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Harry H. Corbett,
Joe (Robin Askwith) and Carol (Janet Lynn) decide to leave their small village and head down to London for work. Joe fails to find any work but Janet enrolls as a fashion model. As the naive couple begin to enjoy the nightlife of London they are drawn ever deeper into a world of drink, pornography, drugs and prostitution. Their decline into the seedy side of London s nightlife takes them into swinging parties, immoral earnings and filmmaking; threatening to push them over the edge. Will the couple continue on the path of no return - or can they find a way out of their nightmare?Written by
The couple board a Hastings line narrow bodied DEMU (diesel electric multiple unit) train at Etchingham, bound for London Charing Cross, have sex on a 4-COR EMU which operated between London Waterloo and Portsmouth, and arrive at London Paddington. They say they came from Oakham (in Rutland), so would have come into London St Pancras or London King's Cross. See more »
Disclaimer in opening titles: "This story is true but actual names & places are fictitious". See more »
Pete Walker is famous primarily for the superlative horror films he made during the 70's like "Frightmare" and "House of the Whipcord" and secondarily for the sex comedies he churned out in the late 60's like "I Like Birds" and "School for Sex". This film, made during the transition between the two periods, doesn't really fit either category. It is more of a serious, realistic drama with occasional comic elements. It tells the story of two naive but extremely amoral young people who leave their boring small town lives for swinging London. After many humiliating experiences--having to resort to pimping, prostitution, and performing in stag films--against all odds (and all plausibility), they achieve their dream of a success, but it proves to be less than what they hoped for.
For much of the running time this is pretty serious and believable movie, but it goes off the rails at the end. The female character, Carol (played by Janet Lynn), is apparently meant to be a homage to Christine Keeler (who the actress uncannily resembles), but while it was easy to see how a liberal-minded party girl like Keeler could find fame and fortune (or infamy and fortune) in the repressed Britain of the early 60's, it seems a lot less likely that this would happen ten years later when all the girls were pretty much giving it away for free. It also seems unlikely that these two shallow grasping characters would suffer all this humiliation only to grow a conscience AFTER they finally find wealth and success.
In some ways this film resembles "Midnight Cowboy", but the characters are much more amoral and insensitive, so the film doesn't really achieve the same tragic, emotional depths. Still the two leads are very charismatic. I always liked Robin Askwith (even if his bare butt often logged more screen time in his movies than his face). Janet Lynn was unbelievably sexy as a schoolgirl who gets felt up by a lecherous schoolmaster in a brief scene in "Assault", so you can imagine what she is like in a meatier role that requires her to shed her clothes every five minutes. Mostly though it is nice to see a British sex film that is not preachy and moralistic, on one hand, or given over to horrible sub-Benny Hill style "comedy" on the other. Pete Walker does it again.
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