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See You at Mao (1970)

British Sounds (original title)
Not Rated | | Documentary | 21 May 1970 (USA)
Filmed in the UK in 1969, this documentary by Godard and the Dziga Vertov Group represents an analysis of production and the status of women in capitalist society and a speculation about ... See full summary »
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Storyline

Filmed in the UK in 1969, this documentary by Godard and the Dziga Vertov Group represents an analysis of production and the status of women in capitalist society and a speculation about class consciousness and the need for political organization. A group of men formed by trade unionists and employers debate on what measures would benefit their respective classes. At the same time, a group of young hippies tested several Beatles songs. Written by jsanchez

Plot Summary | Add Synopsis

Genres:

Documentary

Certificate:

Not Rated | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

21 May 1970 (USA) See more »

Also Known As:

See You at Mao See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

With LWT (in 1968) facing growing criticism for making too many arty TV shows, something from Jean-Luc Godard was thought bound to be a winner. However, after previewing this film was put on the shelf and later junked. Copies do exist in foreign archives. See more »

Connections

Referenced in Godard in America (1970) See more »

Soundtracks

Hello, Goodbye
Written by John Lennon (uncredited) and Paul McCartney (uncredited)
Performed by The Beatles
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User Reviews

After Godard takes film to zero...
12 October 1999 | by patrick-97See all my reviews

After taking film to "zero" with -Le Gai Savoir-, Godard and the Dziga Vertov Group put out several Maoist/Marxist films, including this one. The main idea of British Sounds is exactly the soundtrack; the images are primarily still, with minimal camera movement: mostly tracks and pans.

British Sounds is didactic and academic, but not without artistic merit, particularly the use of red and the jump-cutting fists that punch through the British flag repeatedly. The film has six parts, including the famous ten-minute track through an auto assembly line and a four-minute shot of a woman's nude torso; it is also filled with speech, whether it's a text from Engels read aloud or a newscaster talking about the necessities of burning women and children. A real agit-prop film, but, as Godard said about the later -Vladimir and Rosa-, also "a time piece."


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