Nun Sara (Shirley MacLaine) is on the run in Mexico and is saved from cowboys by Hogan (Clint Eastwood), who is preparing for a future mission to capture a French fort. The pair become good friends, but Sara never does tell him the true reason behind her being outlawed.
Set in Mexico, nun Sister Sara (Shirley MacLaine) is rescued from three cowboys by Hogan (Clint Eastwood), who is on his way to do some reconnaissance for a future mission to capture a French fort. The French are chasing Sara, but not for the reasons she tells Hogan, so he decides to help her in return for information about the fort defenses. Inevitably, the two become good friends, but Sara has a secret.Written by
In a brief scene, when Hogan and the guerrillas enter a church, there is a view of the cloister and altar from above, possibly the choir veranda. The movable altar is seen between the main altar and the benches, but that sort of altar was not in use before 1965, when christian communities installed that so that the priest could celebrate the Mass looking at the people. See more »
One of Sara's molesters:
Look at that! Look at it!
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To receive an 'A' (PG) certificate the UK cinema version was cut by the BBFC to remove shots of burning men and a soldier's face being slashed during the climax. The 1987 CIC video was 15-rated but featured a shorter print which missed around 8 minutes of footage. The 1993 widescreen video and all later DVD releases include the full uncut version. See more »
Performed by Clint Eastwood
Sung by Hogan when the arrow is removed See more »
Strange, but solid western
Curious, unexpectedly talky western set in the Mexican desert. Drifter on horseback saves a nun from rape at the hands of bandits, she saves him by removing an arrow from his shoulder. The rapport between these two couldn't have looked very colorful on the printed page, but by God if stars Clint Eastwood and feisty Shirley MacLaine don't give it color and charisma. The writing isn't very expressive, and there's an odd drop-off in action after the opening sequence, but once you get attuned to the film's rhythm, it surprises you with its resonance. For action buffs, only the final shoot-out will please; for everyone else, a leisurely, though absorbing and entertaining, character-driven change-of-pace. *** from ****
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