In 1909, when young Paiute Indian Willie Boy returns to his California reservation to be with Lola, whose father disapproves of him, a killing in self defense takes place, triggering a massive man hunt for Willie.
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Based on true events, Tell Them Willie Boy Is Here, tells the story of one of the last Western manhunts, in 1909. Willie Boy, a Native American, kills his girlfriend's father in self defense, and the two go on the run, pursued by a search posse led by Sheriff Christopher Cooper.Written by
Jon Hertzberg <firstname.lastname@example.org>
Abraham Polonsky said to a USC film class at the time that he purposely shot and edited the manhunt sequences with characters moving in all directions across the screen, rather than in the usual way wherein both runners and pursuers would move in the same direction across the shots (i.e., left to right) to enhance the impression of urgent suspense in a chase. Instead, Polonsky was looking for a different feel for the audience, of the characters wandering, feeling their way through the landscape. He implied he was willing to sacrifice some suspense to externalize the characters' confusion. He also said that for Katharine Ross' brief, artfully lit nude shot, he exposed the film correctly but then produced a high-contrast copy of the same film frames with deep blacks and transparent lights, then bi-packed both pieces of films together to rephotograph. The high-contrast overlay ensured that the shadows on Ross' body were black--so that the image could not reveal more in the shadows than it was supposed to. See more »
Winchester rifles missing. When Deputy Sheriff Christopher 'Coop' Cooper is carrying Willie Boy's body over his shoulder he is missing the two Winchester rifles nor does he go back and get them. See more »
Did you see that crazy Calvert go by?
Ate his dust.
When did you get back to Banning, Willie Boy?
Five o'clock freight.
Goin' to the fiesta?
Is that where you're goin', Tom?
Trailin' Mr. Calvert with a tow just in case he breaks down - or breaks his neck.
Well, I guess that's where I'm goin'.
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An excellent, small, telling film, ahead of it's time. Well acted and directed, a taste too of turn of the century Southern California, with mention of Riverside, Morongo, Victorville, San Bernadino, etc. Blake is excellent and Redford is rough and empathetic. The final scene between the two of them has several solid images and powerfully evokes the situation and the environment.
5 of 6 people found this review helpful.
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