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Topaz (1969)

A French Intelligence Agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missile Crisis, and then back to France to break up an international Russian spy ring.

Director:

Alfred Hitchcock

Writers:

Leon Uris (from the novel by), Samuel A. Taylor (screenplay) (as Samuel Taylor)
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3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Frederick Stafford ... Andre Devereaux
Dany Robin ... Nicole Devereaux
John Vernon ... Rico Parra
Karin Dor ... Juanita de Cordoba
Michel Piccoli ... Jacques Granville
Philippe Noiret ... Henri Jarre
Claude Jade ... Michele Picard
Michel Subor ... Francois Picard
Per-Axel Arosenius Per-Axel Arosenius ... Boris Kusenov
Roscoe Lee Browne ... Philippe Dubois
Edmon Ryan ... McKittreck
Sonja Kolthoff Sonja Kolthoff ... Mrs. Kusenov
Tina Hedström Tina Hedström ... Tamara Kusenov (as Tina Hedstrom)
John Van Dreelen ... Claude Martin
Donald Randolph Donald Randolph ... Luis Uribe (as Don Randolph)
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Storyline

A high ranking Russian official defects to the U.S., where he is interviewed by U.S. Agent Michael Nordstrom. The defector reveals that a French spy ring codenamed "Topaz" has been passing N.A.T.O. secrets to the Russians. Michael calls in his French friend and counterpart Andre Devereaux to expose the spies. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

Hitchcock takes you behind the actual headlines to expose the most explosive spy scandal of the century! See more »

Genres:

Drama | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish | French | Russian

Release Date:

19 December 1969 (USA) See more »

Also Known As:

Alfred Hitchcock's Topaz See more »

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Box Office

Budget:

$4,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (edited)

Sound Mix:

Mono (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film takes place in October 1962. See more »

Goofs

In the porcelain factory, after breaking the statuette, Tamara Kusenov goes through a door to make a telephone call. The goon following her moves towards the door, now closed, to investigate it, and the shadow of a man appears briefly on the wall to the left of the door before we cut away from the shot... and it is not the shadow of the goon... See more »

Quotes

Francois Picard: I've been shot... Just a little.
See more »

Crazy Credits

Opening credits prologue: Somewhere in this crowd is a high Russian official who disagrees with his government's display of force and what it threatens. Very soon his conscience will force him to attempt an escape while apparently on a vacation with his family. Copenhagen, Denmark Nineteen Hundred Sixty-two See more »

Alternate Versions

In an earlier version Andre' Deveraux and Granville, the Russian spy, agree to have an old fashioned duel with pistols in an empty stadium. But before the duel begins, Granville is shot in the back by a Russian sniper to silence him. This finale was deleted and a new one shot, because early audiences didn't like it. These scenes were considered lost for many years, until director Richard Franklin discovered that they had been lying for years in a can in Hitchcock's garage and were given by his daughter to the Academy of Motion Pictures Arts and Sciences after her father's death. See more »

Connections

Featured in Alfred Hitchcock: Master of Suspense (2013) See more »

Frequently Asked Questions

See more »

User Reviews

Truly Hitchcockian despite its weaknesses
10 March 2003 | by TheFerrymanSee all my reviews

Unfortunately, I'd only come across the weak ending version. Despite of that, it's a truly Hitchcockian film. The memorable scenes are pure and exclusively visual: the intriguing start, the stealing of the documents, the death of Juanita, the torturing of the cuban spies, the discovery of the body at Jarre's apartment, the meal of the french officers...

Hitchcock used to take technical challenges in every one of his films, I assume that here he committed to deliver the most complicated information concerning the plot without using dialogue, and he succeed.

There's a lot of subtle humor and some clever twists. The cuban officers are just great, absolutely surreal. I loved the atmosphere in that hotel room, with people doing paperwork, smoking cigars and drinking, and the detail of the hamburger wrapped in the document. I think the very broad differences in tone between the three main sections of the film affects the pace and the appreciation of the story as a whole.

It's amazing how Hitchcock managed to survive in it in the light of the multitude of trouble this film went through.

Watching the video version edited in Norway had its extra. Amazingly, all subtitles were delayed a good five, six minutes throughout the entire film, so you actually had text during the silent scenes and incongruities such as love words during killings.


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