IMDb RATING
3.9/10
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A race of sexy women from Angvia, a planet in another dimension, comes to Earth to kidnap women to repopulate their planet.A race of sexy women from Angvia, a planet in another dimension, comes to Earth to kidnap women to repopulate their planet.A race of sexy women from Angvia, a planet in another dimension, comes to Earth to kidnap women to repopulate their planet.
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Carol Hawkins
- Zara
- (as Carolanne Hawkins)
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ZETA ONE (aka: THE LOVE FACTOR) opens with a groovy James Bond-esque theme song playing over still shots of seminude nymphets lounging about. The Bond-ness continues, as this is a cheeky parody of such films.
The negligee-thin story line is just a flimsy frame to hang all of the naughtiness on. So, not a lot happens.
When Zeta (Dawn Addams) finally shows up, things pick up a bit. Slightly. She and her troupe of alien babes kidnap Earth women to add to their colony.
Yep, this is another of those movies that great-grandad used to sneak off to see at some rundown theater. Today, it's fun in its own quaint way. So, if you're looking for some silly, late-1960's-70's soft core cheeeze, then, you'll probably enjoy this...
The negligee-thin story line is just a flimsy frame to hang all of the naughtiness on. So, not a lot happens.
When Zeta (Dawn Addams) finally shows up, things pick up a bit. Slightly. She and her troupe of alien babes kidnap Earth women to add to their colony.
Yep, this is another of those movies that great-grandad used to sneak off to see at some rundown theater. Today, it's fun in its own quaint way. So, if you're looking for some silly, late-1960's-70's soft core cheeeze, then, you'll probably enjoy this...
If anything, "Zeta One" (a.k.a. "The Love Factor" and "Alien Women") proves that the U.S.A. doesn't have a lock on cheesy soft-core porn movies. In this one, a race of alien women (many of whom run around topless) kidnap earth women to repopulate their world. What sounds like a fun spoof of spy movies and sci-fi flicks fails miserably, due to many factors, not the least of which is that there's simply no point of view. The cast (and the script) seem to meander around without any real purpose. The secret agent character, James Word (played by Robin Hawdon of "When Dinosaurs Ruled the Earth") seems to have two purposes in the movie: to have sex with every woman who crosses his path, and smoke cigarettes, since he doesn't seem to do anything else. A part like his takes a deft comedic touch, which Hawdon just doesn't have. The story is told in flashback, and the framing sequences featuring Hawdon and lovely Yutte Stensgaard seem to indicate trouble with the original film (Hawdon has a moustache in the main body of the film, but is without it in the framing sequences). Scenes dealing with a strip-poker game and Word's ultimate fate go on for what seems like an eternity without any real payoff. And top-billed James Robertson Justice gives a textbook example of a "where's-my-paycheck?" type performance. The British have a reputation for stuffiness, and if this movie is any indication, it is a reputation well-deserved.
Most of the time, when you watch a film, you think about the film itself, the narrative, the people in it, the cinematography etc. In this case, you spend half the time wondering what the film-makers were trying to do. It really is worth emphasising what a weirdie this one is. Weird in a bad way.
It is incredibly disjointed. The stars remain completely separated. James Robertson Justice and Charles Hawtrey are in one lot of scenes. Robin Hawdon sans moustache and Yutte Stensgaard are in another lot. RH avec moustache is in a third lot, and Dawn Addams appears in a fourth. There is no overlap between these. The opening twenty minutes with the charisma-free Hawdon & dear old Yutte playing strip poker are so excruciatingly dull that you wonder how many people lasted the course in the days before fast forward buttons. Or maybe pause buttons.
Of course the story is intended to be quirky, and the makers were obviously going for a Barbarella-type vibe. OK, but this one is downright strange. Some of the odd bits include: a completely unmotivated dialogue between James Word and a grumpy lift; the bizarre incident of James Word's moustache, revealed as false in the opening scene; overdubs of Major Bourdon's added dialogue, which sound nothing like James Robertson Justice, but passably like Basil Brush; James Word being fed an aphrodisiac diet of oysters and what appears to be Mackeson Stout; the British secret service employing an American boss and a Scandinavian secretary; the mystery of why Charles Hawtrey's bottom is bitten by one of his own dogs.
Other commentators have unpicked the relationships between the various bits of the film - it looks like the Justice/Hawtrey scenes were shot first, and then the Hawdon/moustache scenes shot to make sense of them, and then the Hawdon/no moustache scenes shot to make sense of them. Stensgaard's lines about what rubbish it all is are clearly a tongue-in-cheek admission of the blindingly obvious. Naturally, the whole thing is a thin excuse for some girlie nudity (and that also is laid on thicker in the scenes shot later, as if they realised that nudity would be the film's only saving grace). The basic idea of topless aliens invading Earth is a very amusing one. But given the cast there really is no excuse for making such an awful picture.
The nadir of the film is the jokey kidnap-and-torture sequence about half way through. Not erotic, just a gigantic lapse of taste, unredeemed by the reappearance of the kidnapped girl towards the end. That is the problem with this film in its most egregious aspect - it is just not likable enough.
It is incredibly disjointed. The stars remain completely separated. James Robertson Justice and Charles Hawtrey are in one lot of scenes. Robin Hawdon sans moustache and Yutte Stensgaard are in another lot. RH avec moustache is in a third lot, and Dawn Addams appears in a fourth. There is no overlap between these. The opening twenty minutes with the charisma-free Hawdon & dear old Yutte playing strip poker are so excruciatingly dull that you wonder how many people lasted the course in the days before fast forward buttons. Or maybe pause buttons.
Of course the story is intended to be quirky, and the makers were obviously going for a Barbarella-type vibe. OK, but this one is downright strange. Some of the odd bits include: a completely unmotivated dialogue between James Word and a grumpy lift; the bizarre incident of James Word's moustache, revealed as false in the opening scene; overdubs of Major Bourdon's added dialogue, which sound nothing like James Robertson Justice, but passably like Basil Brush; James Word being fed an aphrodisiac diet of oysters and what appears to be Mackeson Stout; the British secret service employing an American boss and a Scandinavian secretary; the mystery of why Charles Hawtrey's bottom is bitten by one of his own dogs.
Other commentators have unpicked the relationships between the various bits of the film - it looks like the Justice/Hawtrey scenes were shot first, and then the Hawdon/moustache scenes shot to make sense of them, and then the Hawdon/no moustache scenes shot to make sense of them. Stensgaard's lines about what rubbish it all is are clearly a tongue-in-cheek admission of the blindingly obvious. Naturally, the whole thing is a thin excuse for some girlie nudity (and that also is laid on thicker in the scenes shot later, as if they realised that nudity would be the film's only saving grace). The basic idea of topless aliens invading Earth is a very amusing one. But given the cast there really is no excuse for making such an awful picture.
The nadir of the film is the jokey kidnap-and-torture sequence about half way through. Not erotic, just a gigantic lapse of taste, unredeemed by the reappearance of the kidnapped girl towards the end. That is the problem with this film in its most egregious aspect - it is just not likable enough.
Angvia is in space, in a different timescale or something. The first fifteen minutes are spent watching James (Robin Hawdon) and Ann (Yutte Stensgaard) paying cards.
Highpoints, at least as far as casting is concenred is Charles Hawtrey (as Swyne) and James Robertson Justice (Major Bourdon). These two legendry performers could be said to be playing their roles uncharacteristically straight - or possibly uninterested.
Zeta One attempts to be a sort of sci-fi, camp James Bond production. Viewed in 2021, it is pretty tedious and tame. The first scene features James coming home to find Ann barely dressed, having prepared a sumptuous dinner (which they never get to eat). I'm no fan of knocking productions that were very much a product of its time - it's a very lazy and unfair thing to do - but if I say this lacks the wit and sophistication of the Carry On films, you'll get some idea as to its level. Sadly, despite featuring a planned sexy alien invasion of swinging London in 1969, it's also rather dull.
James Word (... is his Bond, get it?) sports a moustache that comes and goes, and spends most of the time pouting and posturing in bed with many lovely young ladies while trying to glue the paper-thin plot strands together. The inconsistencies in the execution (Word disappears for vast swatches of time, and Bourdon disappears before the finale) indicate some kind of troubled production. Actor Hawdon tested for the role of James Bond before Roger Moore got the role.
It's odd rather than amusing, looks pretty cheap and every female character seems to be dubbed, which happened a lot in films around this time. A rather tedious curio. My score is 4 out of 10.
Highpoints, at least as far as casting is concenred is Charles Hawtrey (as Swyne) and James Robertson Justice (Major Bourdon). These two legendry performers could be said to be playing their roles uncharacteristically straight - or possibly uninterested.
Zeta One attempts to be a sort of sci-fi, camp James Bond production. Viewed in 2021, it is pretty tedious and tame. The first scene features James coming home to find Ann barely dressed, having prepared a sumptuous dinner (which they never get to eat). I'm no fan of knocking productions that were very much a product of its time - it's a very lazy and unfair thing to do - but if I say this lacks the wit and sophistication of the Carry On films, you'll get some idea as to its level. Sadly, despite featuring a planned sexy alien invasion of swinging London in 1969, it's also rather dull.
James Word (... is his Bond, get it?) sports a moustache that comes and goes, and spends most of the time pouting and posturing in bed with many lovely young ladies while trying to glue the paper-thin plot strands together. The inconsistencies in the execution (Word disappears for vast swatches of time, and Bourdon disappears before the finale) indicate some kind of troubled production. Actor Hawdon tested for the role of James Bond before Roger Moore got the role.
It's odd rather than amusing, looks pretty cheap and every female character seems to be dubbed, which happened a lot in films around this time. A rather tedious curio. My score is 4 out of 10.
It's another cold snowy winter day here so I once again took advantage of our Amazon Prime subscription and picked a flick. This time I watched a film from 1969 called 'zeta one' (aka 'The Love Factor'). It's a British made secret agent film...sort of... maybe it's more a sex-ploitation film. I can best describe it as a cross between the over the top spy films like 'Our Man Flint' and the recent Austin Powers films. Also a touch of James Bond. There is a 'Barbarella' sci fi element to it too. There's a race of alien women with advanced technology who want us for mating purposes or something. I'm not really sure. Like so many other B-movie female aliens they only seem to have women in their society. Women who like to dress as male fantasies. Even their warrior women dress in pasties and G strings. Evidently it's their favorite combat gear no matter how impractical and uncomfortable it must be. Yes, this is one of those movies. It's loaded with 60s era nudity, mini skirts, boots and even a psychedelic trip or two. It reminds me of the Austin Powers movies because it seems more an exaggerated spoof of the 60s then what it really is, a real 60s film. I lived through that time as a young teen so I know a little. It even had 'Laugh-in Style' girls dancing topless in body paint. It's more 60s then I ever remember the 60s as being, it you can understand that. It's like what people now seem to imagine those days to be who weren't there.
Anyway, it's a funny film if you're in the right frame of mind. There is one agent who looks like a British version of Barney Fife in round glasses. Their version of M here is more into 'S & M'. Yes, it's a strangely entertaining flick that bad movie fans should enjoy.
Anyway, it's a funny film if you're in the right frame of mind. There is one agent who looks like a British version of Barney Fife in round glasses. Their version of M here is more into 'S & M'. Yes, it's a strangely entertaining flick that bad movie fans should enjoy.
Storyline
Did you know
- Trivia"Angvia," the planet the aliens are from, is an anagram for vagina.
- GoofsWhen Bourdon's lackey is dispatched after Zara, he is easily close enough to grab her at the foot of the ladder, but as she is having difficulty maneuvering the rungs in go-go boots, he obviously pauses to give her a head start.
- Quotes
Maj. Bourdon: [to a girl whose hemline barely covers her crotch] Well, lift up your skirts and let's see your pretty legs.
- Alternate versionsThe original UK cinema release suffered BBFC cuts which removed most of the nudity, including Mark's assorted flings with naked women, and toned down the torture of Zara by Bourdon. Later video and DVD releases were uncut.
- ConnectionsFeatured in Dusk to Dawn Drive-in Trash-o-Rama Show Vol. 2 (1996)
- How long is The Love Factor?Powered by Alexa
Details
- Runtime1 hour 26 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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