1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von ... See full summary »
A French UN delegate has disappeared into thin air, sending reporter Moreau (Jean-Pierre Melville) and hard drinking photographer Delmas (Pierre Grasset) on an assignment to find him. Their only lead is a picture of three women.
On the eve of his release after five years imprisoned, the thief Corey is contacted by one guard of the prison that offers him a jewelry heist. However Corey seeks out his former boss Rico and steals money from him. Rico sends two gangsters to hunt Corey down and retrieve the stolen amount. Meanwhile the criminal Vogel is transported by train by the Police Officer Mattei and succeeds to escape. Corey drives from Marseille to Paris and Vogel hides in the trunk of his car. Corey finds him but does not object to ride Vogel to Paris hidden in the trunk. When the gangsters sent by Rico cut in Corey's car, Vogel saves him from the criminals, but Corey loses the money. Without money, Corey decides to heist the jewelry with Vogel and invites the former police detective Jansen to team-up with them. The trio executes a perfect heist but Rico is seeking revenge and Mattei is an unethical but efficient police officer capable to use any means to resolve the case.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The movie's Opening Credits include an epigraph: "Siddhartha Gautama, the Buddha, drew a circle with a piece of red chalk and said: 'When men, even unknowingly, are to meet one day, whatever may befall each, whatever the diverging paths, on the said day, they will inevitably come together in the red circle.'" This quote explains the title of the film. See more »
The uncut version (released on Criterion disc) runs 140 minutes. When the film appeared in the U.S. in the 1970s, it ran somewhere in the neighborhood of 90 minutes. See more »
Everyone likes the coolly created, memorable heist movie. Alain Delon provides the antihero, Melville provides the cool, and a handful of other great talent (Yves Montand, Gian Maria Volonte, and Andre Bourvil, mostly) arrives to add a crisp engaging movie...
...with very little dialog. This is great, because one certain aspect of the genre tends to be a lot of dialog involving the quick-witted and their various repartees. This movie, however, could be watched with the sound completely off and not too terribly much would be missed. Not to say the sound is bad, oh no, the jazzy soundtrack and the crisp audio catching the little movements makes the slow, patient deliberation of the patients very compelling.
What's also really neat about this film is that the color cinematography is pretty fantastic. Usually when it comes to cinematography, black and white movies tend to stick out in my mind, but this film has some very strong and beautiful imagery that makes the movie pure visual pleasure to observe.
30 of 37 people found this review helpful.
Was this review helpful to you?
| Report this