The Bird with the Crystal Plumage
IMDb RATING
7.2/10
20K
YOUR RATING
An American expatriate in Rome witnesses an attempted murder that is connected to an ongoing killing spree in the city, and despite himself and his girlfriend being targeted by the killer, h... Read allAn American expatriate in Rome witnesses an attempted murder that is connected to an ongoing killing spree in the city, and despite himself and his girlfriend being targeted by the killer, he conducts his own investigation.An American expatriate in Rome witnesses an attempted murder that is connected to an ongoing killing spree in the city, and despite himself and his girlfriend being targeted by the killer, he conducts his own investigation.
IMDb RATING
7.2/10
20K
YOUR RATING
- Director
- Writers
- Dario Argento
- Fredric Brown(novel "The Screaming Mimi")
- Stars
Top credits
- Director
- Writers
- Dario Argento
- Fredric Brown(novel "The Screaming Mimi")
- Stars
- Awards
- 2 wins & 1 nomination
Videos2
Renato Romano
- Professor Carlo Doveras Professor Carlo Dover
- (as Raf Valenti)
Rosita Torosh
- 4th Victimas 4th Victim
- (as Rosa Toros)
Dario Argento
- Murderer's Handsas Murderer's Hands
- (uncredited)
- Director
- Writers
- Dario Argento
- Fredric Brown(novel "The Screaming Mimi") (uncredited)
- All cast & crew
- See more cast details at IMDbPro
Storyline
In Italy, American writer Sam Dalmas witnesses a murder attempt on an art-gallery owner, Monica Ranieri, a few days before he's supposed to return home. Inspector Morosini, who is in charge of investigating the three previous murderers of the serial-killer, asks Dalmas for help and takes his passport. Dalmas decides to stay with his girlfriend Julia and to help the police in the investigation. The killer threatens Dalmas and Julia by phone and the police overhear a strange noise on the tape. Soon the serial killer stalks Julia and Damas. Who might be the killer? —Claudio Carvalho, Rio de Janeiro, Brazil
- Taglines
- All the screaming in the world won't help!
- Genres
- Certificate
- GP
- Parents guide
Did you know
- TriviaTony Musante was a very intense actor and It's alleged he would frequently show up at Dario Argento's apartment at 3am to discuss characterization, much to Argento's annoyance.
- GoofsAt one point when being questioned by the police, Sam proclaims that he would like to speak to his consulate. However, as the story takes place in Rome, which is Italy's capital city, it would be more correct to say that he would like to speak to someone from his embassy.
- Quotes
Inspector Morosini: Right! Bring in the perverts!
- Alternate versionsWest German theatrical version was cut by ca. 10 minutes (plot scenes). For TV broadcasting these scenes were reinserted but the violent scenes were trimmed instead.
- ConnectionsEdited into Tales of the Cat (2001)
Top review
Good mystery
The Bird with the Crystal Plumage was Dario Argento's first film and it made him a hot property. Having had very little experience with actual filmmaking, he showed incredible potential with his debut and he took full advantage of it in years to come. Here he explored a lot of the scenarios that would later charectarize his films.
With this film, and particularly his next, Dario showed he had been influenced quite a bit by the great Alfred Hitchcock. The theme here; an american in a foreign country becomes a witness to a heinous crime and starts investigating himself; bears more than a little resemblance to many of Hitchcock's films. An innocent man finds his morbid curiosity getting the better of him and as he progresses in his investigations he puts himself in grave danger. The story unfolds in a similar way to Hitchcock's films, clues are gathered periodically and there's a surprise in the end which is hard to guess, but not impossible.
Argento gradually builds up the suspense and creates a genuinely intriguing mystery. The film never slows down too much and it never fails to be interesting. It's also got a surprising amount of laughs. But in comparing Argento to Hitchcock, Argento manages to create a style of his own, which he would perfect in Profondo Rosso aka Deep Red a few years later. That's of course the visual style. Here he has the assistance of one Vittorio Storaro and the visual aspect of this film is one of it's greatest assets. The film is wonderfully lit every single time and Argento switches effortlessly between dark and dreary visuals to shiny happy images. Argento's visual style is one of his greatest trademarks and it bears some influence from the likes of Mario Bava. I don't want to name any particular scenes, they all flow well together.
Another terrific Argento trademark is the music. Ennio Morricone's score is nothing short of fantastic, ranges from cathcy repetetive melodies to haunting sounds of fear. I think the impact from Argento's films would lessen considerably would it not be for those terrific scores he gets every time.
However, Argento is not perfect. He seems to lessen his standards when it comes to the acting department. Here, the characters are a bit wooden and he doesn't give them all that good lines to deliver. The dialogue in many of his films seem a little childish. And it doesn't look like he gives them many instructions, the acting here (and in most of his films) is shaky and not very consistent. It has been said about Argento that he basically thinks of actors as human props, what's most important is where they are positioned and how they move. Also, it's very annoying how he dubs every film, even the american actors have to do voice overs on themselves.
That said, Argento has more pro's than con's. His films are always interesting and wonderful to look at. The Bird with the Crystal Plumage is in my opinion one of his best. 9 out of 10.
With this film, and particularly his next, Dario showed he had been influenced quite a bit by the great Alfred Hitchcock. The theme here; an american in a foreign country becomes a witness to a heinous crime and starts investigating himself; bears more than a little resemblance to many of Hitchcock's films. An innocent man finds his morbid curiosity getting the better of him and as he progresses in his investigations he puts himself in grave danger. The story unfolds in a similar way to Hitchcock's films, clues are gathered periodically and there's a surprise in the end which is hard to guess, but not impossible.
Argento gradually builds up the suspense and creates a genuinely intriguing mystery. The film never slows down too much and it never fails to be interesting. It's also got a surprising amount of laughs. But in comparing Argento to Hitchcock, Argento manages to create a style of his own, which he would perfect in Profondo Rosso aka Deep Red a few years later. That's of course the visual style. Here he has the assistance of one Vittorio Storaro and the visual aspect of this film is one of it's greatest assets. The film is wonderfully lit every single time and Argento switches effortlessly between dark and dreary visuals to shiny happy images. Argento's visual style is one of his greatest trademarks and it bears some influence from the likes of Mario Bava. I don't want to name any particular scenes, they all flow well together.
Another terrific Argento trademark is the music. Ennio Morricone's score is nothing short of fantastic, ranges from cathcy repetetive melodies to haunting sounds of fear. I think the impact from Argento's films would lessen considerably would it not be for those terrific scores he gets every time.
However, Argento is not perfect. He seems to lessen his standards when it comes to the acting department. Here, the characters are a bit wooden and he doesn't give them all that good lines to deliver. The dialogue in many of his films seem a little childish. And it doesn't look like he gives them many instructions, the acting here (and in most of his films) is shaky and not very consistent. It has been said about Argento that he basically thinks of actors as human props, what's most important is where they are positioned and how they move. Also, it's very annoying how he dubs every film, even the american actors have to do voice overs on themselves.
That said, Argento has more pro's than con's. His films are always interesting and wonderful to look at. The Bird with the Crystal Plumage is in my opinion one of his best. 9 out of 10.
helpful•509
- ODDBear
- May 19, 2004
Details
Box office
- Budget
- $500,000 (estimated)
- Runtime
- 1h 36min
- Sound mix
- Aspect ratio
- 2.35 : 1
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