A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.
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Christian Aligny
- Raoulas Raoul
- (as Cristian Alegny)
This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind. —Dale O'Connor <daleoc@interaccess.com>
Top review
Just simply a masterpiece
Story of a weak-willed Italian man (Jean-Louis Trintignant) who is ordered, in 1938, to assassinate his one-time professor. He is ordered by a Fascist organization he joined to become normal, to conform (he's gay and ashamed of it). He takes his annoying wife (Stefania Sandrelli) with him...only to find his professor has married a former love of his (Dominique Sanda). Can he kill them both? This film is just riveting. The story is never boring and full of some very intriguing people. The acting is superb--especially by Trintignant who you see holding his fear and indecision inside and Sanda who is unbelievably sexy...and dangerous. I don't know much about politics so I'm not going to discuss that.
But this film is a must-see for the incredible cinematography by Vittorio Storano and masterful direction by Bernardo Bertolucci. The sets are exquisite--every single one looks incredible and is beautifully lit and shot for maximum impact. Sometimes I was just so caught up in the visuals I lost track of the story! Every shot is filled with rich symbolism. My favorite sequence was at a dance hall when Trintignant is "caught" in the dance. Also some prints are missing a 10 minute "Dance of the Blind" that was cut from original prints. It's no loss--it adds nothing to the story.
Quite simply one of the most beautiful films I've ever seen with a strong, intriguing plot. A powerful must-see film. A 10 all the way.
But this film is a must-see for the incredible cinematography by Vittorio Storano and masterful direction by Bernardo Bertolucci. The sets are exquisite--every single one looks incredible and is beautifully lit and shot for maximum impact. Sometimes I was just so caught up in the visuals I lost track of the story! Every shot is filled with rich symbolism. My favorite sequence was at a dance hall when Trintignant is "caught" in the dance. Also some prints are missing a 10 minute "Dance of the Blind" that was cut from original prints. It's no loss--it adds nothing to the story.
Quite simply one of the most beautiful films I've ever seen with a strong, intriguing plot. A powerful must-see film. A 10 all the way.
helpful•4319
- preppy-3
- Feb 3, 2006
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