Ancient Arabia. A youth is chosen by a beautiful slave girl to be her new master; she is kidnapped and they must search for each other. Stories are told within stories; love, travel and the whims of destiny.
In pre-war Italy, a young couple have a baby boy. The father, however, is jealous of his son - and the scene moves to antiquity, where the baby is taken into the desert to be killed. He is ... See full summary »
Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son... See full summary »
Pier Paolo Pasolini
After many years working in the streets of Roma, the middle-age whore Mamma Roma (Anna Magnani) saves money to buy an upper class apartment, a fruit stand and retires from the prostitution.... See full summary »
Pier Paolo Pasolini
An adaptation of nine stories from Bocaccio's "Decameron": **** Segment 1: A young man from Perugia is swindled twice in Naples, but ends up rich; **** Segment 2: A man poses as a deaf-mute in a convent of curious nuns; **** Segment 3: A woman must hide her lover when her husband comes home early; **** Segment 4: A scoundrel fools a priest on his deathbed; **** Segment 5: Three brothers take revenge on their sister's lover; **** Segment 6: A young girl sleeps on the roof to meet her boyfriend at night; **** Segment 7: A group of painters wait for inspiration; **** Segment 8: A crafty priest attempts to seduce his friend's wife; **** Segment 9: Two friends make a pact to find out what happens after death.Written by
Philip Brubaker <firstname.lastname@example.org>
When Caterina sleeps with Riccardo, a tan line left by a bikini top can be seen on her back. However the bikini was not in use in 14th century Italy. Riccardo's body also shows tan lines left by wearing a pair of bathing trunks. Tan lines are also visible on the sinners cast into Hell in the dream sequence. See more »
Although the cinema version was intact the 1988 UK Warner video was cut by 22 secs by the BBFC to remove shots of naked genitals during the bedroom sex scene with the nun. The cuts were fully restored in the 2001 BFI DVD release. See more »
Pasolini's films are not for everyone. They are slow moving and play on archetypes, but I can think of no one who captures myth as well he does in his `Trilogy of Life' (The Decameron, The Arabian Nights, and The Canterbury Tales). Pasolini does as delicious job of weaving the mythical and poetic into everyday life. He uses real people instead of actors, and presents sexuality innocently and sensually. Staying away from the sexual violence so common in films of this era, and the soft porn haze we see in Hollywood films today. These universal stories are presented much the way they were written, simply and earnestly. The effect for me has always been pure magic.
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