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A drunken, hard-nosed U.S. Marshal and a Texas Ranger help a stubborn teenager track down her father's murderer in Indian territory.

Director:

Henry Hathaway

Writers:

Charles Portis (novel), Marguerite Roberts (screenplay)
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4,247 ( 939)
Won 1 Oscar. Another 5 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
John Wayne ... Rooster Cogburn
Glen Campbell ... La Boeuf
Kim Darby ... Mattie Ross
Jeremy Slate ... Emmett Quincy
Robert Duvall ... Ned Pepper
Dennis Hopper ... 'Moon'
Alfred Ryder ... Goudy
Strother Martin ... Col. G. Stonehill
Jeff Corey ... Tom Chaney
Ron Soble ... Capt. Boots Finch
John Fiedler ... Lawyer Daggett
James Westerfield ... Judge Parker
John Doucette ... 'Sheriff'
Donald Woods ... 'Barlow'
Edith Atwater ... Mrs. Floyd
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Storyline

The murder of her father sends a teenage tomboy, Mattie Ross, (Kim Darby), on a mission of "justice", which involves avenging her father's death. She recruits a tough old marshal, "Rooster" Cogburn (John Wayne), because he has "grit", and a reputation of getting the job done. The two are joined by a Texas Ranger, La Boeuf, (Glen Campbell), who is looking for the same man (Jeff Corey) for a separate murder in Texas. Their odyssey takes them from Fort Smith, Arkansas, deep into the Indian Territory (present day Oklahoma) to find their man. Written by John Vogel <jlvogel@comcast.net> [edited]

Plot Summary | Plot Synopsis

Taglines:

The strangest trio ever to track a killer. A fearless, one-eyed U.S. marshal who never knew a dry day in his life... a Texas ranger thirsty for bounty money... and a girl still wet behind the ears who didn't care what they were or who they were as long as they had true grit. See more »


Certificate:

G | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

21 June 1969 (Japan) See more »

Also Known As:

Temple de acero See more »

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Box Office

Gross USA:

$31,132,592
See more on IMDbPro »

Company Credits

Production Co:

Wallis-Hazen See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Ironically, the spot on the Fort Smith location set, where Mattie watches Cogburn park and unload prisoners, is the same spot where her father was killed by Tom Chaney. See more »

Goofs

When the defense lawyer begins to read the statement, he holds the paper with both hands. In the next shot, he only holds it in his right hand. See more »

Quotes

[first lines]
Frank Ross: Little Frank... You take care of your mama.
Little Frank: I will.
See more »

Alternate Versions

When submitted for a rating from the MPAA in 1969, the film was given an "M". The film was edited and re-rated "G". The American VHS version contains the "G" rated cut while the DVD is the uncut "M" version (which would be printed as "PG" since the symbol was changed in the 1970s). See more »

Connections

Featured in Radioman (2012) See more »

Soundtracks

WILDWOOD FLOWER
(Folk Song)
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User Reviews

It's all about the dialogue
2 September 2002 | by mmartin677See all my reviews

Like most Americans, I have seen hundreds, maybe thousands of westerns in my life. I don't care for them much, primarily because I usually can't fall for them.

In movies, the desire to please as wide an audience as possible seems always to win out, effectively robbing most westerns of the motion picture's essential gambit; the suspension of disbelief. It's very hard to lose oneself in a tale of the late 1800's when the female lead's eye-liner and coiff are pure 1950. Or 1940, 1960, whatever. In True Grit, very little of 1969 is allowed to intrude on this rather simple tale of justice and revenge. This movie is anchored by two very strong themes, shared by all the actors, across most of the scenes.

The first, is language. The dialogue is an absolute delight. Crack open anything by Mark Twain, Henry James or any other late 19th century author, and you will see that people really did speak differently 150 years ago. That the dialogue in 99% of westerns is straight from the time of their filming is a travesty, at best.

Second, is innocence. Not that of any one character however, but the innocence of the human race as a whole. It is probably almost impossible for any of us now, in this day and age, to truly imagine what it must have been like to live back when. But one thing's sure, people were much more naive. There was no such thing as mass-communication, a good percentage of the population didn't read, and newspapers, the only "organized" form of news at the time, were hard pressed to report on anything more than a day's ride from town.

This basic, shared innocence is achingly portrayed by Robert Duvall in two short sentences near the end of the movie when he's caught Mattie and he's attempting to threaten her. Study those two lines, and you'll see that "Lucky" Ned Pepper, the worst villain in the story, really has no idea of what he could possibly do to a slip of a girl. He's totally at a loss. The unspeakable, modern-day atrocities we consume every day with our coffee and bagels are so far from contemplation by Duvall's character, that all he can do is assure her, "I'll do what I have to". It's a priceless moment - frighteningly accurate commentary wrapped in two lines of simple dialogue, delivered with dead-on interpretation.

The only other western I can think of at the moment that delivers with such viscerally historic accuracy is "Unforgiven".

MjM


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