A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.
A young man tries to help a teenage European girl who escaped from a clinic hospital after witnessing the murder of her parents by a serial killer and they try to find the killer before the killer finds them.
In Italy, the American writer Sam Dalmas witnesses an attempt of murder of the owner of an art gallery, Monica Ranieri, a couple of days before returning home. Inspector Morosini, who is in charge of investigating the three previous murderers of the serial-killer, asks for help to Dalmas and takes his passport. Dalmas decides to stay with his girlfriend Julia and to help the police in the investigation. The killer threatens Dalmas and Julia by phone and the police overhears a strange noise in the tape. Soon the serial killer stalks Julia and Damas. Who might be the killer?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The first film that fully credits Dario Argento as the sole director turned out a compelling murder-mystery, stylishly completed with an excellent score, sublime photography and gripping moments of suspense. In other words, an authentic giallo like only a real Italian master can deliver them! As it is common standard in this type of horror films, the actual climax (usually this means the killer's identity and motives) is slightly inferior to the creation of setting and atmosphere. Yet, in this adaptation of Wallace's novel the plot twists are credible and the finale is satisfying. The story focuses on an American novelist who moved to Italy due to a severe writer's block. One night, he witnesses an attempted knife-murder in an art gallery. Even though he and his girl are becoming the main target of the serial killer at large, our hero finds himself to be more and more obsessed with the tracking down the murderer. Dario Argento is known especially for his violent and explicit horror titles, but this first film of his completely depends good old fashioned suspense and involvement. You almost get the feeling that the killer is on YOUR tale. The comparison between Argento and Alfred Hitchcock surely isn't exaggerated at least not when it comes to "Bird with the Crystal Plumage. Really all aspects about it are impressive. Even the dialogue and acting, normally critical letdowns in Italian horror productions, are convincing. The film is given the finishing touch by a few extremely ingenious details like an eccentric, cat-eating painter and a stuttering pimp! Viva la giallo!!
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