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IMDbPro

Köyhän pikajuna

Original title: Dodesukaden
  • 19701970
  • K-15K-15
  • 2h 20m
IMDb RATING
7.3/10
7K
YOUR RATING
POPULARITY
26,092
3,961
Köyhän pikajuna (1970)
Various tales in the lives of Tokyo slum dwellers, including a mentally deficient young man obsessed with driving his own commuter trolley.
Play trailer3:41
1 Video
85 Photos
Drama

Various tales in the lives of Tokyo slum dwellers, including a mentally deficient young man obsessed with driving his own commuter trolley.Various tales in the lives of Tokyo slum dwellers, including a mentally deficient young man obsessed with driving his own commuter trolley.Various tales in the lives of Tokyo slum dwellers, including a mentally deficient young man obsessed with driving his own commuter trolley.

IMDb RATING
7.3/10
7K
YOUR RATING
POPULARITY
26,092
3,961
  • Director
    • Akira Kurosawa
  • Writers
    • Akira Kurosawa(screenplay)
    • Hideo Oguni(screenplay)
    • Shinobu Hashimoto(screenplay)
  • Stars
    • Yoshitaka Zushi
    • Kin Sugai
    • Toshiyuki Tonomura
Top credits
  • Director
    • Akira Kurosawa
  • Writers
    • Akira Kurosawa(screenplay)
    • Hideo Oguni(screenplay)
    • Shinobu Hashimoto(screenplay)
  • Stars
    • Yoshitaka Zushi
    • Kin Sugai
    • Toshiyuki Tonomura
  • See production, box office & company info
    • 38User reviews
    • 41Critic reviews
  • See more at IMDbPro
    • Nominated for 1 Oscar
      • 4 wins & 1 nomination total

    Videos1

    Trailer
    Trailer 3:41
    Trailer

    Photos85

    Köyhän pikajuna (1970)
    Köyhän pikajuna (1970)
    Köyhän pikajuna (1970)
    Köyhän pikajuna (1970)
    Köyhän pikajuna (1970)
    Köyhän pikajuna (1970)
    Köyhän pikajuna (1970)
    Noboru Mitani and Atsushi Watanabe in Köyhän pikajuna (1970)
    Junzaburô Ban, Keiji Furuyama, Michio Hino, and Tappei Shimokawa in Köyhän pikajuna (1970)
    Yoshiko Maki, Akemi Negishi, Kayako Sono, Toriko Takahara, Matsue Ono, Reiko Niimura, and Toshiko Sakurai in Köyhän pikajuna (1970)
    Kamatari Fujiwara and Atsushi Watanabe in Köyhän pikajuna (1970)
    Hiroyuki Kawase and Noboru Mitani in Köyhän pikajuna (1970)

    Top cast

    Edit
    Yoshitaka Zushi
    • Roku-chan
    Kin Sugai
    Kin Sugai
    • Okuni
    Toshiyuki Tonomura
    • Taro Sawagami
    Shinsuke Minami
    • Ryotaro Sawagami
    Yûko Kusunoki
    • Misao Sawagami
    Junzaburô Ban
    • Yukichi Shima
    Kiyoko Tange
    • Mrs. Shima
    Michio Hino
    • Mr. Ikawa
    Keiji Furuyama
    • Mr. Matsui
    Tappei Shimokawa
    • Mr. Nomoto
    Kunie Tanaka
    Kunie Tanaka
    • Hatsutaro Kawaguchi
    Jitsuko Yoshimura
    Jitsuko Yoshimura
    • Yoshie Kawaguchi
    Hisashi Igawa
    Hisashi Igawa
    • Masuo Masuda
    Hideko Okiyama
    • Tatsu Masuda
    Tatsuo Matsumura
    Tatsuo Matsumura
    • Kyota Watanaka
    Imari Tsuji
    • Otane Watanaka
    Tomoko Yamazaki
    • Katsuko Watanaka
    Masahiko Kametani
    • Okabe
    • Director
      • Akira Kurosawa
    • Writers
      • Akira Kurosawa(screenplay)
      • Hideo Oguni(screenplay)
      • Shinobu Hashimoto(screenplay)
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The movie was made as the first feature of the Committee of the Four Knights, a group founded by four of Japan's greatest directors: Akira Kurosawa, Keisuke Kinoshita, Masaki Kobayashi and Kon Ichikawa. According to a interview with Ichikawa, they wanted their first picture to be a hit. When this film told a story deemed too depressing and was subsequently a failure with audiences, the group disbanded and never made another film. The movie's failure also contributed to Kurosawa's suicide attempt one year later.
    • Quotes

      Beggar: Our house ought to be built on a hill. We Japanese used to build houses in valleys and mountain coves. We've always preferred the lowlands.

      Beggar's Son: That's true. I saw pictures of foreign countries. They have their houses in high places, but ours are in low places.

      Beggar: There's a reason for that. There are many earthquakes and typhoons in Japan. Wooden houses in high places are easily shaken by earthquakes and typhoons. So they chose the lowlands to avoid the danger. But that's not the only reason.

      Beggar: [continues] The Japanese prefer soft light to bright sunshine. We like shady places. We like to live in the midst of nature. So we couldn't get used to concrete houses.

      Beggar's Son: That's right. I don't like concrete houses either. They're too cold for me.

      Beggar: But we shouldn't forget one thing. It's true that wooden houses suit the Japanese people. But we mustn't cling to our culture and characteristics if we become weak and lose endurance as a result. By living in houses made of stone, iron, and concrete, foreigners have strengthened their characters and capabilities. Now we're building our own house. We must take our future into consideration. We must think of you, your children, and your grandchildren.

      Beggar's Son: Yes, that's true.

    • Connections
      Featured in 62nd Annual Academy Awards (1990)

    User reviews38

    Review
    Review
    Featured review
    9/10
    beautiful/tragic character study
    Dodes'ka-den is the monotonous sound of the trolley clickety-clacking down the rails; the mindless drone of a brain damaged or retarded "trolley freak" acting out his repetitive fantasy in the Tokyo city dump where he lives with his long-suffering mother; and, a cinematic masterpiece from Kurosawa.

    The film doesn't have a traditional plot, it's a snapshot of the lives of a strange ensemble of characters who live in the dump. (In much of the third world today, municipal dumps are inhabited by poor people who scavenge trash to make their living. It wasn't that long ago that the same was true in the US, by the way. In the late 1800's the NYC dump was home to a population of desperate scavengers too.) Kurosawa does his usual brilliant job of creating a full spectrum of characters, except that here most of them are damaged and dysfunctional. Kurosawa is loved for his portrayals of honor, courage, and heroism. Some find it more difficult to appreciate his unblinking examination of loss, failure, wickedness and despair. This film lays bare some of the dark corners of the human heart, and presents the full spectrum of human reality, warts and all - but with an emphasis on the warts.

    It's not a dark film nonetheless. These tragic blighted lives are shown with zen clarity and humor. We see a cross-section of human psychology, both good and bad, and the genius of Kurosawa makes it clear that each of us share the feelings and foibles of these Tokyo dregs.
    helpful•11
    4
    • gerold-firl
    • Jul 10, 2010

    Details

    Edit
    • Release date
      • November 30, 1979 (Finland)
    • Country of origin
      • Japan
    • Language
      • Japanese
    • Also known as
      • Dodes'ka-den
    • Filming locations
      • Horie-cho, Edogawa-ku, Tokyo, Japan
    • Production companies
      • Yonki-no-Kai Productions
      • Toho Company
    • See more company credits at IMDbPro

    Box office

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    • Gross worldwide
      • $981
    See detailed box office info on IMDbPro

    Technical specs

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    • Runtime
      2 hours 20 minutes
    • Aspect ratio
      • 1.37 : 1

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