The mother does half-nude aerobics until her son rapes her, and the daughter falls into bed with a female teacher. Despite the shocking goings-on, the film is much more in keeping with ... See full summary »
A pregnant teenager flees her abusive mother in search of her father, only to be rejected by her stepmother and forced to survive on the streets until a compassionate stranger offers a hopeful alternative.
A documentary on the Rolling Stones' 1969 US tour and the tragic events that concluded it. We see footage of their concerts and of them making the Sticky Fingers album in Muscle Shoals, Alabama. However, the main focus of the film is on one concert - Altamont Speedway, outside San Francisco, 6 December 1969. A free concert, it is the Stones' idea and it was meant to be the Woodstock of the West (Woodstock having occurred four months earlier). Other bands performing included Jefferson Airplane, The Flying Burrito Brothers, Ike and Tina Turner, Crosby Stills Nash and Young and Santana. However, it is far from being the peace and love of Woodstock. Part of the problem is that the Stones hired the Hells Angels as security. The other problem was that a large portion of the crowd were high on drugs. Friction ensues. During the Stones' set, Meredith Hunter, high on methamphetamine and armed with a gun, makes a lunge for the stage and is stabbed to death by the Hells Angels. The peace and ...Written by
I can't get enough of Mick Jagger in his prime. New York City. 1969. He introduces himself and then says, "Welcome to the breakfast show." This guy is the man. But, then comes Altamont. This part is frightening. It makes you see why the 60s was so f-ed up. You've got British concert promoters playing the stereotypes to a tee. You've got hippies using the words, "groovy." You've got all the evidence to believe that flower children were as stupid as portrayed in their modern context. But, the most scary thing...it is what is. The Hells Angels are brutal. They get angry and they get picked on. The retaliate like a wild animals. People are being beaten with sticks and women are crying, but the show goes on. Yes, this was the end of peace/love. If the foundations of WOODSTOCK were to give us any hope in a hippie ideal, they were not there for THE ROLLING STONES. And, so we point the finger. But don't point it at Mick Jagger. He did his best. And, there's a freeze on him at the end, just as the roaring guitar of Keith Richards explodes into "Gimme Shelter." It is one of the coolest moments I have yet to witness on celluloid.
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