A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
Franco Arno is a blind man that lives with his young niece and makes a living writing crossword puzzles. One night, while walking on the street, he overhears a weird conversation between two man sitting in a car parked in front of a medical institute where genetic experiments are performed. The same night someone breaks in the institute and knocks out a guard. Arno decides to investigate with the help of reporter Carlo Giordani.Written by
Giancarlo Cairella <email@example.com>
The second Dario Argento movie is one of his classics, although not as excellent as "L'uccello dalle piume di cristallo". Also here there's everything you expect from an Argento picture -an extremely well directed thriller, exciting shots and a very good editing.
The story is original, but at the end everything seems a little... thrown away, it seems that Dario was in a hurry to finish and the terrible truth at the end has something wasted. A journalist and a blind man investigate about a series of murders -as it happens in many Argento films. Their research focuses on a medical institute, which is developing a medicine for curing criminal instincts.
James Franciscus, the leading man, is too American and too handsome for being a credible Italian journalist. And the scene in the crypt is highly improbable -Franciscus penetrates a crypt in order to look for a necklace...
Good points are the shots -subjective shots-, in which the spectator can follow the action with the assassin eyes. Good cinematography, exciting soundtrack of Ennio Morricone and excellent presence of Karl Malden -he acts very well the role of the blind man.
If "L'uccello dalle piume di cristallo" deserves 9 out of 10, "Il gatto a nove code" deserves "only" 7 out of 10.
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