Stanislas Previne is a young sociologist, preparing a thesis on criminal women. He meets in prison Camille Bliss to interview her. Camille is accused to have murdered her lover Arthur and ... See full summary »
At the beginning of the 20th century, Claude Roc, a young middle-class Frenchman meets in Paris Ann Brown, a young Englishwoman. They become friends and Ann invites him to spend holidays at... See full summary »
In the town of Thiers, summer of 1976, teachers and parents give their children skills, love, and attention. A teacher has his first child, a single mother hopes to meet Mr. Right, another ... See full summary »
Pierre Lachenay is a well-known publisher and lecturer, married with Franca and father of Sabine, around 10. He meets an air hostess, Nicole. They start a love affair, which Pierre is hiding, but he cannot stand staying away from her.
Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers... See full summary »
Louis Mahe is a tobacco planter at Reunion Island. He is waiting for Julie Roussel to marry him. He only knows her by mail. The woman that comes does not like the picture he got, but he marries her anyway. Soon, she flees with Louis' money. She was not the real Julie Roussel but Marion. Louis tries to find her... Another Truffaut's film about passion.Written by
The original French title is spelled "La Sirène du Mississipi" (one P) in some sources, and "La Sirène du Mississippi" (two Ps) in other sources. See more »
When the disc Marion has recorded is run over in the street and shattered, she kneels to retrieve the pieces; at first her right knee is uppermost, but then suddenly her left knee is higher, as she stands. See more »
Here we go. You're sulking. I knew it. Now you're just pretending to be mad because inside you're not really mad. You put on that cold look... but inside you're smiling. Come on. Show me your smile.
I'm fed up with all that smile crap! It doesn't work anymore! Don't speak to me. For Christ's sake, leave me alone!
All right. Okay. That's fine with me. It's not difficult to know what you're thinking of me. And you're asking yourself... "Why the hell am I with this guy who's broke... and can't ...
[...] See more »
SPOILERS: In some versions of this film, the image of the comic strip in the newspaper that makes Belmondo's character realize his wife has been poisoning him has been removed. The probable reason is that the whole idea is a bit naive and absurd, although without this image it is impossible to explain how the man finds out that he has been poisoned. (As the comic strip in question involves Disney-related art of Snow White being offered the poisoned apple by the Witch, the removal of the cartoon in some versions is more likely due to issues involving Disney's copyright.) See more »
I'm trying to find something of value here. The best I can muster is that Truffaut wanted to make a movie as tedious, painful, puerile, annoying, illogical, and brainless as the experience of being in love. If that was his goal, then he succeeded, but the solution to his exercise is really a drag to watch.
There is one scene that screams for a spoof: Belmondo compares the features of Deneuve's face to the features in a landscape . All I could think the whole time was "glacier," "ice floe," "two lonely fishermen wearing Army surplus on a frozen lake in Minnesota."
The only other point of interest was the resurrection of Buffoon's theory of climatic determinism. The tropics are presented as paradise, and things get progressively worse as they get colder, hell being Calvinist French Switzerland. That was kind of funny.
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