Dark satire in which the token black man on the executive board of an advertising firm is accidentally put in charge. Renaming the business "Truth and Soul, Inc.", he replaces the tight ...
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Downey takes his camera and microphone onto the streets (and into some bedrooms) for a look at Manhattan's singles scene of the late sixties. Of course, that's not all: No More Excuses cuts... See full summary »
Robert Downey Sr.
Robert Downey Sr.,
An experimental, ludicrous, plotless, absurd, surreal comedy. It is seemingly intentionally impossible to understand. It leaps from scene to scene, world to world, with recurring names and ... See full summary »
Robert Downey Sr.
In an era when Dick, Jane, and discipline ruled America's schools, Albert Cullum allowed Shakespeare, Sophocles, and Shaw to reign in his fifth grade public school classroom. Through the ... See full summary »
Dark satire in which the token black man on the executive board of an advertising firm is accidentally put in charge. Renaming the business "Truth and Soul, Inc.", he replaces the tight regime of monied white ad men with his militant brothers. Soon afterwards, however, the power that comes with its position takes its toll on Putney...Written by
Doug Mosurak <firstname.lastname@example.org>
I thought I might be disappointed viewing this film again after so many years. On the contrary, I was more impressed now than in my callow youth with its honesty and brave humour. In 1969, the transition among African-American groups from a predominant policy of conciliation and integration to one of confrontation and self-determination was still quite new, and more than a little controversial. It took courage and finesse to portray both the Establishment and the Anti-establishment as the caricatures they often closely approximated in real life. Special mention should be made of Arnold Johnson's performance: he successfully avoided having his character lapse into either sociopathy or buffoonery. I'd rather watch this than "To Sir With Love" any old day!
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