| Cast overview, first billed only: | |||
| Jean-Louis Trintignant | ... | Marcello Clerici (as Jean Louis Trintignant) | |
| Stefania Sandrelli | ... | Giulia | |
| Gastone Moschin | ... | Manganiello | |
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Enzo Tarascio | ... | Professor Quadri |
| Fosco Giachetti | ... | Il colonnello | |
| José Quaglio | ... | Italo Montanari | |
| Yvonne Sanson | ... | Madre di Giulia | |
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Milly | ... | Madre di Marcello |
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Antonio Maestri | ... | Confessore |
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Alessandro Haber | ... | Cieco ubriaco |
| Luciano Rossi | ... | Biondo cieco | |
| Massimo Sarchielli | ... | Cieco | |
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Pierangelo Civera | ... | Franz |
| Giuseppe Addobbati | ... | Padre di Marcello | |
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Christian Aligny | ... | Raoul (as Cristian Alegny) |
This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind. Written by Dale O'Connor <daleoc@interaccess.com>
A weak-willed Italian man (Jean-Louis Trintignant) becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher (Enzo Tarascio), now a political dissident.
The film is said to be a case study in the psychology of fascism: Marcello Clerici is a bureaucrat dehumanized by a dysfunctional upper class family and a childhood sexual trauma. Political philosopher Takis Fotopoulos calls the film "a beautiful portrait of this psychological need to conform and be 'normal' at the social level, in general, and the political level, in particular."
I loved it. I think it was very symbolic of not just fascism, but politics and humanity in general. There really is a desire to conform, and normality varies based on when and where you live. Political ideas might seem weird in one place and not another. The same with morality. Could a society exist where the removal of your friends is just a part of life? Sure. (The Mafia does it.)