A series of disjointed mythical tales set in first-century Rome.A series of disjointed mythical tales set in first-century Rome.A series of disjointed mythical tales set in first-century Rome.
IMDb RATING
6.8/10
17K
YOUR RATING
- Director
- Writers
- Petronius(book "Satyricon")
- Federico Fellini(adaptation and screenplay)
- Bernardino Zapponi(adaptation and screenplay)
- Stars
- Director
- Writers
- Petronius(book "Satyricon")
- Federico Fellini(adaptation and screenplay)
- Bernardino Zapponi(adaptation and screenplay)
- Stars
- Nominated for 1 Oscar
- 5 wins & 8 nominations total
Mario Romagnoli
- Trimalcione
- (as Il Moro)
Danika La Loggia
- Scintilla
- (as Danica la Loggia)
Lucia Bosè
- La matrona
- (as Lucia Bosé)
Joseph Wheeler
- Il suicida
- (as Joseph Weelher)
George Eastman
- Minotauro
- (as Luigi Montefiori)
- Director
- Writers
- Petronius(book "Satyricon")
- Federico Fellini(adaptation and screenplay)
- Bernardino Zapponi(adaptation and screenplay)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaGian Luigi Polidoro registered the title Satyricon (1969) for his movie first. Federico Fellini fought to use the title for his movie but lost the case. Subsequently the title was changed to Fellini Satyricon (1969).
- GoofsIn one version, Joseph Wheeler is credited as 'Joseph Weelher'.
- Quotes
Soldier at Tomb: They've stolen the hanged man! While I was with you, the thief's family took him away! I know what punishment I'll get... a horrible death. Why should I wait for it? I'd rather die by my own hands.
[pulls his sword out and is about to stab himself]
Wife of Ephesus: [stops him] No! No, my dear... To lose the two men in my life, one after the other, would be too much...
Wife of Ephesus: [looks at the corpse of her husband] Better to hang a dead husband than to lose a living lover.
[the couple replace the missing hanged corpse with the corpse of her husband]
- ConnectionsEdited into Fellini: I'm a Born Liar (2002)
- SoundtracksThe Drums for the Niegpadouda Dance
From Anthology of Music of Black Africa
Recorded by Everest Records
Arranged by Bernard C. Salomon
Published by Arvon Music
Featured review
In some ways very close to the book.
...and because I had read "Satyricon" before I saw it I probably was less baffled by the movie than most people. Very little survives of the content of original story, a few longish bits and lots tiny fragments, sometimes as short as a sentence or a word. All disconnected from each... ...ning and end of Petronius' novel are missing, what we have left suddenly starts in the middle without any background or prelude. And each of the surviving bits is the same way, giving few, if any hints, of how our heroes got there from their last adventure, or how their current one will be resolved. Or even what their current crisis is. We can onl... ...bother making a film of from such a fragmentary source? Because Petronius is wickedly funny and has a gifted insight into human... ...participant in the decadence and depravity, yet judging and commenting on it at the... ...2000 years been read and translated... ...amorallity, but social standards always... ...Fellini captures the spirit not only of Imperial Rome but of... ...doesn't make sense, so like you do in the original, you have to extrapolate based on... ...satiric, sardonic, and visually stunning... ...enjoy...
helpful•9233
- roarshock
- Jul 29, 2000
Details
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $1,135,943
- Gross worldwide
- $1,138,108
- Runtime2 hours 9 minutes
- Sound mix
- Aspect ratio
- 2.35 : 1
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