Baron Frankenstein travels to a new town to meet Dr. Brandt with whom his has been corresponding and with whom he had hoped to collaborate. He arrives however to learn that Brandt is in a mental institution, having lost his mind completely. He takes a room in a boarding house run by the pretty young Anna who just happens to be engaged to Karl, a doctor who works at the asylum where Dr. Brandt is being kept. When Frankenstein learns that Karl has been stealing drugs, he blackmails him and Anna to work as his assistants. He is desperate to learn a secret that Brandt was going to share with him and kidnaps him with the intent of extracting that secret by transplanting his brain into another body.Written by
Unlike his on screen persona, Veronica Carlson very much enjoyed working with Peter Cushing. At one point during production, he took his leading lady out to dinner with Mrs. Helen Cushing. See more »
When Mrs. Brant and her friend see the picture of Frankenstein and Brant in the newspaper, you can tell it is a recent paper from 1969 when the movie was made, and not the 1800s time frame. Although the news articles are in German, you can easily see words like "American President Nixon." Looks like Hammer's props department superimposed the drawing of Frankenstein and Brant onto a real daily newspaper they bought that day. See more »
I have become the victim of everything that Frankenstein and I ever advocated. My brain is in someone else's body.
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The scene in which Frankenstein rapes Anna (and the following scene involving Thorley Walters' police inspector) were removed from the original American release. However, they have been restored in all VHS and the 2004 DVD release. These scenes also appear in the UK prints of this film which were never cut. See more »
Hammer's 5th Frankenstein film is proof positive of the fine work of Cushing/Fisher.
Peter Cushing will always be THE final word on the role of Baron Frankenstein. Cunning, arrogant, relentless and above all else,charming. It could also be said that Terence Fisher is the final word on not only directing Hammer's Frankenstein series but Hammer films in general. This is not a new theory by any stretch regarding Fisher. His was the style by which all who played for Hammer's team would in some way emulate. It is no surprise, therefore, that FRANKENSTEIN MUST BE DESTROYED would be so good. Both actor and director had become pretty familiar with this material but rather than go through the motions something high above the expectation mark occurs. A good script certainly helps and indeed this time around there is. It is the relished performance of Peter Cushing and the carefully executed direction of Fisher which gives this film it's tasty Gothic flavor. Never seen a Hammer film? Here's your chance to sink your teeth into a good one.
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