| Cast overview, first billed only: | |||
| Dolly Read | ... | Kelly Mac Namara | |
| Cynthia Myers | ... | Casey Anderson | |
| Marcia McBroom | ... | Petronella Danforth | |
| John Lazar | ... | Ronnie (Z-Man) Barzell (as John La Zar/John LaZar) | |
| Michael Blodgett | ... | Lance Rocke | |
| David Gurian | ... | Harris Allsworth | |
| Edy Williams | ... | Ashley St. Ives | |
|
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Erica Gavin | ... | Roxanne |
| Phyllis Davis | ... | Susan Lake | |
| Harrison Page | ... | Emerson Thorne | |
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Duncan McLeod | ... | Porter Hall (as Duncan Mc Leod/Duncan McLeod) |
| James Iglehart | ... | Randy Black (as Jim Iglehart) | |
| Charles Napier | ... | Baxter Wolfe | |
| Henry Rowland | ... | Otto | |
| Princess Livingston | ... | Matron | |
This film is a sequel in name only to Valley of the Dolls (1967). An all-girl rock band goes to Hollywood to make it big. There they find success, but luckily for us, they sink into a cesspool of decadence. This film has a sleeping woman performing on a gun which is in her mouth. It has women posing as men. It has lesbian sex scenes. It is also written by Roger Ebert, who had become friends with Russ Meyer after writing favorable reviews of several of his films. Written by Mark Logan <marklo@west.sun.com>
Venerable film critic and writer Roger Ebert, penned Beyond The Valley Of The Dolls. It's basically a spoof, of the 1967 film, Valley Of The Dolls. The plot of this movie revolves around a female rock group, that pursues their dreams of stardom in the Hollywood jungle of ambitious hopefuls.
All the characters are beautiful looking, particularly the drop-dead gorgeous women in the band. They do have an old toothless women in the film, who hangs-out at a party with the beautiful people. She's the comic relief, in an already hilariously campy film.
There's lots of sleazy, over-the-top sex, ravenous opportunists, drug addicts, and overall flash-n-trash scenes. Ebert was obviously milking the satirical element of the film, to the hilt. The humor in all of this, works throughout most of the movie. But when the film veers towards bloody violence in the latter part of it, it's very jarring to the viewer. The brutal violence winds-up spoiling the fun, comic tone of this movie.
For the most part, this film is an amusing send-up of The Valley Of The Dolls. But the violence in this film, winds-up deflating the wacky, tongue-in-cheek premise of the movie. This film would've worked much better, if the brutal, gory violence was left out of it.