The Year of the Cannibals (1970)

The streets of a big city are full of dead bodies but people seem not to notice and pass by indifferently. At the behest of the authorities, the bodies of those citizens who were killed ... See full summary »

Director:

Liliana Cavani

Writers:

Liliana Cavani (story), Italo Moscati (screenplay)

Stars:

Britt Ekland, Pierre Clémenti, Tomas Milian

Cast

Cast overview, first billed only:
Britt Ekland	...	Antigone
Pierre Clémenti	...	Tiresia (as Pierre Clementi)
Tomas Milian	...	Emone
Delia Boccardo	...	Ismene
Marino Masé	...	Ismene's Fiancé
Francesco Leonetti	...	Prime Minister
Alfredo Bianchini	...	(as Alfrfdo Bianchini)
Alessandro Cane	...	Commissaire de la Sûreté Nationale
Cora Mazzoni	...	Antigone's mother
Francesco Arminio	...	Antigone's father
Giampiero Frondini	...	TV Speaker
Sergio Serafini	...	Sergeant
Giancarlo Caio	...	The Pope
Carla Cassola
Massimo Castri

Storyline

The streets of a big city are full of dead bodies but people seem not to notice and pass by indifferently. At the behest of the authorities, the bodies of those citizens who were killed because the rebels should serve as a warning. Antigone wants to bury her brother. A young foreigner who speaks a foreign language and will offer his cooperation. Together, they try to bury the dead, but are discovered and killed. However, the example of the two is followed by other young people who take to the streets to continue to bury the corpses, again defying the authorities.

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Plot Keywords:

shot to death | society | cadaver | oppression | conformism | 

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Genres:

Drama

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Certificate:

GP

Did You Know?

Trivia

Italian censorship visa # 55039 delivered on 22-11-1969.

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Crazy Credits

Alfredo Bianchini's credit is misspelled as Alfrfdo Bianchini.

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Connections

Featured in Women Make Film: A New Road Movie Through Cinema (2018)

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Soundtracks

Song of Life
(uncredited)
Written by Ennio Morricone (uncredited)
Performed by Don Powell (uncredited)

User Reviews

Antigone updating.

The films of Liliana Cavani have never appealed to me, and I consider most of them (not all) to be among the most obnoxious of those modern cinematic works with a presumed claim to importance.

THE CANNIBALS is a modern reworking of the drama of Antigone, in the format of a radical political allegory. Set in the city of Milan, where a fascist government leaves the bodies of captured rebels on the streets, it is about Antigone, who wants to bury her dead brother. The character of Tiresias, a zombie-like Pierre Clementi who is about as expressive as the corpses we see lying around during the whole film, speaks an extra-galactic language and likes to eat fish (Christ symbol, GET IT???) Antigone and Tiresias spend much time taking away some of the bodies, placing them in caves, and giving them bread and fishes. Why do the bodies strewn everywhere never decompose, by the way? Oh yes, they are the recurring symbol of the evil of this totalitarian state. How stupid of me. Haimon (Tomas Milian), who defies his father the prime minister, wants to become an animal. But we can hardly care what anybody wants to do in this movie, so preposterous and annoying is it.

Universally despised by mainstream critics, the movie really deserved all the trashing it got, notably after its New York Film Festival showing. It is irksome, pretentious, and quickly wears on the nerves. The grating music by the usually good Ennio Morricone is not among his best, and sounds like it belongs in a spaghetti western.

Details

Country:

Italy

Language:

Italian

Release Date:

30 April 1970 (Italy)

Also Known As:

The Year of the Cannibals

Filming Locations:

Milan, Lombardia, Italy

Company Credits

Production Co:

Doria, San Marco

Technical Specs

Runtime:

88 min

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1