Through examining Fini Straubinger, an old woman who has been deaf and blind since adolescence, and her work on behalf of other deaf and blind people, this film shows how the deaf and blind... See full summary »
A wounded German paratrooper named Stroszek is sent to the quiet island of Kos with his wife Nora, a Greek nurse, and two other soldiers recovering from minor wounds. Billeted in a decaying... See full summary »
During the 1800s, paroled Brazilian bandit Cobra Verde is sent to West Africa with a few troops to man an old Portuguese fort and to convince the local African ruler to resume the slave trade with Brazil.
A group of inhabitants of a correctional colony for people of small stature raises a riot against the local order. Tired of adhering to the many rules that require good behavior from them, they decide to become bad. Their immediate leader (also a dwarf) is forced to take refuge in one of the premises while waiting for the police to arrive. Meanwhile, the rioters are having fun: they beat dishes and glasses, start a car and eventually break it, kill a big pig, scoff at blind dwarfs living next door, arrange cockfights, set fire to flowerpots with their favorite colors, and so on.Written by
When filming the car sequence with the cast, the man who climbed on the roof of the car actually fell and was run over by the car. Amazingly, he wasn't injured, and continued filming the scene. See more »
When we behave nobody cares. But when we are bad nobody forgets.
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UK versions are cut by 2 minutes 17 secs by the BBFC to remove a cockfight and shots of a live crucified monkey. See more »
This film isn't just depraved and misanthropic, it's depraved and misanthropic with heart.
Despite it's grotesqueness, it depicts a fantasy of rebellion and transgression that I've loved for years. The urge to break free and destroy the confining objects and circumstances of our lives is within all of us. The potential joy of trashing and rendering inoperable our cars, the implements of our work, even our foodstuffs and houses lurks somewhere on a subconcious level, wether we are able to admit it to ourselves or not. Herzog has made an archetypal statement, very simply and unambiguously. The exhilaration of watching these laughing little people dismantle, bludgeon and set fire to their surroundings is immense
I find I have a weird empathy with the character Hombre, the small guy who happily follows the group and laughs while he watches all the destruction. He has a kind of humble nobility which is revealed at the beginning of the film when he refuses to talk to police.
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