'x3'-high stage and viola, you have a massive problem on your hands whether security was Superman, Sgt. Joe Friday and his partner Bill Gannon, Acme Security out of Walla Walla, or the Hells Angels. There was going to be violence. It certainly didn't help that the organizers told the HA to park their bikes right next to the stage. With the crowd as it was, that was guaranteed disaster for a few people.
What a way to end the '60s flower power era.
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