A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
Two horror tales based on short stories by Edgar Allan Poe directed by two famous horror directors, George A. Romero and Dario Argento. A greedy wife kills her husband, but not completely. A sleazy reporter adopts a strange black cat.
Franco Arno is a blind man that lives with his young niece and makes a living writing crossword puzzles. One night, while walking on the street, he overhears a weird conversation between two man sitting in a car parked in front of a medical institute where genetic experiments are performed. The same night someone breaks in the institute and knocks out a guard. Arno decides to investigate with the help of reporter Carlo Giordani.Written by
Giancarlo Cairella <firstname.lastname@example.org>
The scene where Giordani meets Anna Terzi at her father's house is a reference to the scene in the novel The Big Sleep by Raymond Chandler where Marlowe first meets Vivian Regan at her father's house. Portions of the dialogue are verbatim. See more »
Early in the graveyard scene, as they are walking, the position of the actors changes between shots. In the side angle Malden has his left arm raised with his hand on Franciscus' right shoulder, in the angle showing them from the front, Malden has his arm down and Franciscus is gripping his shoulder. See more »
I expected the worst from 'The Cat O'Nine Tales' because of its generally poor critical standing, but was pleasantly surprised by this intriguing and effective murder mystery. I must point out that I watched the uncut, undubbed original Italian version. I think this might be a factor in my reaction to it. I'm assuming that the American version is botched and that is the version most people have seen.
This movie isn't as flamboyant and eccentric as most of Argento's later work. The plot, though convoluted at times, actually makes sense, and there is a bit more character development that you normally expect. As much as I enjoy Argento's later surrealism he sometimes just goes too far e.g. the messy and downright silly 'Phenomena'. This movie is more controlled and conventional but still features some spectacular murders and has enough Argento touches to make it an above average giallo thriller. A very good, suspenseful mystery that holds the interest until the last (very memorable) sequence. Argento fans shouldn't overlook this one!
20 of 26 people found this review helpful.
Was this review helpful to you?
| Report this