The Conformist (1970)

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Director:

Bernardo Bertolucci

Writers:

Alberto Moravia (novel), Bernardo Bertolucci (screenplay)

Stars:

Jean-Louis Trintignant, Stefania Sandrelli, Gastone Moschin

Nominated for 1 Oscar. Another 10 wins & 7 nominations.

Cast

Cast overview, first billed only:
Jean-Louis Trintignant	...	Marcello Clerici (as Jean Louis Trintignant)
Stefania Sandrelli	...	Giulia
Gastone Moschin	...	Manganiello
Enzo Tarascio	...	Professor Quadri
Fosco Giachetti	...	Il colonnello
José Quaglio	...	Italo
Yvonne Sanson	...	Madre di Giulia
Milly	...	Madre di Marcello
Antonio Maestri	...	Confessore
Alessandro Haber	...	Cieco ubriaco
Luciano Rossi	...	Biondo cieco
Massimo Sarchielli	...	Cieco
Pierangelo Civera	...	Franz
Giuseppe Addobbati	...	Padre di Marcello
Christian Aligny	...	Raoul (as Cristian Alegny)

Storyline

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind.

---

Plot Keywords:

fascist | italy | political assassination | italian fascism | professor | 

---

Taglines:

A study in the seduction of the soul... the rape of the mind... the art of political assassination.

---

Genres:

Drama

---

Certificate:

R

Details

Country:

Italy France West Germany

Language:

Italian French Latin Chinese

Release Date:

22 October 1970 (USA)

Also Known As:

The Conformist

Filming Locations:

Cinecittà Studios, Cinecittà, Rome, Lazio, Italy

Box Office

Budget:

$750,000 (estimated)

Company Credits

Production Co:

Mars Film,Marianne Productions,Maran Film

Technical Specs

Runtime:

113 min 108 min (first release) (international)

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Did You Know?

Trivia

Alberto Moravia's novel is told from an omniscient point of view. For the film adaptation, Bernardo Bertolucci chose to tell the story more from the viewpoint of the protagonist, whose memories and feelings are deliberately misleading and unreliable. Bertolucci's non-linear approach to the film's timeline only adds to the film's stream-of-consciousness feeling.

---

Goofs

When young Marcello shoots up Lino's room, the squibs are clearly visible in the walls before they explode.

---

Quotes

[first lines]
Marcello: [to Manganiello on the phone] It's me, yes. Everything all right?
[pause]
Marcello: What do you mean, they're gone? You mean she's gone, too?
[pause]
Marcello: I'll be waiting in front of the hotel.
[hangs up]

---

Connections

Referenced in Dream Slashers (2007)

---

Soundtracks

Bandiera rossa
(uncredited)
Composed by Carlo Tuzzi

User Reviews

Architecture meets celluloid.

What is most amazing about The Conformist is it's cinematography and angles.

Director Bertolucci and Cinematographer Storraro have created a masterpiece of form by using light, camera angles, and character positioning.

The architecture dwarfs the characters as they try to make sense of their existence during Italy's fascist period (1930's). They are placed theatrically at times creating a balance of space.

The Conformist is the most stunning film visually I have ever seen. Every scene is immaculate, kind of surreal, almost to rich for the senses to take in one viewing.

The story is somewhat difficult on the first viewing but one can figure the basic plot line. It is a story about repression and oppression, about nationality, political beliefs during a paradigm shift. It is about acceptance and avoidance. It is about playing it safe in a time of tension.

The final scene suggests what the main character might have become had he chose the truth. It is left up to us to judge him and realize that it is sort of a catch 22; either way, he would have ended up in that dark place where a fascist country would mentally place same sex love.

See this film to see the potential of the beauty of film.

Conform or not to Conform? That is the Question.