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Elvis: That's the Way It Is (1970)

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2:09 | Trailer
Concert footage and backstage documentary of singer Elvis Presley.

Director:

Denis Sanders
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Cast

Cast overview, first billed only:
Elvis Presley ... Himself
James Burton ... Himself - Musician
Glen D. Hardin Glen D. Hardin ... Himself - Musician (as Glen Hardin)
Charlie Hodge Charlie Hodge ... Himself - Musician (as Charley Hodge)
Jerry Scheff Jerry Scheff ... Himself - Musician
Ronnie Tutt Ronnie Tutt ... Himself - Musician
John Wilkinson John Wilkinson ... Himself - Musician
Millie Kirkham Millie Kirkham ... Herself - Background Vocalist
Estell Brown Estell Brown ... Herself - Background Vocalist (as The Sweet Inspirations)
Sylvia Shemmell Sylvia Shemmell ... Herself - Background Vocalist (as The Sweet Inspirations)
Ann Williams Ann Williams ... Herself - Background Vocalist (as The Sweet Inspirations)
Roger Wiles Roger Wiles ... Himself - Background Vocalist (as The Imperials)
Jim Murray Jim Murray ... Himself - Background Vocalist (as The Imperials)
Joe Moscheo Joe Moscheo ... Himself - Background Vocalist (as The Imperials)
Armando Morales Armando Morales ... Himself - Background Vocalist (as The Imperials)
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Storyline

Concert footage and backstage documentary of singer Elvis Presley.

Plot Summary | Add Synopsis

Genres:

Documentary | Music

Motion Picture Rating (MPAA)

Rated PG for some language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

11 November 1970 (USA) See more »

Also Known As:

Elvis: Thats the Way It Is - Special Edition See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (special edition)

Sound Mix:

SDDS (special edition)| DTS (special edition)| Dolby Digital (special edition)| 4-Track Stereo (original version)

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Initially conceived as a closed circuit special that would have been seen live in cinemas. See more »

Quotes

Elvis Presley: What are you laughin' at, man? This is my first guitar, I was little. I told you. Little bitty cat tryin' to get people to listen to me.
[cute voice:]
Elvis Presley: 'Ya'll, listen to me. I'm good. I'm good.' They said, 'Not with that voice, you ain't.' Anyway..."Dorie Adora, Dorie Adore, who dat was wid you on da floor." Oh, Lord, have mercy.
See more »

Alternate Versions

An alternate version, with about 40% of the footage replaced, without the fan interviews or convention, and with more concert and rehearsal footage, was produced in 2000. See more »

Connections

Featured in This Is Elvis (1981) See more »

Soundtracks

That's All Right Mama
Written by Tommy Allen
Performed by Elvis Presley
See more »

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User Reviews

 
Yes, he was really THAT cool
5 December 2003 | by slokesSee all my reviews

Filmgoers were treated to two rockumentaries in 1970. The first, "Let It Be," shows the greatest rock n' roll band ever, The Beatles, struggling unsuccessfully to get out of its first and only decade of existence. The second, "That's The Way It Is," shows the greatest rock n' roll singer ever, Elvis Presley, entering his third decade of stardom lean, mean, and taking no prisoners.

The form of both is almost identical. You see rehearsal footage in a studio, some backstage chatter, and then a live performance before an enthused crowd. But while "Let It Be" is more interesting as a historical document than entertainment, "That's The Way It Is" is a powerful, galvanizing performance piece that stands up as well now as it did in 1970.

Even better than in 1970, many would say, because the version we have now is heavily re-edited, using unused footage from the original filming, mostly focused on Elvis, and discarding other bits showing interviews with fans. (You can see the seams, though, as many of the patched-in bits have a washed-out color scheme immediately apparent when contrasted with the vibrant Lucien Ballard photography of the original film.)

I'm not sure I like the idea of tampering with the record, but it's hard to bicker with results. The new "Way It Is" has a power and freshness that makes you feel the vitality of Elvis, who by 1970 was at least a half-step behind the fashion of the times but a better performer than ever. Since the film features Elvis in a series of Vegas shows (six filmed over three days in August, 1970, just seven years before his death) it's not unnatural to expect a bloated rhinestone-encrusted drug addict with velcro sideburns performing hokey schmaltz, as the myth perpetuated by his detractors would have it. But 1970 was a very good year for the King. He was not only in fine physical shape, he had matured into a vocalist who had married his awesome power with subtlety and finesse, and found his voice in a series of country-tinged rock songs that complemented him nicely even if they never achieved the pop status of his earlier hits. Songs like "Patch It Up," "Just Pretend," "Twenty Days And Twenty Nights" and "Tiger Man" (seen in a killer title sequence juxtaposed with Elvis's standard show-opener "Mystery Train") are thrilling, classic-sounding numbers not burdened today by overplay on oldies radio stations. Even his outfits were in surprisingly good taste for the period, at times even casual and comfortable-looking.

In rehearsal and on stage, Elvis works in his biggest hits of yore, which he seems almost embarrassed by and trots out almost perfunctorily, then throws in newer songs recorded by other artists, like the Bee Gees' "Words" and The Righteous Brothers "You've Lost That Loving Feeling," that he invests with real conviction and passion. He was a real artist, always moving forward, finding brilliance in the work of others, and believing in the power of song.

There are many highlights in this film. Elvis throws himself into each number he performs on stage like its his last moment on earth, even his older hits once he warms up to them. His "Love Me Tender" sends him into the audience for a lengthy series of kisses with delighted female audience members, and what blows you away is not so much the serial smooching but the way Elvis makes an effort to offer serious eye contact to everyone who approaches him, and thanks them sincerely when he returns to the safety of the stage. "Sorry I couldn't make it up there," he yells to the people in the balcony, and I think he meant it.

I especially appreciated the chance to see Elvis's interaction with his bandmates, a killer ensemble led by guitarist extraordinaire James Burton and drummer Ronnie Tutt, who was probably the only guy in 1970 who could have given Keith Moon a run for his money in a "Wipeout" faceoff. "The backbone of my whole show," he calls his musicians in a typical moment of humility. Elvis is also accompanied by the playful and vibrant Sweet Inspirations and the Imperials, male back-up singers who resemble Elvis impersonators before their time.

Elvis comes across as genuinely decent and sweet, but doesn't let you into his world too much. That's just as well when you get a load of his unctuous retinue, the Memphis Mafia, a squalid band of freeloaders and enablers who sped the King to his sordid doom. They giggle and interfere a bit, enough to remind you of the dark side of Elvis's celebrity, but in the end what you have is a prime slice of music greatness, the greatest vocalist of his day finding new power in his reinvention as rock's elder statesman and most accomplished showman, plowing through songs like "Polk Salad Annie" and "I Can't Stop Loving You" like he was plugged into God's private frequency.

I'd never say the Beatles were a shabby second to Elvis, but it's hard not to see them falling short in the rockumentary department. Elvis even delivers a better version of "Get Back" (though he seems to think the title is "Take It Back.") This is a film you will want to see at least once, just to get a sense of who Elvis was just before the money-changers moved into the temple and the man was hijacked by the legend.


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