Early De Niro film casts him as a New York City film editor working on a documentary about Richard Nixon, and spending a weekend with rich friends Warren and Mickey. Crawford enters their lives and proceeds to disrupt everyone.
Robert De Niro,
Marcus (Michael Brandon), a nice, rich, Jewish boy from New York City, meets and falls in love with Jennifer (Tippy Walker), a girl from Oyster Bay, while they are both in Venice. He ... See full summary »
This is the funny story about two warring Mafia gangs in New York City. The weaker gang uses a lion to blackmail the opposite gang's "clients". The police succeed in stopping one of the gangs, while the other remains without the boss.
Jo Van Fleet
A psychological gangster film based on fact. Machine gun totin' Ma Barker lead her family gang (her sons) on a crime spree in the Depression era. Her loyal brood have every perversion imaginable. The sadistic Herman sleeps with his Ma. When Fred Barker is released from prison, he brings home his cellmate and lover Kevin Dirkman, who also sleeps with Ma, much to Fred's chagrin. Lloyd Barker is a spaced-out drug addict who sniffs glue if nothing better is around. Ma kidnaps happy-go-lucky millionaire Sam Adams Pendlebury and holds him for ransom. Arthur Barker, Ma's wallflower son, and Herman's hooker lady friend Mona Gibson also figure in the story. The bloody finale is virtually choreographed, and a visual stunner. Filmed in the Ozarks.Written by
Robert De Niro arrived in Arkansas a week prior to shooting, so he could learn all about the local culture. See more »
In the prison cell when Freddie is walking on Dirkman's back, if you look on the cell wall behind him, you'll see graffiti of a Nazi swastika on the wall. The movie takes place circa 1930 and the Nazi symbol didn't even exist (at least in America's consciousness) until the late 1930's-1940's. Correction: The swastika was used as good luck symbol long before the Nazis. It was a common Native American symbol of good fortune and was on the official patch of the 45th Infantry Division of the US Army prior to 1930. So it's use as graffiti is not impossible. See more »
'Ma' Kate Barker:
It's supposed to be a free country Mona. But unless you're rich, you ain't free and you know that. So I aim to be freer than the rest of the people.
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The film was originally rejected for a UK cinema certificate by the BBFC and then released 8 months later in 1971 with cuts to nudity, violent beatings, a rape scene, the drowning of Rembrandt, Lloyd's injection scenes and the violent shooting of Herman. The 18-rated UK video release of this film was cut by 11 seconds by the BBFC and removes the scene where Bruce Dern drops a tethered piglet into a river to use as alligator bait. The cuts were fully waived for the 2009 Optimum DVD. See more »
Fun movie about a gun toting Ozark clan that rebels against their Depression-era poverty by stealing, threatening, robbing banks, kidnapping, and killing their way into infamy. The clan's leader is colorful Ma (Kate) Barker (Shelley Winters), self-confident, forceful, and determined to get some high-style living for her and her four boys, whatever is required.
Interspersed through the plot are real-life B&W flashbacks to the 1920s and 30s, which enhance a sense of realism, as does the casting of non-actors in minor roles in some scenes. The dialogue is at times clever, like during one of the B&W flashback scenes when, in V.O., Ma tells us: "1929 was a bad year for a lot of folks. The rich men was jumpin' out of the windows and, as usual, they fell on the poor".
In addition to clever dialogue, Shelley Winters makes the film fun, mostly as a result of her over-the-top Southern accent. And there's something quite ironic about her character. For all of Kate's gun-loving ways, she's actually quite religious and anti-war. In one sequence, she sits down at the piano to play, and starts singing a song to spark some life into her four dejected sons; they eventually join in. "I didn't raise my boy to be a soldier; I brought him up to be my pride and joy there'd be no war today, if mothers all would say, I didn't raise my boy to be a soldier", which also sums up her familial bond with her sons.
The film's color cinematography is acceptable, though nothing special. Prod design and costumes seem accurate for the era, though Shelley's long eyelashes look more like something from the 1960s than the 1920s. The film's songs are good; I really like that title song.
A lot of viewers don't like this movie, for a variety of reasons. No, it isn't a realistic portrayal of the real Ma Barker. And no, the story is not altogether accurate, though some plot points are. But it's a fun movie and worth watching, mostly for the entertaining performance of Shelley Winters.
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