Le strade di una grande città sono piene di cadaveri, ma la gente sembra non accorgersene e passa indifferente. Per volere delle autorità, i corpi di quei cittadini, uccisi perchè ribelli, ...
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A conscientious factory worker gets his finger cut off by a machine. Although the physical handicap is not serious, the accident causes him to become more involved in political and revolutionary groups.
Gian Maria Volontè,
In this film inspired by the ancient erotic and mysterious tales of Mid-West Asia, the main story concerns an innocent young man who comes to fall in love with a slave who selected him as ... See full summary »
In the contest of the "most virgin" Miss Monde 1984, Miss Canada wins, and prize is the marriage with the milk industry tycoon with his fifty billion dollars fortune. In their honeymoon, ... See full summary »
The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them ... See full summary »
Ferruccio De Ceresa,
Gianni, Nicola and Antonio become close friends in 1944 while fighting the Nazis. After the end of the war, full of illusions, they settle down. The movie is a the story of the life of ... See full summary »
Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with... See full summary »
A forty year old woman, who has been in an asylum, goes to live with her brother's family. She proves incapable of adapting herself to family life, takes refuge in the country alone with her memories, and is later returned to the asylum.
Peter Gonzales Falcon
Le strade di una grande città sono piene di cadaveri, ma la gente sembra non accorgersene e passa indifferente. Per volere delle autorità, i corpi di quei cittadini, uccisi perchè ribelli, devono servire come monito. Antigone vorrebbe seppellire il fratello, giovane straniero che parla una lingua sconosciuta, le offrirà la propria collaborazione. Insieme, cercano di seppellire i morti, ma vengono scoperti ed uccisi. Comunque, l'esempio dei due viene seguito da altri giovani, che scendono nelle strade per continuare a seppelire i cadaveri, sfidando le autorità.Written by
The films of Liliana Cavani have never appealed to me, and I consider most of them (not all) to be among the most obnoxious of those modern cinematic works with a presumed claim to importance.
THE CANNIBALS is a modern reworking of the drama of Antigone, in the format of a radical political allegory. Set in the city of Milan, where a fascist government leaves the bodies of captured rebels on the streets, it is about Antigone, who wants to bury her dead brother. The character of Tiresias, a zombie-like Pierre Clementi who is about as expressive as the corpses we see lying around during the whole film, speaks an extra-galactic language and likes to eat fish (Christ symbol, GET IT???) Antigone and Tiresias spend much time taking away some of the bodies, placing them in caves, and giving them bread and fishes. Why do the bodies strewn everywhere never decompose, by the way? Oh yes, they are the recurring symbol of the evil of this totalitarian state. How stupid of me. Haimon (Tomas Milian), who defies his father the prime minister, wants to become an animal. But we can hardly care what anybody wants to do in this movie, so preposterous and annoying is it.
Universally despised by mainstream critics, the movie really deserved all the trashing it got, notably after its New York Film Festival showing. It is irksome, pretentious, and quickly wears on the nerves. The grating music by the usually good Ennio Morricone is not among his best, and sounds like it belongs in a spaghetti western.
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