In this film inspired by the ancient erotic and mysterious tales of Mid-West Asia, the main story concerns an innocent young man who comes to fall in love with a slave who selected him as ... See full summary »
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is ... See full summary »
Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son... See full summary »
Pier Paolo Pasolini
After many years working in the streets of Roma, the middle-age whore Mamma Roma (Anna Magnani) saves money to buy an upper class apartment, a fruit stand and retires from the prostitution.... See full summary »
Pier Paolo Pasolini
An adaptation of nine stories from Bocaccio's "Decameron": **** Segment 1: A young man from Perugia is swindled twice in Naples, but ends up rich; **** Segment 2: A man poses as a deaf-mute in a convent of curious nuns; **** Segment 3: A woman must hide her lover when her husband comes home early; **** Segment 4: A scoundrel fools a priest on his deathbed; **** Segment 5: Three brothers take revenge on their sister's lover; **** Segment 6: A young girl sleeps on the roof to meet her boyfriend at night; **** Segment 7: A group of painters wait for inspiration; **** Segment 8: A crafty priest attempts to seduce his friend's wife; **** Segment 9: Two friends make a pact to find out what happens after death.Written by
Philip Brubaker <firstname.lastname@example.org>
When Caterina sleeps with Riccardo, a tan line left by a bikini top can be seen on her back. However the bikini was not in use in 14th century Italy. Riccardo's body also shows tan lines left by wearing a pair of bathing trunks. Tan lines are also visible on the sinners cast into Hell in the dream sequence. See more »
Full of rustic comedy, innocence and realism - 14th century Italy brought to life
The unapologetic choice of ancient, crumbling and dirty locations, coupled with the choice of "real-looking" actors devoid of manufactured graces made this film feel right. 14th century Italy surely was as full of natural humour, even in close proximity to death, as this film makes out. Casual sex in spite of the threat of mortal sin is treated likewise with candour. A real masterpiece showing humanity in all its various forms.
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