A pregnant teenager flees her abusive mother in search of her father, only to be rejected by her stepmother and forced to survive on the streets until a compassionate stranger offers a hopeful alternative.
The mother does half-nude aerobics until her son rapes her, and the daughter falls into bed with a female teacher. Despite the shocking goings-on, the film is much more in keeping with ... See full summary »
A documentary on the Rolling Stones' 1969 US tour and the tragic events that concluded it. We see footage of their concerts and of them making the Sticky Fingers album in Muscle Shoals, Alabama. However, the main focus of the film is on one concert - Altamont Speedway, outside San Francisco, 6 December 1969. A free concert, it is the Stones' idea and it was meant to be the Woodstock of the West (Woodstock having occurred four months earlier). Other bands performing included Jefferson Airplane, The Flying Burrito Brothers, Ike and Tina Turner, Crosby Stills Nash and Young and Santana. However, it is far from being the peace and love of Woodstock. Part of the problem is that the Stones hired the Hells Angels as security. The other problem was that a large portion of the crowd were high on drugs. Friction ensues. During the Stones' set, Meredith Hunter, high on methamphetamine and armed with a gun, makes a lunge for the stage and is stabbed to death by the Hells Angels. The peace and ...Written by
Contrary to popular belief, Meredith Hunter was not killed during the performance of "Sympathy for the Devil". He was actually stabbed just as The Rolling Stones started the first verse of "Under My Thumb". The version of "Under My Thumb" that appears in the film was actually played after the killing with the stabbing moved to the end of the second version of the song. See more »
Every other scene has been cool.
Look, cat! That guy, there, if he doesn't stop it, man. Listen, either those cats cool it, man, or we don't play.
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In November of 1969 I attended a Rolling Stone Concert at Boston Garden. The Stones were nearing the end of their fabulously successful 69 American tour and they were as good as I had ever heard or seen them. The sellout crowd was mesmerized and surged to the stages edge without violence and just rolled to the music. It was a brief period in rock history when such things were possible. The Peace and Love generation had settled into a groove with just tripping on the music and nothing more. Woodstock had been the prototype. A month after I saw them hypnotize Boston Garden the concert at Altamont put an end to the dream.
David and Albert Maysles recorded this nightmare in their brilliant documentary Gimme Shelter. The film opens with the Stones, flush with success planning a free concert for fans at Golden Gate Park. The venue is switched to a racetrack in Altamont and things slowly begin to deteriorate from there. The Stones naively hire Hell's Angels ("The Dead said they were cool") for security. When things become unruly the Angels respond harshly. As Jagger sings a man with a gun rushes the stage and is stabbed. The Maysles cameras are in the right place many times. The emphasis is not on Jagger as he and the band perform, instead it is the threatening and tripped out people near him on stage that fascinate.
The concert itself only takes up a small but gripping portion of the film which follows the Stones on a some of their tour and their reactions from watching the documentary's rough cut. Seldom do rock stars allow themselves to filmed in such compromising a position. The Maysles also capture the logistics side of the concert business with famed lawyer Melvin Belli and tour director Sam Cutler at task.
In less than half a year the Utopian dream of Woodstock lay in ruin at the Altamont Speedway. The Maysles provide much of the proof in Gimme Shelter.
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