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Topaz (1969)

A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.

Director:

Alfred Hitchcock

Writers:

Leon Uris (from the novel by), Samuel A. Taylor (screenplay) (as Samuel Taylor)
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3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Frederick Stafford ... Andre Devereaux
Dany Robin ... Nicole Devereaux
John Vernon ... Rico Parra
Karin Dor ... Juanita de Cordoba
Michel Piccoli ... Jacques Granville
Philippe Noiret ... Henri Jarre
Claude Jade ... Michele Picard
Michel Subor ... Francois Picard
Per-Axel Arosenius Per-Axel Arosenius ... Boris Kusenov
Roscoe Lee Browne ... Philippe Dubois
Edmon Ryan ... McKittreck
Sonja Kolthoff Sonja Kolthoff ... Mrs. Kusenov
Tina Hedström Tina Hedström ... Tamara Kusenov (as Tina Hedstrom)
John Van Dreelen ... Claude Martin
Donald Randolph Donald Randolph ... Luis Uribe (as Don Randolph)
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Storyline

A high ranking Russian official defects to the U.S., where he is interviewed by U.S. Agent Michael Nordstrom. The defector reveals that a French spy ring codenamed "Topaz" has been passing N.A.T.O. secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

What is TOPAZ? Is TOPAZ a person? A code name? A mystery? It's all of these and more. TOPAZ is Leon Uris' best-seller about the most incredible spy scandal in years. See more »

Genres:

Drama | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish | French | Russian

Release Date:

19 December 1969 (USA) See more »

Also Known As:

Alfred Hitchcock's Topaz See more »

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Box Office

Budget:

$4,000,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (edited)

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

According to Sir Alfred Hitchcock, this was another of his experimental movies. In addition to the dialogue, the plot is revealed through the use of colors, predominantly red, yellow, and white. He admits that this did not work out. See more »

Goofs

The position and numbers of the pencils in the mug on Jarré's desk, when Picard interviews him, varies between shots. See more »

Quotes

Philippe Dubois: I think I'll go as a reporter. I'm loaded with press cards. Ebony, Playboy, Newsweek...
Andre Devereaux: Ebony.
Philippe Dubois: I think Playboy is more my style.
Andre Devereaux: [shakes head] Ebony.
Philippe Dubois: Man, you're square!
See more »

Crazy Credits

Opening credits prologue: Somewhere in this crowd is a high Russian official who disagrees with his government's display of force and what it threatens. Very soon his conscience will force him to attempt an escape while apparently on a vacation with his family. Copenhagen, Denmark Nineteen Hundred Sixty-two See more »

Alternate Versions

In an earlier version Andre' Deveraux and Granville, the Russian spy, agree to have an old fashioned duel with pistols in an empty stadium. But before the duel begins, Granville is shot in the back by a Russian sniper to silence him. This finale was deleted and a new one shot, because early audiences didn't like it. These scenes were considered lost for many years, until director Richard Franklin discovered that they had been lying for years in a can in Hitchcock's garage and were given by his daughter to the Academy of Motion Pictures Arts and Sciences after her father's death. See more »

Connections

Referenced in Victim of Love (1992) See more »

Frequently Asked Questions

See more »

User Reviews

 
Interesting but unsatisfying
9 September 2000 | by fletch5See all my reviews

"Topaz" is one of Hitchcock's least satisfying films, yet the same time it's one of his most interesting ones, as well. Usually people don't remember it, maybe because there are no famous Hitchcock stars. Either the director didn't get any, or he didn't want them, because the audiences should tightly concentrate on the complex plot.

The film clearly divides into three parts. The one in the middle, which takes place in Cuba, is the best of them. It involves the films most memorable scene, the beautifully photographed murder. Weakest part is the last one, where you might get confused with the messy intrigues.

There are too many characters in the movie, which leaves many of them just bystanders, for example the worried wife (Dany Robin), who doesn't do really anything. The films brightest spot is Karin Dor, who gives an excellent performance as the beautiful Juanita. Too bad that her screen time is quite short. And the ending climax shines with its absence: the film ends like bumping into a wall.


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