Putney Swope (1969) - News Poster



Exclusive Photo: Antonio Fargas, Portrayed Huggy Bear on ‘Starsky and Hutch’

Chicago – The coolest cat on 1970s TV was Huggy Bear, informant to the cop team of “Starsky and Hutch.” The man who portrayed that fly guy was Antonio Fargas, who also could lay claim as the Godfather of Blaxploitation Films (the run of African American cinema in the late 1960s through the ‘70s). Fargas was honored for his contributions with the Career Achievement Award at the Cinepocalypse Film Festival, Music Box Theatre in Chicago.

Career Achievement Honoree Antonio Fargas, Cinepocalypse Film Festival

Photo credit: Joe Arce of Starstruck Foto for HollywoodChicago.com

Starting with his participation in the breakthrough film “Putney Swope” (1969), Antonio Fargas was in some of the best Blaxploitation films, including “Across 110th Street” (1972), “Cleopatra Jones” (1973), “Foxy Brown” (1974), “Car Wash” (1976) and even the spoof “I’m Gonna Git You Sucka” (1988) as “Flyguy.” He portrayed Huggy Bear on “Starsky and Hutch” from 1975 to ’79.

Photographer Joe Arce of HollywoodChicago.com
See full article at HollywoodChicago.com »

New to Streaming: ‘Alien: Covenant,’ ‘Shin Godzilla,’ ‘Adaptation,’ ‘Slack Bay,’ and More

With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.

Adaptation (Spike Jonze)

It’s almost depressing to rewatch Adaptation in 2016, because it’s a reminder of how strong an actor Nicolas Cage is when he actually invests himself in good projects. It was soon after this that his career went off the rails, but he’s remarkably impressive here, playing the dual roles of Charlie Kaufman and his fictional twin brother, Donald. As much a mind-fuck as any other Kaufman screenplay,
See full article at The Film Stage »

All of the Films Joining FilmStruck’s Criterion Channel this August

Each month, the fine folks at FilmStruck and the Criterion Collection spend countless hours crafting their channels to highlight the many different types of films that they have in their streaming library. This August will feature an exciting assortment of films, as noted below.

To sign up for a free two-week trial here.

Tuesday, August 1

Tuesday’s Short + Feature: These Boots and Mystery Train

Music is at the heart of this program, which pairs a zany music video by Finnish master Aki Kaurismäki with a tune-filled career highlight from American independent-film pioneer Jim Jarmusch. In the 1993 These Boots, Kaurismäki’s band of pompadoured “Finnish Elvis” rockers, the Leningrad Cowboys, cover a Nancy Sinatra classic in their signature deadpan style. It’s the perfect prelude to Jarmusch’s 1989 Mystery Train, a homage to the King of Rock ‘n’ Roll and the musical legacy of Memphis, featuring appearances by Screamin’ Jay Hawkins and Joe Strummer.
See full article at CriterionCast »


Gas-s-s-s – Or – It Became Necessary to Destroy the World in Order to Save It.


Olive Films

1970 / Color / 1:85 widescreen/ 79 min. / Street Date October 18, 2016 / Gas-s-s-s / available through the Olive Films website / 29.98

Starring: Elaine Giftos, Robert Corff, Cindy Williams, Bud Cort, Ben Vereen, Tally Coppola, Lou Procopio.

Cinematography: Ron Dexter

Film Editor: George Van Noy

Original Music: Country Joe and the Fish

Written and Produced by George Armitage

Directed by Roger Corman

Roger Corman finally accepted himself as an iconic filmmaker for this, his final show for A.I.P.. Barely released and long considered a failure, Gas-s-s-s – Or – It Became Necessary to Destroy the World in Order to Save It sees Corman and his writer associate George Armitage attempting a Mad magazine- like amalgam of all the counterculture trends of the late 1960s. That tactical mistake becomes eighty minutes of unfocused and unfunny satire. Armitage’s script and dialogue might occasionally hit some serendipitous notes,
See full article at Trailers from Hell »

'Breakfast Club,' 'Rushmore' Among Films Added to National Film Registry

'Breakfast Club,' 'Rushmore' Among Films Added to National Film Registry
The Breakfast Club, Rushmore, The Princess Bride and legendary punk documentary The Decline of Western Civilization are among the 25 films that have been inducted into the National Film Registry, the Library of Congress announced Wednesday.

Disney's The Lion King, Who Framed Roger Rabbit? and Alfred Hitchcock's The Birds are also in the Class of 2016's inductees in the registry, which showcases "the range and diversity of American film heritage to increase awareness for its preservation."

The oldest film to be inducted in the Class of 2016 is 1903's Life of an American Fireman,
See full article at Rolling Stone »

National Film Registry: 25 New Films Added, Including ‘Rushmore’ and ‘The Decline of Western Civilization’

  • Indiewire
National Film Registry: 25 New Films Added, Including ‘Rushmore’ and ‘The Decline of Western Civilization’
25 movies have been added to the National Film Registry, bringing the total number of cinematic works officially recognized by the Library of Congress to 700. Among the new additions are “The Birds,” “The Lion King,” “Point Blank” and “Rushmore” — the first of Wes Anderson’s films to be included.

In order to be so honored, a film must be at least 10 years old and deemed “culturally, historically, or aesthetically significant” by the National Film Preservation Board. Full list below.

Read More: ‘Ghostbusters,’ ‘L.A. Confidential,’ ‘Shawshank Redemption,’ ‘Top Gun’ & More Enter The National Film Registry

The Atomic Cafe” (1982)

Ball of Fire” (1941)

“The Beau Brummels” (1928)

“The Birds” (1963)

Blackboard Jungle” (1955)

“The Breakfast Club” (1985)

The Decline of Western Civilization” (1981)

East of Eden” (1955)

Funny Girl” (1968)

Life of an American Fireman” (1903)

The Lion King” (1994)

Lost Horizon” (1937)

“Musketeers of Pig Alley” (1912)

Read More: ‘Symbiopsychotaxiplasm,’ ‘Portrait of Jason,’ ‘Imitation of Life’ Among New Additions to National Film Registry
See full article at Indiewire »

‘The Birds,’ ‘The Lion King,’ ‘Thelma & Louise’ Join National Film Registry

‘The Birds,’ ‘The Lion King,’ ‘Thelma & Louise’ Join National Film Registry
With the addition of 25 new films — including “The Birds,” “The Lion King,” “The Breakfast Club” and “Thelma & Louise” — the National Film Registry of the Library of Congress now includes 700 films that span more than a century.

The 2016 inductees into the registry include movies long considered classics, obscure documentaries and films once too racy or avant-garde to be accepted by the mainstream. Librarian of Congress Carla Hayden made the selections after consulting with a panel of experts who make up the National Film Preservation Board.

Congress established the registry in 1988 with the National Film Preservation Act of 1988 — requiring the Library of Congress to designate and preserve films that are “culturally, historically or aesthetically” significant. Films must be at least 10 years old to be chosen.

Director Ridley Scott said he was “honored and proud” to have the 1991 feminist empowerment ode, “Thelma & Louise,” selected, noting it joined another of his films on the list.
See full article at Variety - Film News »

NYC Weekend Watch: Robert Downey Sr., Anna Mangani, ‘Black Girl’ & More

Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Film Forum

The amazing films of Robert Downey Sr. play as part of “Robert Downey (The Original).” The still-shocking Putney Swope screens throughout this weekend; Greaser’s Palace can be seen on Saturday and Sunday, while the latter day offers a print of Chafed Elbows.

The restoration of Fritz Lang‘s Destiny begins its run.

The King and the Mockingbird
See full article at The Film Stage »

Robert Downey Jr.: How Iron Man Started His Career By Playing a Dog

Robert Downey Jr.: How Iron Man Started His Career By Playing a Dog
Captain America: Civil War” opens on May 6, marking Robert Downey Jr.’s sixth appearance as Tony Stark/Iron Man. The character has been good to Downey (who celebrates his 51st birthday on Monday). Last August, Forbes announced that he had earned an estimated $80 million that year, his third consecutive year as the world’s highest-paid actor.

Audiences love success stories, but Downey’s saga seems too far-fetched, even by Hollywood standards. He went from being a promising young actor to an unemployable outcast. But then he rebounded to become a mega-star, respected by the same peers who once shunned him. It’s a tale of redemption and financial rewards, but it’s also a tale of artistry. Because even at the lowest ebb, nobody doubted his talent.

At age 5, he made his film debut, billed as Bob Downey in the 1970 “Pound,” directed by his father, Robert Downey Sr., who was
See full article at Variety - Film News »

Movie Poster of the Week: “The American Dreamer” and Jay Shaw’s Top Ten American Posters

  • MUBI
All this month, Mubi is presenting the exclusive worldwide online debut of L.M. Kit Carson and Lawrence Schiller’s 1971 documentary The American Dreamer, a fascinating and revelatory portrait of Dennis Hopper during the making of his legendary folly The Last Movie.For the film’s theatrical screenings at the Alamo Drafthouse in San Francisco and Austin, Mondo creative director Jay Shaw designed a new poster for the film:When we were asked to create a poster for The American Dreamer I was instantly overwhelmed. I’ve seen the film several times and absolutely love it. It’s a candid and endearing portrait of Dennis Hopper’s maniacal creative process. Lawrence Schiller, the film’s [co-] director and acclaimed photojournalist, sent a collection of photographs he’d taken during production back in 1971. When I saw these wonderful photos I realized there was nothing we’d be able to illustrate that would capture the
See full article at MUBI »

The Greatest Kidnapping Comedies of All-Time

When asked about their inclination for kidnapping comedies, Joel Coen recently told Variety, “I’m not sure why. They are all very different. We should probably give that a rest.” He and Ethan Coen are responsible for three of the finest kidnapping comedies ever made, and are perhaps adding a fourth to their résumé this weekend.

The addition of comedy into a crime story is hardly a new prospect, but the kidnapping comedy is a wonderfully specific little nook in this often darkly funny cinematic world. The Coens practically own this genre — if you can call it a genre –having covered and re-covered it in such uniquely different ways.

Their fourth kidnapping comedy (although I doubt they would refer to any of these films as such), Hail, Caesar!, follows a Hollywood studio fixer (Josh Brolin) whose work life begins to unravel after the kidnapping of one of his biggest stars,
See full article at The Film Stage »

Interviews: City & State Short Film Directors at 51st Chicago International Film Festival

Chicago – The future of filmmaking was on display at the 51st Chicago International Film Festival at the City & State Short Film program. Subtitled “Feel the Illinoise,” the collection included works by directors Bradley Bischoff, Joel Benjamin, Ed Flynn, Andy Berlin, Jake Zalutsky and Weija Ma.

As technology evolves, the short films are more masterfully created, either through student work or independent production. Some of the genres represented were animation, short documentary and examinations of the human condition. HollywoodChicago.com was there, talking to the young directors about the films that represent them.

Bradley Bischoff, Director of “Nomad

Nomad,’ Directed Bradley Biscoff

Photo credit: Chicago International Film Festival

Nomad” is yet another notable submission from director Bradley Bischoff, a festival favorite from past years. The edgy psychosis in the film is in contrast to the seemingly normal couple having a gathering in their apartment. Surely there can’t be a breakdown
See full article at HollywoodChicago.com »

Paul Thomas Anderson to write Robert Downey Jr.’s ‘Pinocchio’

People thought PTA doing an art house Adam Sandler movie was weird. How about a live action kids movie about a wooden boy?

Via THR, Paul Thomas Anderson’s next film following Inherent Vice may be a version of Pinocchio that Robert Downey Jr. has been developing for the last several years. Anderson is being brought in to rework a script by Michael Mitnick (The Giver) and is being eyed to direct.

Originally, Downey was slated to play Geppetto in a version to be directed by Tim Burton. Burton was then eyed to direct a competing Pinocchio project over at Disney, but eventually settled on Disney’s live action Dumbo movie. But Downey still seems enthusiastic about the project, describing it this way to GQ two years ago:

“I got real excited about it. I was just thinking about Geppetto as a cross between Jake Lamotta and Chico Marx. It’s such a vital story,
See full article at SoundOnSight »

Watch: Wild And Weird New Trailer For Robert Downey Sr.'s 'Putney Swope'

There’s a good chance you haven’t heard of the movie Louis Ck cites as “the first film that inspired me as a filmmaker.” Not only can folks in the Los Angeles area watch the film this weekend at an event hosted by the comedian himself, but you can also listen to a talkback with its esteemed writer/director, Robert Downey Sr. (billed in the credits as Robert Downey ‘A Prince’). Released in 1969, “Putney Swope” is a satirical look at the New York ad world, a milieu familiar to modern audiences as Don Draper’s stomping ground. Swope (played by Arnold Johnson, though Downey dubbed the vocals) is the token black executive on a massive ad agency’s board. Through a mix-up, he’s voted in as new CEO, then promptly dismisses all members of the board but one token white and renames the company Truth & Soul, Inc. The
See full article at The Playlist »

What to Do in Los Angeles During the Holidays: 4 Retrospectives and Revivals for Film Buffs

What to Do in Los Angeles During the Holidays: 4 Retrospectives and Revivals for Film Buffs
This story first appeared in the Dec. 5 issue of The Hollywood Reporter magazine. The holidays in L.A. always are a good time to catch up with classics and older fare -- and a big screen is better than your couch. Retrospectives & Revivals Robert Downey Sr. In The Spotlight The high point of the L.A. holiday repertory season is "Truth and Soul, Inc.: The Films of Robert Downey Sr.," a retrospective dedicated to the career of the pioneering independent filmmaker whose low-budget genre riffs such as Putney Swope and Greaser's Palace stormed the 1960s and '70s New

read more
See full article at The Hollywood Reporter - Movie News »

A Celebration Of The Films Of Robert Downey Sr., L.A. December 5-9

  • CinemaRetro
The Friends of Cinefamily Weekend

presents Truth And Soul Inc., 

a celebration of the films of Robert Downey Sr.

For Immediate Release, Los Angeles, November 12, 2014 - The Friends Of Cinefamily announced today that it will present a weekend celebration of the films of legendary filmmaker Robert Downey Sr. on December 5th - 8th. This inaugural fundraiser event for The Cinefamily, presented by the newly formed Friends Of Cinefamily, will include never before seen rarities, new prints, special appearances, and newly restored versions of his most acclaimed films.  

Events include a career spanning conversation between father and son, Robert Downey Sr. and Robert Downey Jr. with a 35mm restoration screening of his breakthrough underground hit, Chafed Elbows; an intimate Q&A with filmmaker Paul Thomas Anderson and screening of a new 35mm print of Greaser's Palace that will include a cast & crew reunion and tribute to the music of Robert Downey Sr.,
See full article at CinemaRetro »

Wyatt Cenac to Host Screening of 'Putney Swope' at Chicago's Black Cinema House Oct. 26

Considered very radical for its time, when it first released in 1969, and still is controversial today, the independently-made political and cultural satire, "Putney Swope," will have a rare screening at the Black Cinema House in Chicago, this month. Directed by Robert Downey (not the actor of course, but his father, who was an independent film director during the late 60′s to the late 90′s), the film deals with a token black employee at a Madison Ave advertising firm who accidentally becomes the CEO of the firm, and turns the whole company upside down, radicalizing it in the process. A sensation in its day, it still has the power to outrage and perhaps even...
See full article at ShadowAndAct »

Don Draper Has Nothing on the Late-’60s Mad Men of ‘Putney Swope’

If there’s one movie I’d like to see referenced on Mad Men before it’s all over and done with, it’s Putney Swope. The cult classic, about an advertising agency run by an increasingly militant black man, opened in New York City on this day in 1969. That puts its initial release as just before the events of the most recent episode of AMC’s TV drama (the last before the season 7 hiatus), aired back in May. But the movie continued its remarkable success through the fall, giving Don Draper plenty of time to go see it. If he can take a few months to catch up with I Am Curious (Yellow), and if both the show and the character are hip enough to that art film’s existence, they’d have to be to Robert Downey Sr.‘s record-breaking hit, especially when it’s a satire of his very industry. Whether
See full article at FilmSchoolRejects »

With 'Elevator,' Louis C.K. re-rewrote the rules of television

With 'Elevator,' Louis C.K. re-rewrote the rules of television
Louie defies easy formal analysis because it doesn’t quite have an easily definable form. The most basic fact that everyone who cares about Louie knows about Louie is that the show is entirely Louis C.K.: Directed by, written by, edited by, starring. Back in 2010, it was still possible to understand the show as a sitcom, albeit an extremely precise kind of sitcom. Classically, situation comedies were collaborations: Ensemble casts, writing staffs, studio audience. Louie gave the form an auteurist twist, but you could watch the first season and see echoes of Curb Your Enthusiasm (handheld camera, inside-baseball showbiz comedy,
See full article at EW.com - PopWatch »

Allan Arbus obituary

Character actor who played the psychiatrist Major Sidney Freedman in the TV comedy M*A*S*H

The long-running Us television comedy M*A*S*H, set during the Korean war, was often perceived as an allegorical look at the Vietnam war, which was still being fought when it began in 1972. But the television show focused less on the specific mindsets of Vietnam which had driven the nihilistic Robert Altman film on which it was based, and in tone was much closer to Joseph Heller's novel Catch-22, with its comedic take on the intrinsic absurdity of war.

No character brought that home more clearly than Major Sidney Freedman, the psychiatrist who appeared in 12 episodes over the show's 11-year run. Freedman was played by Allan Arbus, who has died aged 95. His approach to the mental health of the soldiers, and medics, at the 4077th mobile army surgical hospital unit relied
See full article at The Guardian - Film News »
An error has occured. Please try again.

See also

Showtimes | External Sites