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The Wild Bunch (1969)

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An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.

Director:

Sam Peckinpah

Writers:

Walon Green (screenplay), Sam Peckinpah (screenplay) | 2 more credits »
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Popularity
1,769 ( 98)
Nominated for 2 Oscars. Another 6 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
William Holden ... Pike Bishop
Ernest Borgnine ... Dutch Engstrom
Robert Ryan ... Deke Thornton
Edmond O'Brien ... Freddie Sykes
Warren Oates ... Lyle Gorch
Jaime Sánchez ... Angel (as Jaime Sanchez)
Ben Johnson ... Tector Gorch
Emilio Fernández ... Mapache (as Emilio Fernandez)
Strother Martin ... Coffer
L.Q. Jones ... T.C
Albert Dekker ... Harrigan
Bo Hopkins ... Crazy Lee
Dub Taylor ... Wainscoat
Paul Harper Paul Harper ... Ross
Jorge Russek ... Zamorra
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Storyline

It's 1913, and the "traditional" American West is dying. Among the inhabitants of this dying era are an outlaw gang called "The Wild Bunch." After a failed railroad office robbery, the gang heads to Mexico to do one last job. Seeing their times and lives drifting away in the newly formed world of the 20th century, the gang takes the job and ends up in a brutally violent last stand against their enemies deemed to be corrupt, in a small Mexican town ruled by a ruthless general. Written by blazesnakes9

Plot Summary | Plot Synopsis

Taglines:

Suddenly a new West has emerged. Suddenly it was sundown for nine men. Suddenly their day was over. Suddenly the sky was bathed in blood. See more »


Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish | German

Release Date:

7 August 1969 (Hong Kong) See more »

Also Known As:

Divlja horda See more »

Filming Locations:

Bavispe, Sonora, Mexico See more »

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Box Office

Budget:

$6,244,087 (estimated)

Gross USA:

$638,641, 31 December 1995
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(director's cut)

Sound Mix:

70 mm 6-Track (70 mm prints)| DTS (1995 re-release)| Dolby Digital (1995 re-release)| Mono (35 mm prints)| SDDS (1995 re-release)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Sam Peckinpah's first two choices for the role of Deke Thornton were Richard Harris (who had co-starred in Major Dundee (1965)) and Brian Keith (who had worked with Peckinpah on The Westerner (1960) and The Deadly Companions (1961)). Harris was never formally approached, but Keith was, and turned the part down. See more »

Goofs

When Lyle and Tector are shooting at the wine casks, the slide on Lyle's gun is locked indicating the gun is empty. However, shots are still heard. In the 1995 re-release version this has been corrected. Only one shot is heard after the slide locks on Lyle's .45, and that shot comes from Tector's revolver. See more »

Quotes

[first lines]
[indistinct voices]
Rev. Wainscoat: Do not drink wine or strong drink, thou, nor thy sons with thee, least ye shall die. Look not though upon the wine when it is red, and when it bringeth his color in the cup, when it moveth itself aright at the last, it biteth like a serpent and stingeth like an adder. Now folks, that's from the Good Book, but in this here town it's five cents a glass. Five cents a glass, now does anyone think that that is a price of a drink?
See more »

Alternate Versions

For the original theatrical release, the Ontario Board of Film Censors wanted four minutes cut from the movie in order to be suitable for a "Restricted" rating. After extensive negotiations with the director and producer, it was agreed that only thirty seconds would be cut. See more »

Connections

Referenced in The Lone Ranger (2013) See more »

Soundtracks

Polly Wolly Doodle
(uncredited)
Traditional
Sung by the bounty hunters as they leave Agua Verde
See more »

Frequently Asked Questions

See more »

User Reviews

Let's go.
10 December 1999 | by Torgo-22See all my reviews

I got this movie on DVD at the suggestion of my brother. I admit to knowing nothing about it's director and a complete lack of familiarity with most of it's actors or the mythology behind it's production (I was born years after it was made). I can, however, safely say this: this is one of the greatest movies ever made. Every aspect of the film is flawless, from the acting to the cinematography to the script.

This is also the most truly macho of all macho movies. It's not cartoonish machismo, rather it's the kind of machismo you see in drywall hangers: no-nonsense comments like "We're after men" and "Let's go" predominate, the men don't swagger around and violence is approached (fairly) honestly. The reserved dialogue and physicality reminds me of "Seven Samaurai" (to which this film owes a great deal). To me, that is the highest praise that I can give a movie.

The photography is amazing: the desert looks sweltering and parched, the close-ups of actor's faces outdoes Sergio Leone and the action is probably the best ever filmed. Scorcese and Tarantino obviously owe a lot to Peckinpaw. The scene during the opening credits of "Reservoir Dogs" is a direct lift from this movie, just to cite one of countless examples.

The acting is on par with the direction. Robert Ryan steals the show and, c'mon, who doesn't love Ernest?

Some would poo-poo the films treatment of women, and I am not going to get involved in that debate. Just go see it because, like the best movies, it immerses you in a time and place. Smell the sage!


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