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The Conformist (1970)

Il conformista (original title)
R | | Drama | 21 March 1971 (USA)
Trailer
1:12 | Trailer
A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Writers:

Alberto Moravia (novel), Bernardo Bertolucci (screenplay) | 1 more credit »
Nominated for 1 Oscar. Another 10 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Jean-Louis Trintignant ... Marcello Clerici (as Jean Louis Trintignant)
Stefania Sandrelli ... Giulia
Gastone Moschin ... Manganiello
Enzo Tarascio Enzo Tarascio ... Professor Quadri
Fosco Giachetti ... Il colonnello
José Quaglio ... Italo
Yvonne Sanson ... Madre di Giulia
Milly Milly ... Madre di Marcello
Antonio Maestri Antonio Maestri ... Confessore
Alessandro Haber Alessandro Haber ... Cieco ubriaco
Luciano Rossi ... Biondo cieco
Massimo Sarchielli ... Cieco
Pierangelo Civera Pierangelo Civera ... Franz
Giuseppe Addobbati ... Padre di Marcello
Christian Aligny Christian Aligny ... Raoul (as Cristian Alegny)
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Storyline

This story opens in 1938 in Rome, where Marcello has just taken a job working for Mussollini and is courting a beautiful young woman who will make him even more of a conformist. Marcello is going to Paris on his honeymoon and his bosses have an assignment for him there. Look up an old professor who fled Italy when the fascists came into power. At the border of Italy and France, where Marcello and his bride have to change trains, his bosses give him a gun with a silencer. In a flashback to 1917, we learn why sex and violence are linked in Marcello's mind. Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Add Synopsis

Taglines:

You'll dare not forget him! See more »

Genres:

Drama

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Italy | France | West Germany

Language:

Italian | French | Latin | Chinese

Release Date:

21 March 1971 (USA) See more »

Also Known As:

The Conformist See more »

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Box Office

Budget:

$750,000 (estimated)

Gross USA:

$58,657

Cumulative Worldwide Gross:

$400,747
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (first release) (international)

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Bernardo Bertolucci approached Brigitte Bardot for the role of Anna Quadri before casting Dominique Sanda. See more »

Goofs

When Lino first sees young Marcello walking and gets into his car to follow him, he knocks his hat off ducking into the vehicle. See more »

Quotes

[first lines]
Marcello: [to Manganiello on the phone] It's me, yes. Everything all right?
[pause]
Marcello: What do you mean, they're gone? You mean she's gone, too?
[pause]
Marcello: I'll be waiting in front of the hotel.
[hangs up]
See more »

Alternate Versions

The "Dance of the Blind" sequence was restored for the 1994 re-issue of the film. This had been cut for the American release. Contrary to early reports, the DVD released by Paramount does include this scene. See more »

Connections

Referenced in JFK (1991) See more »

Soundtracks

L'Internationale
(uncredited)
Composed by Pierre De Geyter
Lyrics by Eugène Pottier
See more »

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User Reviews

 
Unique, visually stunning and surreal mix of history and suspense
2 June 2001 | by dcavalloSee all my reviews

Bertolucci's "Conformist" must not be missed if it shows up at your local art/independent movie theater.

Indispensable for its photography and visual style alone -- credit legendary DP Vittorio Storaro, best known for his work on The Godfather films and Apocalypse Now -- the film delivers with a ferocious punch on a remarkable number of levels.

Dense and often difficult, yet leavened with unexpectedly beautiful and humorous touches, "The Conformist" functions primarily as an indictment of Fascism and its adherents. But deeper threads run deeply through the picture; it is an examination of one man's attitudes towards the value of patriotism, love, family, marriage, sex and death, and, as has perhaps been overstated (by both the critics and perhaps the film-maker) it also explores the ramifications of homosexual repression.

Bertolucci expertly manages to weave these themes into a hypnotic, occasionally surreal experience that has served as an inspiration for countless directors.

Performances are brilliant throughout. Dominique Sanda is one of the most engaging and sensual women to ever grace the screen.

See this film, and you will simply wish to see it again.


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